Weeklybeats 2024 was a 52 week long music project in which artists composed and publicly released 1 song a week for the entire year. Enjoy this archive of over 7,500 music compositions by over 300 artists.
Sign up or Login to give feedback or chat up on the forums.

WeeklyBeats.com / Music / rplktr's music / The Longest Track on Weekly Beats

The Longest Track on Weekly Beats

By rplktr on December 22, 2024 5:01 pm

I welcome all critical feedback.

The 16MB upload limit is a nice forcing function that effectively sets the maximum duration of entries on Weekly Beats. Throughout the year, I toyed with the idea to upload something that stretches this expected possible running time. This is the end result.

This was weeks of work. I wanted something big enough to sum up the year and the successful completion of all weeks this year. I didn't want to upload a 4-bar loop that goes on for 37 minutes. I didn't want an unedited live jam. So instead, it's a 4-movement structure with a coda. Not a symphony per se but there's a lot going on.

You might have seen me testing an audio codec in previous weeks to ensure people can hear the song once it's uploaded. Previous experiments were successful. I hope it doesn't fail me now! It should sound okay and be stereo.

Each movement uses different instrumentation but there's two constants. The Opsix FM jazz bass and the Analog Rytm fully analog microtonic drum kit.

If you read all this and listened to the entire track, thank you very much for indulging me. I super appreciate it!

Movement 1: Ceterum Censeo
Smooth nujazz.
9:51 4/4 E-minor 120bpm; Waldorf Iridium, Yamaha Revstar guitar

Movement 2: Bad Bitch Disaster Boots
Glitchy krautrock.
8:40 4/4 F-major 128bpm; Moog Subharmonicon, Iridium synths, vocals

Movement 3: Ubi Sunt
Acid waltz.
5:02 6/8 C-minor 56bpm; Roland T-8 acid line, Iridium hard sync solo, Ableton MPE choir

Movement 4: Ceterum Censeo Reprise
Smooth nujazz.
11:02 4/4 E-minor 112bpm; Waldorf Iridium, Pianoteq grand, Yamaha Revstar guitar

Coda
Solo piano.
2:47 4/4 A-minor 112bpm; Yamaha CP300 chorus e-piano, Pianoteq grand

This is close enough to a symphony that you definitely deserve a feeling of accomplishment. I'm about halfway through, and it manages to balance abrasive sounds with generous filters and reverb in a way that gives it a consistent and pleasing feel. And the bass sound is great, makes sense you kept it throughout.

buckling up!  i have a drink and a snack.

1:00: I love the FM bass, gorgeous

1:34: site crashed when I tried to download the file, starting over!

download successful

wow, opsix looks awesome, never seen one before.

beautiful guitar work

6:59: that little HONK that comes in during the space of the guitar riff is awesome

10:13 WHOA VOCALS - love the choral feel

15:43 oh it's getting epic now.  making me fondly remember AloneMusic's epic outros!

18:29 good tempo slow down

19:57 the acid is starting to boil!  love the waltz tempo, really cool how that just snuck up.  Wow, ableton choir is awesome

23:34 i should have listened to this while exercising but then I couldn't do the timed reactions

23:51 the piano is like a refreshing drink after a long hike through the acid forest
love this chord progression

36:01 wow

this ending is amazing

okay I officially listened to the longest track on weekly beats

...and it was really good!  compelling work, great variety, awesome guitar and piano work, FM bass was flawless, the acid waltz was a really fun surprise

happy holidays!

I don't know if it's the actual longest one, I believe there's one that was over 40 minutes. It was alright, but this one is definitely better. So much happening, going so many places, and never feeling out of place doing so and some truly fantastical.

super cool! listened just to a snippet now, will come back to it later to do a live comment like OD. first impression - sounds just a little bit mp3 toasted but decent!

This is a triumph.

It was also a lesson in how intensely fucked my life is that I find it nearly impossible to find 37 uninterrupted minutes to listen to music on headphones. I'm reminded of a recent BBC review of Lady Gaga's "Disease" in which they refer to it as "unfashionably long" at nearly 4 minutes ... what world do we live in...

So I applaud you again in making such an epic long suite (from a fellow long-ass track squad member), and a beautiful one at that. I absolutely delighted in reading your liner notes as I listened, if only because of how much the words "nujazz" and "krautrock" make me smile.

I can't really muster brain power for an all-over review, but a few things stood out for me.

First, the vocals - wow. Again, what a triumph, what an incredible achievement to end the year at after doing vocals for the first time ever earlier this year, amazing, chilling lyrics - just awesome. I am in awe. I hope you enjoyed doing them, I hope you're proud of them - and I hope you keep pursuing that in your music.

