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Starting December 29th 2025 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged.
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WeeklyBeats.com / Music / neon liminal's music / the streets of titan city
Long song warning part 2. Also lots of text part deux. Also part 2 of Titan City Nights.
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ooo that opening rain and notes really give a lot of great texture. A lot of movement to create atmosphere. Once again another very cinematic work!
the narrative is very fitting, and the pacing is so patient and clear-eyed. Grandma sounds gritty and majestic. i feel more alive and present now.
thank you, neon
Always enjoy traveling the galaxy through your music. Love how those lil gated pads sound as they hover in and out. A beautiful escape 
Spectacular sound design.
Pure Blade Runner
A lot of restraint on the build up.
I need some mind melting visuals to go with this.
this is a peace of art right here !!! this is amazingly crafted!
the distant guitars are something so special and touchy .... the progression af the track is so contained and beautiful, i could listen this in loop for hours ...
well done mate!!!
WHAT IS THIS, JUST 8 MINUTES LONG?! that barely counts as eligible for a "long song warning"
I can definitely hear how this is the same project as "part one". I can't quite feel whether there's directionality between the tracks, I mean this could have been Part 1 while the other Part 2. That would work just as well, I think? Not that it's a bad thing, just noticing that the parts exist in a sort of parallel form, not necessarily one leading into the other.
When I was away from home over the past two weeks, I was also exploring single-chord compositions, albeit in a dramatically different fashion. This approach works particularly well in the context of ambient, and your live performance shows that.
As for technicalities, yeah, filtered noise is definitely a surprisingly powerful sound design tool. This, connected to your subtle usage of Pulsar-23 makes the soundscape feel like a real place. Nice work!
Great work! I'm often wondering how one goes about making this semigenerative patches as you said it can't be just "imma make some ambient" there must be quite a decision process before letting the machine do its thing, and also a mastery of turning all the knobs with intention during a performance which is also hard to keep in memory how all the patches are working together. I once tried something similar on the m8 and also had samples of thunders, city and rain but playing directly into the project, with some chance and random I thought it was pretty rad!
No way was that eight minutes. I think I want to put that on loop the next rainy summer evening. Always admire your sense of space and restraint - letting a piece breathe and expand at its own pace, never feeling rushed. Beautiful atmosphere.
A lesson in NOT using up all the space. This is so good. One day I'll be mature enough to make something like this. 
A lesson in NOT using up all the space. This is so good. One day I'll be mature enough to make something like this.
i concur with Cakes about this work’s maturity
love how the first notes really set the tone emotionally, the evolving rain is really evocative and I love how it's mixed...
I feel like I'm listening to this on ... oh wait wtf... idk if I subsconsciously remembered the name of the track, but I was thinking "This reminds me of the Titan map in Destiny 2" hahaha I was looking for pictures, came back here and realized... XD I hadn't even read the story part yet o_O ...well... well done!
