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WeeklyBeats.com / Music / Paisleyfrog's music / Tiptoe Through the Tulips (The Tale of Doris and Moose)

Tiptoe Through the Tulips (The Tale of Doris and Moose)

By Paisleyfrog on May 10, 2026 8:57 pm

Let’s make something weird.

Ran outside last night and took some pictures of my neighbors yard for the cover art. Because I was like “o shit I need tulips”. And then I remembered, “o yeah, my neighbors.”

It all started when I pulled out my old boxes of tapes. I always say “follow the creativity”, but I wasn’t expecting to end up here. The 4track stuff didn’t yield anything right offhand, but I found an old tape my sister made when she was 12. She got a tape recorder for her birthday and made a whole bunch of recordings of stories and of skits and of picking on her brother. I thought it might be fun to use one of those. The Tale of Doris and Moose (as I call it - it's about "tiptoe through the tulips") was always a little creepy to six year old me. I asked my sister if I could use it - she thought it was hilarious. Agents are go!

What made the song click in my head was realizing I should use some manner of Tiptoe Through the Tulips sample. Tiny Tim wasn’t an option, but I could go much older: it was written in 1929, and those recordings have entered the public domain this year! Grabbed a track from archive.org and got to work.

I thought it might be fun to try and isolate the parts to remix it, so I used the stem separator. Holy carps - it assumed the surface noise of the recording was percussion and completely isolated it. Perfect clean recording! I may need to try that on my own 78s…

I mainly just started throwing odd stuff at Logic and tried to organize it. Glitch2 is a go-to, but it failed me Friday - the plugin crashed in Logic and pretty much took down the project. The only way to reopen it was to uninstall Glitch, open the project and remove it from the tracks. Ugh. That’s for Saturday.

After I went to bed, I figured out what to do. Freakshow plugins instead of Glitch (I mostly used automation on MISHBY, but also used Dumpster Fire. Also overdrive, distortion and delay). Use the story as a middle section. Get a little louder somehow at the end. Done.

All went together pretty easily on Saturday. The guitars went in an unexpected direction…a lot more metal than I was planning…and the major key change at the end amused me, so I went with it.

"Tiptoe Through the Tulips" is public domain. (Jean Goldkette And His Orchestra, 1929)

Audio works licensed by author under:
Copyright All rights reserved

Honestly, I'm kind of disappointed in you for not including a recorder solo in this one (jk).

This is incredible. Love the sample work and the insidious vibe.

Double-posting to comment on the incredible guitar/drum work that comes in the "later movements". Paisley for king!

this song is absolutely chock full of amazingness, but I think my absolute favorite bit were the harmonizing guitars near the middle. so so many incredible different pieces, voices and sections. tons of variations and IMPOSSIBLY different vibes, all stitched into one cohesive thing. I am absolutely floored. holy shit.

Not enough words to fully express my thoughts (this one demands a re-listening)... wild progressions and use of field recordings; wild use of atmospheric textures to control the energy; just stellar work on this one - truly! smile

omg, i love this so much!
the tape of your sis telling the tale is soooo good. i'm a sucker for that kind of thing, especially when there is a connection to the artist's childhood.

and the way it keeps building to that big guitar section and then back to the tipping of the toes...

Doris and Moose!!

Warning: profanity.

Holy fucking shit dude this is some fucked up alice down the rabbit hole mad hatter magic mushroom off with her head looking glass nightmare factory post rock arena anthem Journey-journeyfantastic fucking mystery tour brainsplitting fever dream migraine white-rabbit rabbit-shit dark side of the moon genius.

Fucking amazing. You broke me completely.

Goddamn fucking triumph.

GIMME UR STEMS DADDY WANTS TO REMIX. Please heart.

Hail yais! \m/ The sound design with the samples is awesome! Drums sound great with all the lil percussive synth elements.  The guitar solo rocks ooof then that drum fill to open it up even more? Yais! Love this!

Ooh man, so much variation in these nine minutes.

That intro is moving over to the actual track.
In the first few minutes, I almost wish I had a car with hydraulics and could do a stroll along the beach while playing this and staring at the people.
The second half I just want to raise my fist and headbang.
Even my non-rock-loving wifey thinks that part sounds really cool.


I'm gonna giggle.  And then I'm going to have nightmares.  And then I'm going to giggle.  And then I'm going to have nightmares.  Put THAT on a loop!

0x_colt wrote:

Honestly, I'm kind of disappointed in you for not including a recorder solo in this one (jk).

This is incredible. Love the sample work and the insidious vibe.

Double-posting to comment on the incredible guitar/drum work that comes in the "later movements". Paisley for king!

