Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting December 29th 2025 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

Yellow Room

By dadboy on January 14, 2026 2:27 am

So it's possible I may take this track down and replace it with something else before the week's end, but it's going to be a busy week and this is really growing on me.

I recently blew up my setup and sold a bunch of stuff, and I finally got around to reorganizing things. This inspired me to build a simple little modular patch (the arp) on my long-neglected skiff which was the genesis of this. I ran that through delay/reverb in Ableton, then added this chaotic pad I really like from the TEO-5, and a slow synth bass on the Astrolab. I initially tried to record some light guitar over this, but couldn't really figure out/capture something I liked, so I decided to keep this simple. This, to me, feels like an evolution of the things I was making when I first started with synths. Simple pieces, raw emotion, but more refined sound design and production than in my early DAWless days.

The other thing I really like about this track is how the emotional center of this has shifted for me over the last few days. When I initially made it, it felt anxious and somewhat aimless. I called it "White Knuckles," as I felt it represented this tense and constant enduring with no clear end in sight. But then, in therapy this week, I had to identify an internal resource that I can revisit that can help calm me as I prepare to delve into some rough stuff over the next few months. This internal resource was a room at my Grandmother's house - the Yellow Room. This room means many things to me - it was my mother's childhood room, and is a room I stayed with her in many times. It's one of the only places I can really remember feeling carefree and safe. It was warm and open and soft and bright, and I can picture the sun pouring in through the windows in the afternoon and catching the dust in the air. Even though I finished this song yesterday, I listened to it today, and it meant something completely different to me. It's no longer anxiety and hurt and tension as I try to cling and get through to who knows what; it's safety and warmth and comfort and belonging. It became the yellow room for me.

Anyways, I hope you'll forgive me if I'm oversharing, but even though this track is simple and maybe even rudimentary, I'm really pleased with it. I hope you enjoy.

EDITED TO ADD: Some folks in weeklymeets were saying it might be cool to hear this slowed down, so I quickly ran it through paulxstretch. I love the original, but I think the stretched versions are also really cool and meditative in their own ways:
Stretched 2x
Stretched 4x

LOOOOOOOOOOVE the opening here. Slow, tumbling, growing heart heart. Great track!

Pure bliss, a breath of fresh air heart

bobbyd wrote:

LOOOOOOOOOOVE the opening here. Slow, tumbling, growing heart heart. Great track!

Thank you! I appreciate it heart


ChillBitz wrote:

Pure bliss, a breath of fresh air heart

Thank you! It felt like that to make heart

Thanks for the backstory. That enhances this piece nicely. The warmth of this track is really showing through. You're maximizing the space with just the minimal elements. I expect I will keep coming back to this.

Cakes wrote:

Thanks for the backstory. That enhances this piece nicely. The warmth of this track is really showing through. You're maximizing the space with just the minimal elements. I expect I will keep coming back to this.

Thanks! I feel like a lot of that is owed to that TEO-5 pad. It is the greatest synth I've ever had, and it's got such musicality and character to it. I don't put a lot of stock into the whole "analog vs. digital" debate, but there really is something about the TEO-5 that warms up any mix it's in.

I could bathe in that soundscape all day. Gonna relisten to this with a nice pair of headphones tonight and really soak it up.

monodestroyer wrote:

I could bathe in that soundscape all day. Gonna relisten to this with a nice pair of headphones tonight and really soak it up.

Thank you! I felt a little self-conscious going back to more ambient stuff (really where I started with production), so it's really encouraging that it resonates with folks. heart

Loving the soundscape.

grazcore wrote:

Loving the soundscape.

heart

woah those pads are so beautiful. really love this!!

Really beautiful pads and arps.  Bringing me back to the simpler things in life.  I had a similar room at my grandmother's house where I felt safe so I can relate

dreeks wrote:

woah those pads are so beautiful. really love this!!

Thank you!



Disposable Planet wrote:

Really beautiful pads and arps.  Bringing me back to the simpler things in life.  I had a similar room at my grandmother's house where I felt safe so I can relate

Thanks, bud heart

Holy shit, this is beautiful!
Going to check out the stretched versions now.

Love the story behind this too.
Funny how music can emote differently depending on the headspace we're in.

this is lovely and its very sweet what you shared about the yellow room. sounds like wonder and possibilities to me

GregVK wrote:

Holy shit, this is beautiful!
Going to check out the stretched versions now.

Love the story behind this too.
Funny how music can emote differently depending on the headspace we're in.

Thanks! I do still really like the original version, but the stretched versions are nice and meditative, too.


monstret wrote:

this is lovely and its very sweet what you shared about the yellow room. sounds like wonder and possibilities to me

Thanks! Yeah, there's something optimistic about it - it definitely has a childlike quality to it.

To be fair, I said the tempo be slashed, paulstretching is something else entirely (it basically removes the arps).
Still, it's all quite pretty.
- Spider

DESLRV wrote:

To be fair, I said the tempo be slashed, paulstretching is something else entirely (it basically removes the arps).
Still, it's all quite pretty.
- Spider

True, someone else did suggest paulxstretch, though and that was quicker smile

Quicker than just changing the tempo?

DESLRV wrote:

Quicker than just changing the tempo?

I made a mistake and accidentally lost my stems/project file on this, all I've actually got at the moment are the final renders - whoops!

Absolutely beautiful. Also, many thanks for sharing the backstory. Reading what feelings and emotions this evokes for you really adds to the piece. For me it feels like someone's telling me "everything's going to be okay" in a difficult moment.