I will also commend you for using the vocals early - not quite the middle but close - and not repeating. It felt like a significant "moment" this way across the set of movements as opposed to a repeating theme, and that haunted me - I kept remembering you singing as I was listening to the other parts. "Haunting" is a personal goal for me in just about everything I do - someone remembering something you made long after they encountered it - so that is just. Wow.

On that same track - this is the best, most musical and wonderful use of the Subharmonicon I have ever heard anywhere. It was perfect. I recognized it, but it didn't sound like "a subharmonicon song" - it was full of intention and perfectly crafted and mixed. Awesome.

And, of course, your keys/piano/jazz throughout - wonderful. Unifies the tapestry. Keeps me listening. Also your guitar parts were great.

And that's I guess my last point - it kept me listening, it made me want to keep listening, it kept me engaged, it never got boring, never repetitive, it was always interesting and I wanted to know where it went next. (here, in brackets, in the middle of this paragraph, I will hide my only criticism: after about 20 minutes some of the high-end drums, the snare, the hats, while not repetitive in a rhythmic way, their position in the stereo field plus their general sameness of frequency started to become slightly tiring on my brain-ears). What's more, as soon as I finished, I wanted to listen again - all the parts that were immediately "remembered" made me want to dive back in and hear them again, and hear other parts which I then thought sorta played off each other, listen to the vocals again, the lyrics ... there is not a lot of music that does this for me. I'm not just enjoying the experience, it's engaging the curious and inquisitive parts of my brain and making me want to go deeper with my listening. That's awesome.

This was fantastic. Thank you. I can only imagine the amount of effort this took - it was worth it. What a masterpiece!

i can't believe how good this sounds considering how low the kbps must be! mixed perfectly and somehow translates well to extremely lo-res. so smooth. really enjoy that bass sound and well, everything sounds really cool and in its right place. i love this idea of the super long track lol! a few people have done it over the years but not many (and mostly noise tracks if i remember correctly). good work! I gotta come back to listen to the whole thing lol, found this towards the end of the night.

neon liminal wrote:

...reminded of a recent BBC review of Lady Gaga's "Disease" in which they refer to it as "unfashionably long" at nearly 4 minutes ... what world do we live in...


WHAT?? 4 minutes is 'unfashionable'? I HATE this world! (but concur with everything neon_liminal wrote wholeheartedly heart ).

Also, i feel like stressing how magical the lo-res quality is: somehow you kept the reverb sounding hifi enough to remain like a lush reverb, which is the most difficult part of creating lofi when reducing compression rates, etc. in my experience. Everything necessary to create this immersive experience translates nicely in the mix and presence of all sounds. And i resonate with all the feels(which is sometimes difficult to do and keep going for so long(slight tangent: it makes me think, too -> you catered this to appear/release/manifest at the right time of season, too, ...for example, the entirety of the work would not have resonated as much during the summer time for whatever reason... a beautifully crafted synchronicity here in your presentation)). Nice work!

LOVE the lyrics, too! heart heart

This is so epic, damn. I thought at first it would be some low-bitrate gimmicky track, but so far this is GOOD. Like, really good. I'm only 1/4th of the way in, though. The piano and bass playing are on point, nice percussion and that guitar is a cherry on top.
...
Ok, approaching the middle, gotta take a break. Love how cohesive it's all been, those nice punchy drums are a good glue. Amazing vocal work.

wow wow whoa! Not kidding, the longest track! Ok, may do this is a few sittings, but I'm ready.
movement 1 -
That bass in first movement oh heckin yes. Damn, nice! That snare kind of intense, wasn't ready, but it settles in, got used to it, but still a bit intense for me. Other percussion and beat tasty, yeah nu jazz this is!

Great guitar playing, welcome that addition to it, would have welcomed that earlier in I think too.

I'm coming back for movement 2 later. I predict I will enjoy.

Ok, I'm back, loved the acid basslines in the acid waltz. The calm part in the middle threw me off, thought the song had ended but then when the acid came back it was awesome, because I wanted more of that! (As nice as the break was).

Nice final movement like this symmetry with the first song. Nice guitar again. The high frequencies of the glitchy drums sound a little too loud on my headphones at least, though.

And the coda was gorgeous, nice interplay of the two piano timbres and lovely melodies.

I love this and the idea behind it, so rewarding and worth the time to listen, the file you are using is impressive, this sounds very rich, no artifacts or flattened sound.  I can’t imagine the time and effort this must have taken, congratulations on this achievement.

This was beautiful. Love the idea and the execution.

