97

(68 replies, posted in General Discussion)

I'm down for this.  and Sanad, I reckon it's been a good couple of years since I saw you...so a catch up of sorts is in the order.

98

(501 replies, posted in General Discussion)

It's almost finished - part 2 of the Stalker-inspired music: less tape ripping this time around, more C90/Tascam 424 globs of sound.

99

(43 replies, posted in General Discussion)

I've found this week a bit more challenging, especially since I'm trying to keep a sense of continuity going for the first few tracks and build upon last week's track.

100

(10 replies, posted in General Discussion)

Now that would be AWFULLY irresponsible of me.

So....no.

101

(75 replies, posted in General Discussion)

I'm pretty happy with my first track, came together reasonably early in the week so it was really just a matter of tweaking here and there...let's see what this week brings.

Enjoying lots of the stuff uploaded here!

102

(56 replies, posted in General Discussion)

little-scale wrote:

Tristan: If that avatar is of a doll vomiting on you, nice work.

You know it. wink

103

(15 replies, posted in General Discussion)

As above - Beyer 770/880/990's if you can afford them.  I have a pair of 770s and they're fantastic.

104

(56 replies, posted in General Discussion)

I think the rules and conditions of the project are pretty clear and simple to understand.

105

(15 replies, posted in General Discussion)

The standalone version of Ozone 5 is pretty cheap, really. 

I tend to use a combination of Ableton and Waves plug-ins for mastering and often sweeten the mix with EQ, compression, (very rarely) limiters, reverb, etc.

I've never been a huge fan of my own mastering/p.p efforts, though I made a 2012 resolution to bone up on my theory.  It's another reason why I'm here.

106

(25 replies, posted in General Discussion)

little-scale wrote:

On the topic of traffic jams, I find indicator phase differences between multiple cars when waiting to turn right or left to be inspiring.

Years ago, I remember a girl from my undergrad composition class did a minimalist phase piece based upon that very principle.

107

(35 replies, posted in Site Help)

+1 re: Rdomain's post

108

(40 replies, posted in General Discussion)

Electro-acoustic, musique concrete/field recording collage, site-specific installation (prob. not applicable here, really), drone-ish, ambient-ish, newbie/non-conformist emulated chiptune (via nanoloop iOS), minimalist electro, film music, small room shoegaze, shagpile swamp blues and Normanville folk.

109

(72 replies, posted in General Discussion)

Tristan Louth-Robins wrote:

Hmm, lets see...

Aside from software like max/msp and ableton, I'm looking forward to employing a bunch of instruments and hardware throughout the year including:

- a reed organ
- guitars
- mandolin
- Boss dr-660 drum machine
- various stompboxes (DD7 delay, TR 2 tremolo, Fat Cat overdrive.
- Roland DEP-3 reverb rack
- Korg Monotone
- a very old irrational metronome
- Tascam 424 Portastudio
- contact mics
- existing field recordings
- 'found' cassettes
- various microphones and speaker arrays
- rooms
- circuits
- Arduino board
- a handful of iOS apps

Oh shit! I forgot the Casio CZ-101 synthesiser which is, imho the greatest cheapy phase-distortion wavetable synth known to man.

110

(88 replies, posted in General Discussion)

rdomain wrote:

You got me.  smile

Yo! smile

111

(72 replies, posted in General Discussion)

Hmm, lets see...

Aside from software like max/msp and ableton, I'm looking forward to employing a bunch of instruments and hardware throughout the year including:

- a reed organ
- guitars
- mandolin
- Boss dr-660 drum machine
- various stompboxes (DD7 delay, TR 2 tremolo, Fat Cat overdrive.
- Roland DEP-3 reverb rack
- Korg Monotone
- a very old irrational metronome
- Tascam 424 Portastudio
- contact mics
- existing field recordings
- 'found' cassettes
- various microphones and speaker arrays
- rooms
- circuits
- Arduino board
- a handful of iOS apps

This whole thing is going to be dicey given I've already got a busy year ahead with a variety of music/art projects, so I guess the fundamental goal is to make 'this' harmonious with 'everything else'.  Ideally, some of the stuff I produce as part of this project will be able to be folded into the the other stuff I'm working on and vice/versa.


I'm thinking at this stage that each month will consist of a different theme or challenge, such as only working with a specific set of instruments, material, software, hardware, rules, procedures, etc.  Ultimately, it might look something like this:

Month 1 - Reed organ, reverb unit, metronome > max/msp
Month 2 - Nanoloop iOS, DD7 digital delay, [rule: must use shuffle] > Tascam 424 cassette 4 track.
Month 3 - Singer/songwriting: acoustic guitar, mandolin, reed organ, vocals, [rule: must attempt aping of early Fairport Convention fused with bits of early 70's psych folk] > Ableton Live
Month 4 - Write four pop songs in 5/4 time.

etc...something like that.