Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
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WeeklyBeats.com / Music / Cursory's music / To Take Sides

To Take Sides

By Cursory on October 13, 2024 7:20 am

Happy W41! In some ways this style of song feels like something I’d have written years ago before I’d ever recorded anything, kind of a meandering, strummy thing. I still haven’t decided whether I’d like this one more as purely a vocal/acoustic track or as something more produced/layered. Landed on a bit of a middle ground.

Funny tidbit - I really wanted to double the main guitar and have one panned to each side, but for the life of me could not match the timing closely enough. After many failed takes I realized that “low latency mode” had somehow been switched off in Logic lol but even then I still couldn’t do it right >.> Landed on panned chord hits instead, more forgiving with time and gives things a bit more movement and dynamic range.

Some clear inspirations for this track are things like Drawn to the Blood by Sufjan Stevens and (the chorus of) Creature Fear by Bon Iver, or any indie song where they just hammer eighth notes the whole time.

› Lyrics

I really like the stripped-down approach here, and also the samba-adjacent feel to the rhythm. Nicely done!

Oh man, I feel so at home, when I listen to this track. It is exactly my world of independent music I love to listen my whole life long. This is so good. I would place your LP directly between Bon Iver and the Silverjews. I am sorry for the latency problem. It would have been a nice touch to double the guitar.

Oof the guitar strums and the bass sound so comforting with your vocals.  Love Sufjan & Bon Iver and def can hear that influence in your music.  "Confide in only a a song" hits me right in da feels smile Hope the latency doesn't bother ya next week this was a calming song to reset my mind.  Thank you smile

The dissonant bite in that main chord is doing wonders for the heart-tugging vibe of the track. I'm also digging the hammered eighth-note texture you settled on here - it's simple and powerful, and it shifts the focus to the dynamic swells and lulls in the strumming that you pull off so smoothly. Awesome work!

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