A happy new year to you!

Back for the rest! Vocals in movement 2 sound good! I like the sparkling panning synths and was engaged with the vocals, leads well into movement. Love that you called it Acid Waltz. Love the acid line and choir.
I welcomed back the nujazz reprisal in Movement 4, felt ready and good to have it back. Tasty playing there again, impressive.
Oh that Coda is beautiful. You piano work there is also impressive, just lovely. A fitting and satisfying ending.

An epic triumph indeed, congrats on this! You put in some serious work, I'm impressed.

A high quality 5-in-1 track made in a week is just mind boggling to me, and you did it on week 51! You kept it interesting throughout and it sounds great. Well done! I’m impressed smile

incredible accomplishment, rplktr! i especially enjoyed your vocals.
5 stars, no notes  heart

finally found time to embark on this april morning. Gonna write live commentary and then some thoughts at the end.

love that it starts with the bass solo. sets a nice gloom and in the solo the theme is referenced a lot. we already know it's gonna be a crazy long track so it's taking its time to introduce the groove.

by ~5:00, the guitar, the drums, and the synth took a turn. I like that the drums have a voice and expressed something in the solo, altho I was thinking of wanting a real drummer. But it has a jam feel and each instr has their own voice. altho many phrases are similar between guitar and bass and stuff - which makes the theme stand out, but sometimes it's not a theme but just more like a lick. (note from later in the track: this feeling disappears and each instrument feels more distinct later on, maybe when I "get to know them").

So far it's jamming along, it feels like a quite freeform but tight jam. It seems to be meandering, finding its way, but there are little themes popping up here and there.

Here it becomes an opera at 10:00 with the vocals! whoa!

"the world has gone mad" awesome line
"nothing wakes you up" holy shit

fantastic lyrics and I'm only around 12:00
hits hard with the synth. I am genuinely thinking about the world going mad all the time and this is speaking to me.

ok the melody reminds me a bit of Between Two Points, the new song by Dave Gilmour and his daughter, which I covered on my youtube. well the first two chords and a bit of the melody. very nice.

nice and dark detuned kick drum, sends everything a bit spinning harmonically which is so delicious.

it keeps chugging like a train. I wonder if the tempo is changing or it just feels like it's rushing because the snare is played a bit forward or some trickery like that.

It also makes me think maybe the track can also be condensed to a small intro, the vocal bits ~12min and have it as a "radio version" or something of ~4min, like a single that condenses the entire 40min opus. Just a thought. if you ever wanna release it.

Ok around 18min def the tempo changed back down. but cool, and love the vibe of the delayed synth. it is atmospheric but also urgent somehow, like a chase. around 20-21 it calmed down again with the monks voices, but still urgent bassline. kinda TV soundtrack but more epic. cheezy lines around 21:40!!!

Yo sweet callback to the early part of the track around 24! sick drowning piano sound, I realize I missed this theme. nice to have it back. I like the prog-jazz vibe around 25min, sounds very tight altho the reverb removes a bit of the tightness. could be nice to explore this but more dry to see how hard it can hit - and also to vary the reverb to change the space where the song happens, cause right now the whole 40min is in the same reverby room. think uhhh idk what a good example of tight drums can be. King Crimson? that's a high bar tho. but anyway more fusiony modern drumming like yours, idk. JD Beck?

Cool further buildup to ~28min. just when I thought it is getting a little bit old with the static 16ths hitting constantly, it switches to the bass solo, again nice callback to the early track. still retains a jam feeling so not worth delving too much into the composition. the vibe is good, it feels honest.

cute bossa bar approx 33min
into cute lullaby xylo around 35-36. fitting, after the journey we went on. maybe there is a good ending to all this madness. well, nope, the tension is still there at 36:30. we might still be fucked hahahhah (great section btw! tells a nice story! again very TV/movie-esque, I can picture it)

Yay!

Final thoughts: beautiful track and it doesn't get boring at any point. Still, I would say the best part and most worthwhile was the lyrics part around 10min and I really love what you were saying. I went back to listen again and I love the transition from the intro to the first verse to the detuned kick and later verses and crazy synth joint after it. Wait is this about Luigi killing that CEO? lol. crazy times. it works being about other things too. made me think about US politics for sure tho, but also generally about personal health and waking up to appreciate your own blessings rather than taking them for granted.

It's still fun to listen to past the 17min point, but getting to be something else than the song. So the single should find an ending around this point I think.

So my friend I say well done and thanks for making and sharing this masterpiece! And sorry it took me this long, I had to dedicate some time to properly listen!

heart

You need to login to leave a comment.
Login Sign-up