Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

Athea

By onezero on January 14, 2024 10:18 pm

While I'm sticking with the just-one-guitar approach for this week, I thought I'd keep myself from getting too comfortable by using a different guitar which I keep in a different tuning. This week it's a Univox Coily hollowbody that I keep in a variant of John Fahey's C tuning. While Fahey's was CGCGCE, this variant is Bb F Bb F Bb C. So it's...very low on the bottom. Some chord shapes work, but everything's different.

Sometimes I don't have a strong initial idea, and am kind of grubbing around for something to hang a track off of. In these cases, my approach is to start with something, anything, and then start responding to it. Eventually, I'll probably have enough for a usable track. For this one, while it's under four minutes in length, I tracked over ten minutes of material on the longest of three tracks, but ended up using maybe 30% of what I recorded. I got a bit ruthless with editing, but it makes this one a bit tighter.

As with last week, there are no effects. The weird timbral profile of this guitar builds up some frequencies in specific parts of the spectrum, but...I decided to leave that alone. As such, there are no inline effects. Just some convolution reverb as a send, and compression/eq on the stereo mix.

The title comes from a village in Ireland in the middle of route R524.

Audio works licensed by author under:
Copyright All rights reserved

wow that tuning is magic

Admittedly, after listening to this song and your one from last week, I regret that I somehow didn't keep up with your music the last couple of years. I checked and I commented on a few songs back in 2020 and 2022, but not nearly enough and that's UNACCEPTABLE. I'm going to do a better job this year of keeping up with your output, the guitar playing especially resonates with me. I really like those moments like 1:30 where you let the empty space just fill with the resonance of the last chord.

Beautiful melodies!

the tuning is sick, love the low lows. this is a really nice song and a good listen, congrats!

beautifully resonant heart

One question: do you change string gauges too? The tunings are very nice.

Sounds wonderful

emily wrote:

wow that tuning is magic

Thank you, Emily! It's fifths and fourths, so fingerings translate all over the fretboard...but my standard-tuning reflexes don't work on it, so it's a good spur to finding something new.

ViridianLoom wrote:

Admittedly, after listening to this song and your one from last week, I regret that I somehow didn't keep up with your music the last couple of years. I checked and I commented on a few songs back in 2020 and 2022, but not nearly enough and that's UNACCEPTABLE. I'm going to do a better job this year of keeping up with your output, the guitar playing especially resonates with me. I really like those moments like 1:30 where you let the empty space just fill with the resonance of the last chord.

Thank you! Glad you like them! I do like leaving a bit of space at the ends of phrases, rather than using them for fills.

I did compile a couple releases of the all-guitar weeklies last year, and a couple of the 2022 WB pieces ended up on 'em. (Of the two, maybe Laodica is the stronger collection, but I'm fond of the stuff on Eastern, too.)

Dkstr wrote:

Beautiful melodies!

nedsferatu wrote:

the tuning is sick, love the low lows. this is a really nice song and a good listen, congrats!

RajaTheResidentAlien wrote:

beautifully resonant heart

Thank you all!

Q-Rosh wrote:

One question: do you change string gauges too? The tunings are very nice.

Thank you! I didn't change the string gauge on this guitar, but I was already using heavier strings. This guitar uses D'Addario jazz-lite half-rounds, so it's 12-52, which I also use on the home-built Res-O-Glas. There are other guitars I'll keep in a lighter gauge (10-46). I do like those half-rounds. (I really ought to change strings on some of 'em--I keep strings on for a loooooong time. I kind of like how strings age.)

blighters_rock wrote:

Sounds wonderful

Thank you!

this is gorgeous, Maurice. that downtuned Univox sounds so deep and clear.
i also use 12's on my semi-hollowbodies, but i typically use the EB "not even slinky" sets which i think are 12-56.
might just loop this song for a bit, thank you  heart

Wow, that tuning, and you composition, so beautiful! Nice work, I could listen to an album of this and just get into flow relaxed state.

That tuning does you a lot of good, it feels nice and the bass tone is pleasant. Stellar performance as usual.
- Devieus

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