Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting December 29th 2025 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

gods bones

By wangus on January 11, 2026 11:59 pm

this is """""""speedtrash""""""" by my standards but i'm all for it
i already feel like i'm in a better mindset than 2024.  looking forward to more creativity this year.

I had a different noodling fridya/saturday, which maybe I'll work into next week's track.  But I managed to pivot, recognize that it wasn't gonna shape up to what i wanted it to be, and that I could whip something new up today.

I decided to experiment with an idea: run audio "through" the Scrooge voices.
so finally getting back to my setup.  powering stuff is so much friendlier now: https://anguslocke.wordpress.com/2025/12/10/wall-warts-suck/ .

Signal path (roughly):
Syntakt L out (i can use the R output as a dry path, and so Syntakt panning sets the amount of scrooge)
--> dfaudio nano U up to modular level
--> 0-coast "maths" section, to add a variable DC offset (i'm just remembering the nano U actually can do this itself.  oh well)
--> scrooge POKE, first channel
--> scrooge VOICE output to dfaudio nano U down to line level
--> RNC for punch .
With some auxiliary paths for a little more air outside of the scrooge output.

what does this mean?  The Scrooge first channel is a lofi circuit that's vaguely intended to make kick drum sounds.  The scrooge's sequencer normally sequences _power_ to this circuit (vs. typical drum machine trigger pulse).  It's also designed to behave interestingly to not-well-behaved power lines.  But we can just externally power it from audio, turning it into some kind of weird fuzz distortion.

I twiddled knobs for like 12minutes, recording to TP-7.  Popped the recording to my computer to edit it down to an exact BPM multiple, so I could pop it into M8, and use the number-slice function to easily select different bars of the recording.  This way, I can arrange the source material into a structured track, largely just via the transpose column in the M8 phrase.

A few xtra drums on top in the M8, and the middle arpeggiated section, just some quick noodling.

NASTY love when it gets going around :46. Nice switch up from noise land to melodic. oooh! 2:00. Such awesome rhythms you create with these sounds.

he can''t keep getting away with it. this rocks, well done making the syntakt sound unrecognisable!

this is disgusting i love it. oh man using pan as a wet dry for effect chain is a great idea. the chaos being introduced all over this track is seriously killer

I got the scrooge sometime last year because the sounds it made reminded me of your music. I'm dusting it off!

Zelda: the breakbeat princess.

I like the somewhat minimalist setup of this track! The distorted kicks are also awesome.

I also used left/right for wet/dry on the Octatrack back when pedal chain was all mono! Kudos!

Excited for this year, given yer first two.

This would be so awesome live, I can imagine folks losing their minds.

nice, creative setup that led to a super unique track. like it a lot! smile

They make quite the beat
- Ebrit

good stuff! actually interesting on the last part where u put stuff in multiples and put it on M8 to loop and rearrange the sections easily. an interesting workflow i might wanna explore... it's v cool how easy it is to try stuff on the m8 and shift things around immediately, my big problem is managing samples and copying files over and stuff, I hate that stuff with a passion and wanna avoid computer files management outside work hours as much as i can

great ending again

Beginning: Giants are knocking on my door
0:47: The giants are dancing and the whole kitchen shakes
Melody kicks in: The giants brought little snack cakes that are as big as yourself

Holy shit this goes! Lovely expansion of a simple melodic idea into a huge arrangement before dropping back in to casually drop the loudest bass ever.

Love the crunchy stuff. Raw and ready. You have style that always makes me excited to hear what comes next. I like your use of pan to process things. I've used that method a lot for chiptune things over the years. Great minds and all of that.

i love the disintegration into bubbling arpeggiated elements near the end, then straight back into that beautifully saturated set of kicks heart

love it when the bass line comes in under the arps and changes the context
and the "late echo" arps or whatever

DANG

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