Thank you! I told my sister what I was planning, and told her it was going to be creepy. Her only request was that it remain somewhat wholesome. And I'm like, yeah! That is in no small part what drove the major key change at the end big_smile

Also, there will be more SpeedWhistle: just ordered a new recorder, it's coming this week smile

jegasus wrote:

this song is absolutely chock full of amazingness, but I think my absolute favorite bit were the harmonizing guitars near the middle. so so many incredible different pieces, voices and sections. tons of variations and IMPOSSIBLY different vibes, all stitched into one cohesive thing. I am absolutely floored. holy shit.

So glad you liked that section! It was very much a late addition - I needed something to ease the transition into the first heavy guitar part. I don't have a lot of things that sort of define my sound, but I'm finding that harmonized guitar lines like that are one of them. I love figuring out harmonies like that heart

MyloWhyTho wrote:

Not enough words to fully express my thoughts (this one demands a re-listening)... wild progressions and use of field recordings; wild use of atmospheric textures to control the energy; just stellar work on this one - truly! smile

Thank you so much! And on several levels. I was in no way sure about posting an almost nine minute song...but yours last week was 13+ and I loved it. Thanks for helping me follow the creativity and going with what this song needed to be heart

jwh wrote:

omg, i love this so much!
the tape of your sis telling the tale is soooo good. i'm a sucker for that kind of thing, especially when there is a connection to the artist's childhood.

and the way it keeps building to that big guitar section and then back to the tipping of the toes...

Doris and Moose!!

heart heart

That tape is sort of family legend at this point...there's a LOT of awesome stuff on it. I turned it into a CD years ago and gave it to her for Christmas. Funny part is that her kids listened to it later and were quoting it back to her. When they found out that was their mom they looked at her like she was a rockstar smile

neon liminal wrote:

Warning: profanity.

Holy fucking shit dude this is some fucked up alice down the rabbit hole mad hatter magic mushroom off with her head looking glass nightmare factory post rock arena anthem Journey-journeyfantastic fucking mystery tour brainsplitting fever dream migraine white-rabbit rabbit-shit dark side of the moon genius.

Fucking amazing. You broke me completely.

Goddamn fucking triumph.

GIMME UR STEMS DADDY WANTS TO REMIX. Please heart.

Daddy has been provided smile

This is one of the best compliments I have EVER received, thank you...having an artist I admire say "I want to remix ur shit" is pretty goddamn epic. heart heart

Tone Matrix wrote:

Hail yais! \m/ The sound design with the samples is awesome! Drums sound great with all the lil percussive synth elements.  The guitar solo rocks ooof then that drum fill to open it up even more? Yais! Love this!

Thank you! This track was almost like assembly - I knew where it was heading, needed to click the parts into place. Ended up being a bit like IKEA where I didn't read the measurements, it was a bit bigger than expected big_smile big_smile

As_Yoesual wrote:

Ooh man, so much variation in these nine minutes.

That intro is moving over to the actual track.
In the first few minutes, I almost wish I had a car with hydraulics and could do a stroll along the beach while playing this and staring at the people.
The second half I just want to raise my fist and headbang.
Even my non-rock-loving wifey thinks that part sounds really cool.

Thank you!! I've never done a track this long before, I'm glad the sections and variety worked smile

What a vibe!

Solid.

Beautiful cover art as well.

Love the guitar solo! Those octaves-or fifth, or something harmonies are great. Then the heavy rock vibe contrast with the more electronic vibe is super cool. If you plan to release that and would like an acoustic drum part for the second part of the song, hit me up, I'd be happy to try. (I feel I could do "decent", and it would give me another week off composing lol)

And yeah those stems separator are getting pretty good...

That's one truly awesome guitar solo. I wish I could take just that and absorb it into my being.

This is is dark and i LOVE It

You came highly recommended and I am not disappointed.

This is like some kind of amazing acid nightmare

Did not see the frankly amazing post rock section coming.

Mind fully blown!

That what was a weird trip, in a good way.

speek wrote:

I'm gonna giggle.  And then I'm going to have nightmares.  And then I'm going to giggle.  And then I'm going to have nightmares.  Put THAT on a loop!

MISSION ACCOMPLISHED smile smile  Thank you!

It's funny...my sister wanted to hear the track when I was done. I sent her a link to my almost done version late Saturday night. Later on she was like, "I started listening that night, but I had to stop....too creepy!" smile

djippy wrote:

What a vibe!

Solid.

Beautiful cover art as well.

Love the guitar solo! Those octaves-or fifth, or something harmonies are great. Then the heavy rock vibe contrast with the more electronic vibe is super cool. If you plan to release that and would like an acoustic drum part for the second part of the song, hit me up, I'd be happy to try. (I feel I could do "decent", and it would give me another week off composing lol)

And yeah those stems separator are getting pretty good...

