Uluburun
By onezero on July 8, 2018 4:16 pm
Ableton drum rack (acoustic kit through drum buss, fronted by 60ms of M4L Humanizer), four channels of guitar (Res-O-Glas through Milwaukee builder Mike Carey's hand-built tremolo pedal, with different Auto Filter settings for tone shaping), and Epiphone P-J bass, with ~10dB rolloff below 100Hz with EQ-8.
I won the pedal in the PRFBBQ raffle, and it's a great-sounding pedal. There's a level-makeup boost, the typical blend and rate controls (ranging from very-slow to probably-too-fast--that's to say that within that wide range, you'll easily find something that works). There's a waveform control that sweeps from a square/pulse to triangle wave and slow-attack ramp, and also a switch that toggles between the expected behavior and a mode which passes high frequencies and routes bass frequencies through the tremolo. Pretty much all of these show up in this track in one way or another.
Sends: two convolution reverbs (studio room close, studio room far), and one simple delay.
Title from the location of a shipwreck from the 14th century BC, which carried cobalt-pigmented glass ingots.
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