Zombie piece incoming at 10am AEST, Monday the 18th of June.

Ew, ethics clearance.

PS. Greatest Zombie-context track: http://www.youtube.com/watch?v=7Z0wnPFN3x8

I may do a Zombie-themed track sometime, too. Shuffleshuffleshuffleraaarghhh.

My main inspiration comes from a kind of scientific testing of things. I like to push the red button, so to speak, JUST to see what happens. Usually the result is inspiring. But this is the general method of creation that I use all the time, and the beauty of it is there's always something new to try. John Cage says "consider everything an experiment", and that works really well for me.

I also find inspiration and ideas on what to experiment with in fairly mundane things (or non-mundane, depending on your point of view) such as nature, evolutionary biology, books, other people's experiments and an urge to adapt them for myself, as little-scale said - the phase misalignment of car indicators, and so on.

Poppi wrote:
vinpous wrote:

I would be interested, potentially. My week 21 was composed, but not produced, in about 55 minutes. Total time was about 1:20 including polishing the sound in Logic a little. I think 45 minutes is a fair goal.

I was initially thinking 25-minutes...45 was a number chosen at random.

25 minutes is achievable, but would be much much harder than 45. I do like the idea though.

I would be interested, potentially. My week 21 was composed, but not produced, in about 55 minutes. Total time was about 1:20 including polishing the sound in Logic a little. I think 45 minutes is a fair goal.

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I live on a train line, and it's quite a busy one. So attempting to listen to music with the window open is a challenging process. So fuck you, public transport.

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I dunno if this belongs here or in a genuine whinge thread, but you know when you're doing a gig and the cable from your computer to the PA doesn't work properly, so audio keeps cutting in and out, but not on both connectors? And somehow I managed to feed the audio input into the output (though the software I was using I *swear* prevented this)...

Embarrassment...

I vote for Thursdaybloom... it may come out as something completely unrelated, though.

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little-scale wrote:

had a long week. so unmotivated to weeklybeat.

Relate, very relate. But I managed to get something done!

For the week starting the 23rd: timelapse + puredata.

Yeah it's a site policy rather than a technical legality.

Aleatoric integral serialism with terrible pan-asian instrument samples.

little-scale wrote:
vinpous wrote:

I bought Max 6, I didn't like 5 much at all. 6 seems alright, but I haven't used it enough previously to really say if I dislike it. Why do you dislike Max 6?

The initial release was quite buggy to the point of not working (at least on my machine).

Ah, sounds like virtually ever bit of software ever. I have had no problems with it so far. Except for the whole learning how to use it thing.

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Poppi wrote:
vinpous wrote:

Whinge #1: I need to earn (or obtain through other means) just a bit more money each week!

There's heaps of money in porn.

Hah, I wouldn't even know how to crack into that industry. :\

That being said, I'm not sure I'd want to.

iran sanad wrote:

MAX FTW.
NOT MAX 6. P.O.S

I bought Max 6, I didn't like 5 much at all. 6 seems alright, but I haven't used it enough previously to really say if I dislike it. Why do you dislike Max 6?

Thursdaybloom wrote:
vinpous wrote:

I'm attempting to learn Max/MSP a bit more with this week, creating a 4 part piece using a random-generation polyphonic synth. I would like to make it serial with random reorderings of stuff, but I don't think I have the know-how yet, to pull that off. We will see what tomorrow brings amongst doing research proposals and critical annotations and stuff. :\

Can't wait to hear your Max work VinnyG

At the moment it's noisy and glitchy.