Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

The Nothing

By Paisleyfrog on December 15, 2024 5:45 pm

Two weeks left! Where did the time go? Wherever it went, it certainly wasn't available to be found this week. End of semester/year is always a busy time, and my wife has been fairly going crazy. Anyway, it’s just as well we didn’t have time to do a folky song this week - we decided that the album is actually done. Hooray! Time to figure out mastering and art. Also, I find my stylistic whiplash flow the past few weeks to be amusing. smile

I'm also thinking making a second album from this year with what I've done with industrial and dark wave. That's going to take a lot longer to finalize - I've learned a LOT this year, and I want to go back over those tracks from the beginning of the year, make some changes smile

It wasn't just my wife with a lack of time - I was finally sitting down to play around Friday night. This song built itself around that beginning arpeggio sound. I took a short sample of my guitar and stretched it out about ten times its length, chopped a section, then tossed it in the sampler. That instrument shows up on three lines - the initial bouncy arpeggio, a pulsing beat with a tremolo filter (which I paired with my waterfall instrument), and also a weird filter that turned it into something like a drum. The sampler instrument sounds something like an organ, a bit like Deep Purple on "Perfect Strangers". I was pretty happy with where the project was going Friday night - I saved it as "This is something but I don't know what" (which is damn near a NIN title by itself).

Waking up on Saturday morning, I decided to make the chorus 7/4 (which I defined in Logic as a compound 4/4:3/4) - I've never tried it before, and thought that the staggering feel would be good. The outro was actually the chord progression I was initially planning for the chorus, and had just shifted it later in the timeline. I was listening to the mix, and it flowed into the old chorus - and I had a "holy shit, that sort of works!" moment. It's just as well, I didn't particularly want to end the song in 7/4.

Lyrics. LOL. I wasn't in the writing mode last night, so I used a lyric generator to get me going. ("Write me a song about 'nothing' in the style of NIN.") Damned if I didn't get something pretty usable right out of the gate. I added verse 1a, tweaked its phrasing, and created the outro. The title felt like a logical thing if I was going for NIN again. Lots of vocal layering in here - ChromaGlow is absolutely fantastic at getting that vocal grit without losing a bunch of clarity.

Generally pretty happy with how this turned out, for another two-day-track. I'm not certain about the mix, particularly the chorus....and I want to revisit the lyrics there a bit. Some of the rhythms work well in 7/4, some feel a bit rushed.

Also learned a lesson about using space heaters in the studio - they tend to pop circuit breakers. Related: I got to find out just how good Logic is at autosaving, and MacOS in general about picking up where you left off (I didn't lose anything, including the unsaved document where I was working on the lyrics. Whoa.).

› Lyrics

Very nice, your improvement in capturing the tones and style of industrial rock has been something behold.  That solo between the last 2 verses was excellent, like the lows were cut out with a rusty knife.

I don't know if it was the intention or not but I couldn't get The Neverending Story out of my head - like the song was sung from Atreyu's perspective when he realities what the Nothing is and all is lost.

yesssssss more industrial vibes. You're so good at this sound. The bridge at 2:50 whooaaaa so good. loved the entire story about how you arrived at this production. The guitar sample mangling is top notch and thankful for autosave lol

Congrats to you and the wife on finishing your album! This community is inspiring.

Definitely feeling the industrial/NIN vibes back on this one.
Love the opening sound, whatever that is, it sounds sick. And the pad(?) that comes in same time as the guitar, in the back in the verse also sounds sick! Love the vocal sound, do you use  chromaglow in Logic?

A lot of really cool sounds in here, and to echo above, the bridge is ace!

2 weeks to go!

lament.config wrote:

Very nice, your improvement in capturing the tones and style of industrial rock has been something behold.  That solo between the last 2 verses was excellent, like the lows were cut out with a rusty knife.

I don't know if it was the intention or not but I couldn't get The Neverending Story out of my head - like the song was sung from Atreyu's perspective when he realities what the Nothing is and all is lost.

Thanks! The solo is flavored with my foray into punk - all the midtones and get rid of the bass smile

Also, goddammit, that's a brilliant idea. I was thinking about Neverending story when I was writing this (even added a tag about it), but I never even thought about specifically writing it that way. When I rework the lyrics, I'm going to move in that direction....make that GenX childhood trauma work for me!

SQF wrote:

yesssssss more industrial vibes. You're so good at this sound. The bridge at 2:50 whooaaaa so good. loved the entire story about how you arrived at this production. The guitar sample mangling is top notch and thankful for autosave lol

Thanks! I've had so much fun evolving my industrial sound this year. And yeah, lessons learned - discovered that my wife and I had plugged space heaters into the same outlet....

myfirstpunksong wrote:

Congrats to you and the wife on finishing your album! This community is inspiring.

Definitely feeling the industrial/NIN vibes back on this one.
Love the opening sound, whatever that is, it sounds sick. And the pad(?) that comes in same time as the guitar, in the back in the verse also sounds sick! Love the vocal sound, do you use  chromaglow in Logic?

A lot of really cool sounds in here, and to echo above, the bridge is ace!

2 weeks to go!

Thanks! I am so totally blown away by how inspiring and encouraging this community is. I've done things this year I never would have tried otherwise.

That opening sound is a guitar! Sampler instrument with zero attack and release, and then using the MIDI arpeggiator plug-in. There's a few other mangles of it in the beginning, and then a grindy line on bass guitar.

I've used various distortion plugins in the past, but yeah, this track leans heavily on ChromaGlow. Also layering - I buried a Megaphone vocal in the mix, also a reverse reverb line that is zero dry/100% wet. Outro adds in a lower octave line as well as some scream-ish things.

I could learn a lot from you with how to make this electronic dark sound. You do it really well. Congrats on the album, that's super cool!

I'm really super enjoying your heavy tracks too, this is so much fun!!!
The gritty guitar amp-like distortion on the vocals are very fun, and the melodic instrumentals are super cool, too!
Awesome work!!!

hell yeah, reminds me of these stickers that my buddy Scott had printed up that simply say:
DISTORT EVERYTHING 
big_smile

i love not knowing what will great me each week when i head over here. cheers, Pf!

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