WeeklyBeats.com / Music / Visual Basic Bitch's music / 5 out of 7
This is actually last week's track that I didn't have time to record before the upload deadline. Trying out different time signiatures in LSDJ, makes it a little bit more interesting than it would be otherwise. Took me ages to find the right groove but it turned out alright I guess.
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CC Attribution Share Alike (BY-SA)
Crazy panning in the intro! Sounds great and gnarly, the different time signatures sound pretty effortless here. I’m partial to the interplay between the bass and lead when they get an uninterrupted solo without rhythm at 1:03 or so, sets subsequent motion really nicely.
You've made it work well enough. I tend to find odd signatures easier to work with somehow because no matter what you do, it'll always sound fresh.
- Devieus
Crazy panning in the intro! Sounds great and gnarly, the different time signatures sound pretty effortless here. I’m partial to the interplay between the bass and lead when they get an uninterrupted solo without rhythm at 1:03 or so, sets subsequent motion really nicely.
Thanks 
listening back to it a week later I'm liking it a lot more than I did when I uploaded it.
You've made it work well enough. I tend to find odd signatures easier to work with somehow because no matter what you do, it'll always sound fresh.
- Devieus
Definitely, after hearing/making so many 4/4 lsdj tracks it's refreshing to hear something new. I've just noticed that the song title makes no sense, given its 5/4 not 5/7, are 7th notes even a thing
Devieus wrote:You've made it work well enough. I tend to find odd signatures easier to work with somehow because no matter what you do, it'll always sound fresh.
- Devieus
Definitely, after hearing/making so many 4/4 lsdj tracks it's refreshing to hear something new. I've just noticed that the song title makes no sense, given its 5/4 not 5/7, are 7th notes even a thing
If you want them to be.
- Devieus
