Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged.
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WeeklyBeats.com / Forums / Posts by chocolatechipsmusic
I like Dwight Davis's suggestion most so far. ...
Some other ideas
1. include a tempo increase (not sudden, but gradually... either quickly or slowly) ... or a decrease.
2. modulate major key to relative minor and back again. (or possibly just any kind of modulation.)
3. very slow (60 bpm or slower) or very fast (180 bpm or faster)
Interesting. But I wonder, 100 years on, if it's more noise that we want? I think about how in some ways music isn't nearly as special as it used to be because we hear it constantly when it used to be a rare treat ... and of course we also hear noises constantly - the buzzing of machines, cars passing by, etc - in some ways it seems that this makes one ache for the kind purity of sound that this author dismisses as being old hat ... but I can also see the point of constantly hearing noise making the ear ready to hear symphonies of noise. Anyway - I've done some noise based things before (and listened to quite a bit of Cage, Stravinsky, Schoenberg ... classical music that may be heard as "noise" to people who've only heard Bach) so ... I don't know. I'm going to think about it some more and listen to some noise music and see if any interesting inspiration strikes.
My first submission here (doubling as a submission over at SongFight.org) ... I like the themes. I went 3/4 (not particularly challenging as I've done quite a few songs in 3/4 before) but did switch to 7/4 for the outro!
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