I love how one of my late additions to the song has been jumping out at people. It's like, fifths and minor thirds...very much pulling from the harmony work I was doing last week with the Dowland song, and renaissance music in general. I should map out what I'm doing for those harmonies...I'm not really thinking in terms of intervals, I just play and see if it sounds good smile

Cannot WAIT to hear what you do. I wanted the drums at the end to be a bit more nuts with more cymbal work, but I am very much Not A Drummer. Like I said to you earlier, I think one of the finest compliments I can get as a musician is, "something you made inspired me, and I'd like to do something with it." heart Love this community.

DESLRV wrote:

That's one truly awesome guitar solo. I wish I could take just that and absorb it into my being.

heart heart heart

Inasmuch as I have any sound, I think harmonized guitars are part of it. I need to do an extended piece with that sort of feel - harmonized guitars, and pull in some of the things I've been doing for the past few weeks.

NickLong wrote:

This is is dark and i LOVE It

You came highly recommended and I am not disappointed.

This is like some kind of amazing acid nightmare

Did not see the frankly amazing post rock section coming.

Mind fully blown!

Oh my, thank you heart heart So glad you enjoyed!

The guitar section at the end was a bit of a surprise to me as well - I was planning on adding textures like 80s darkwave/industrial texture, but it just....grew. The high black metal-ish lead is actually an 8-course electric mandolin smile

embix wrote:

That what was a weird trip, in a good way.

Thank you so much!

Peppy Le Peu dipping into DMT I see.
This is great. A psychedelic fuck show that simply is. Favourited.

haha, this made me laugh out loud... what would've tiny tim said about this?

Ooooh this has a very spooky haunting intro! I was not expecting where this went! The use of the vocal sample is really well done!

The speaking sample is great too! This all came together so well! This is what weeklybeats is alllll abouuuuut!!! Great stuff!

WAT indeed!! I love how nightmarish this is (and the sudden upbeat switch at 6:37??). Absolutely epic all around. Great use of the two recordings and an amazing arrangement. Pushing 9 minutes and captivating the entire time? Holy cats, what an accomplishment.

See...this is the stuff I miss when I let the random playlist dictate what I listen to each week...

0x_colt wrote:

Honestly, I'm kind of disappointed in you for not including a recorder solo in this one (jk).

This is incredible. Love the sample work and the insidious vibe.

IDK if this is a call back but a spooky recorder solo could’ve gone hard on this 😂

This was my coffee making soundtrack. It was the most haunting coffee I have prepared.

The live drums really hit nicely, and I like how the major and spook goes minor and uplifting over the same sample and gives it a bit of a different meaning

Might’ve been cool with some like really Lofi vintage brass like a tinny trumpet or something to really take the instrumental back in time with the sample to the 20s-50s

BarristerPlong wrote:

Peppy Le Peu dipping into DMT I see.
This is great. A psychedelic fuck show that simply is. Favourited.

Psychedelic Fuck Show is the most amazing descriptive I have ever received, and also one of the best compliments. Thank you heart

Machine Gun Ibiza wrote:

haha, this made me laugh out loud... what would've tiny tim said about this?

Thanks! Tiny Tim loved early 1900s music, and was always unabashedly himself. I like to think he would have enjoyed the weirdness smile

Tom Foolery wrote:

Ooooh this has a very spooky haunting intro! I was not expecting where this went! The use of the vocal sample is really well done!

The speaking sample is great too! This all came together so well! This is what weeklybeats is alllll abouuuuut!!! Great stuff!

Thank you! This is one of the weirdest and most sprawling things I've ever done. So glad you enjoyed - having a time and place to explore and share ideas with each other really does make WB a magical place heart

MRDRCAT wrote:

WAT indeed!! I love how nightmarish this is (and the sudden upbeat switch at 6:37??). Absolutely epic all around. Great use of the two recordings and an amazing arrangement. Pushing 9 minutes and captivating the entire time? Holy cats, what an accomplishment.

See...this is the stuff I miss when I let the random playlist dictate what I listen to each week...

Thank you - I had a feeling you would enjoy this one smile smile

prophisee wrote:
0x_colt wrote:

Honestly, I'm kind of disappointed in you for not including a recorder solo in this one (jk).

This is incredible. Love the sample work and the insidious vibe.

IDK if this is a call back but a spooky recorder solo could’ve gone hard on this 😂

This was my coffee making soundtrack. It was the most haunting coffee I have prepared.

The live drums really hit nicely, and I like how the major and spook goes minor and uplifting over the same sample and gives it a bit of a different meaning

Might’ve been cool with some like really Lofi vintage brass like a tinny trumpet or something to really take the instrumental back in time with the sample to the 20s-50s

Thank you! The trumpet is a great idea...I'm thinking I want to revisit this style somehow, and weaving the old and new together with some trumpet would be awesome.

And yeah, the recorder comment is a callback....my week 17 was renaissance metal (with recorder solo), and week 18 was a recorder arrangement of a John Dowland song. But I think 0x_colt is right, a recorder would have fit LOL

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