1

(13 replies, posted in General Discussion)

I like Dwight Davis's suggestion most so far. ...

Some other ideas

1. include a tempo increase (not sudden, but gradually... either quickly or slowly) ... or a decrease.

2. modulate major key to relative minor and back again. (or possibly just any kind of modulation.)

3. very slow (60 bpm or slower) or very fast (180 bpm or faster)

2

(28 replies, posted in General Discussion)

Interesting. But I wonder, 100 years on, if it's more noise that we want? I think about how in some ways music isn't nearly as special as it used to be because we hear it constantly when it used to be a rare treat ... and of course we also hear noises constantly - the buzzing of machines, cars passing by, etc - in some ways it seems that this makes one ache for the kind purity of sound that this author dismisses as being old hat ... but I can also see the point of constantly hearing noise making the ear ready to hear symphonies of noise. Anyway - I've done some noise based things before (and listened to quite a bit of Cage, Stravinsky, Schoenberg ... classical music that may be heard as "noise" to people who've only heard Bach) so ... I don't know. I'm going to think about it some more and listen to some noise music and see if any interesting inspiration strikes.

3

(77 replies, posted in General Discussion)

My first submission here (doubling as a submission over at SongFight.org) ... I like the themes. I went 3/4 (not particularly challenging as I've done quite a few songs in 3/4 before) but did switch to 7/4 for the outro!