This is so lush! Brought my heart rate right down on a gloomy morning.

we could all use a yellow room from time to time.
I fondly remember the home I grew up in and wish I could see my bedroom one last time, but sadly it doesnt exist anymore besides in my mind.

Amazing piece, hits right in the feels!
Thanks for sharing!

absolutely serene pads and sounds in this, it's lush to listen to heart

WahSp wrote:

Absolutely beautiful. Also, many thanks for sharing the backstory. Reading what feelings and emotions this evokes for you really adds to the piece. For me it feels like someone's telling me "everything's going to be okay" in a difficult moment.

Thanks! Yeah, as I understand it, the internal resource is supposed to be something calming I can visualize to help center me if I'm struggling as we start to go back and reprocess some traumatic stuff, so I think that's really fitting heart


Dank Receptor wrote:

This is so lush! Brought my heart rate right down on a gloomy morning.

Thank you! Glad it helped heart



As_Yoesual wrote:

we could all use a yellow room from time to time.
I fondly remember the home I grew up in and wish I could see my bedroom one last time, but sadly it doesnt exist anymore besides in my mind.

Amazing piece, hits right in the feels!
Thanks for sharing!

Yeah, that's been a lot of my experience over the last few years as family members have passed on and those places and spaces no longer exist (at least in our family). I'm a bit of our family historian, and for myself I often documenting those feelings/memories in music smile


MaisieMarra wrote:

absolutely serene pads and sounds in this, it's lush to listen to heart

Thank you! Your track was so killer this week, so that's really high praise heart

this one really got in my head this morning, dadboy heart

i listened before i read your description and was feeling a strong springtime/ soul-stirring/ waking up/ healing kinda thing. then i read yr words and listened to the slowed versions and got a little weepy

thank you for making and sharing this. i appreciate the vulnerability and wish you the best as you do this work. i love the idea of having a room in mind (and now a musical version) as an internal resource. i'm now thinking of the "sun room" at my grandparents' house, which sounds a lot like what you described.

jwh wrote:

this one really got in my head this morning, dadboy heart

i listened before i read your description and was feeling a strong springtime/ soul-stirring/ waking up/ healing kinda thing. then i read yr words and listened to the slowed versions and got a little weepy

thank you for making and sharing this. i appreciate the vulnerability and wish you the best as you do this work. i love the idea of having a room in mind (and now a musical version) as an internal resource. i'm now thinking of the "sun room" at my grandparents' house, which sounds a lot like what you described.

Thank you! This track reminds me a lot of stuff I made early on in my synth production days (albeit of higher quality, I think), and while that stuff was really important to me, I have a hard time going back to it and feeling like it's any good. On top of that, I struggle a lot with sharing and feeling like I'm oversharing. All that to say, I've really appreciated your comment and the others like it - and it feels good to be able to make and share things that feel really authentically me and have them still connect and resonate with people. Thanks for listening and I'm glad you enjoyed it heart

This feels to me like running my head under cool water on a hot summer day. Love the slight pitch drift in the upper arp, and the pad is gorgeous. Structurally, it *blooms* in a way that feels really natural. Something in the note sequence on the TEO? I'll have to study this

My version of the Yellow Room, or at least one of them, was also at my grandma's house. It had a daybed with faded pastel sheets, a dark Germanic wood desk, and a radio scanner that could pick up rural cops. I would take refuge reading there, and this song has some of the softness of that

sleepside wrote:

This feels to me like running my head under cool water on a hot summer day. Love the slight pitch drift in the upper arp, and the pad is gorgeous. Structurally, it *blooms* in a way that feels really natural. Something in the note sequence on the TEO? I'll have to study this

My version of the Yellow Room, or at least one of them, was also at my grandma's house. It had a daybed with faded pastel sheets, a dark Germanic wood desk, and a radio scanner that could pick up rural cops. I would take refuge reading there, and this song has some of the softness of that

It's funny, the vision of the yellow room that I have is definitely in summer, and I can feel that warmth of the sun in my skin when I think about it (a sensation that is missed in this particularly bitter winter!). The arp is on my modular skiff, and the VCO is this cheap, kinda crappy module that came with my case, called Chipz. It's a little garbage, lol. It drifts across octaves, it's very unpredictable (basically nothing on it does what it's really supposed to?), and it's very challenging to tame. 95% of the time it just sounds kind of crappy, but when you can manage to dial it in perfectly, it can be something really special. For that TEO pad sequence, it's technically just two chords, but played in a way where the voicings slowly climb. It walks this line of maintaining ambience by not having a lot of melodic tension or movement, while still climbing and feeling a little optimistic. Especially with how orchestral it feels, I thought it wait so nicely.

I like your version of the yellow room a lot. That sounds like a special place, too. Thanks for the thoughtful comment!

This feels sp uplifting.

Tide730 wrote:

This feels sp uplifting.

heart

absolutely dreamy and nostalgic all at once. love how those light pads float atop the hypnotic arps.  memories unlocked.  beautiful

very smooth. love it

Tone Matrix wrote:

absolutely dreamy and nostalgic all at once. love how those light pads float atop the hypnotic arps.  memories unlocked.  beautiful

Thank you! If there's a vibe I go for in my music, it's most definitely nostalgia.

tweidner103 wrote:

very smooth. love it

Thanks! heart

oh my heart - you put us all in that yellow safe room with this track - thank you

the production on this is gorgeous

You need to login to leave a comment.
Login Sign-up