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duck 826

By wangus on June 12, 2022 11:59 pm

i had to explore 0-coast + M8 a bit more

unfortunately i left myself zero time again so it's a garbage take.  (less than 15mins to record the final take...)

My top goal this week was to do some more interesting 0-coast interaction, and do a non-bass patch.  (compared to last week's bass patch that was pretty tame for the 0-coast)

So I sequenced a bassline on the 0-coast, and sampled it into the M8.  This is only like the fourth time I've ever used the M8 sampler, and the first time in a "stem-like" manner.  I've tended to avoid this scale of resampling outside of the OP-1, because it's committal and on a less powerful sampler, it's hard to make adjustments after the fact.  But the M8 has such instant capability to totally transform samples, so I should definitely keep trying this.  (here, I just sliced the sample into single bars, and called them in sequence, sometimes applying some volume-lane chopping)


Then some drums.  I was originally picturing a Justice-esque kit, but am stubborn and wanted to synthesize it, and these drums are what I managed to come up with today.  Most fun is the hi-hat, which is the macrosynth _fluted_ engine.  I installed the latest M8 beta for the extra FM click modulator function, but couldn't immediately figure out how to use it well.


I finally unpacked and re-set-up my keyboard, so I was able to lay down a goofy chromatic chord progression.  Dissonany, crunchy.


Finally, the 0-coast patch.  I scrapped a couple ideas before I settled on a patch centered on the slope generator clocked by the main oscillator.  With an envelope/oscillator clocked by another, you'd expect some sort of hardsync sound, but the 0-coast's slope generator actually will only re-trigger once it's past the "attack" phase.  So dialing up the attack can cause it to hit _undertones_.  That was channeled back into main oscillator's waveshaper in some manner, so it ends up a big gnarly sub-harmonic cross-modulation sort of deal.


It's super fun to tweak live, and you get a bit of that here, but it's hard to keep it sane (without more practice/takes), so it gets stupid loud at the end.  oh well.

Audio works licensed by author under:
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Wicked, I dig it
- Ebrit

Can't believe you recorded this in a 15 minute take.  This has so much energy.  Great work!

This is one crazy banger

wangus wrote:

unfortunately i left myself zero time again so it's a garbage take.

stop that

This starts off a bit justice but goes hard Wangus -- the "train horn" stab (0:32) you use to "shock-transition" into the beef of the track is ... goals. Ending is spectacular. (Read through the 0-coast manual during my lunch break this week because of this track.)

i agree with ilzxc, very justice if justice was making a completely off the rails deconstructed banger. pretty great stuff

J Sangha wrote:

Can't believe you recorded this in a 15 minute take.  This has so much energy.  Great work!


see video for the take !  in fairness most was pre-sequenced in the m8; one of the initial partial takes was scrapped because i simply accidentally flipped a mute/solo keypress



ineff wrote:

This is one crazy banger

wangus wrote:

unfortunately i left myself zero time again so it's a garbage take.

stop that


tru, I eventually come around to every post that I initially think is scrappy.  it is evacuated what it is meant to be, a weekly snapshot !




offbrand wrote:

i agree with ilzxc, very justice if justice was making a completely off the rails deconstructed banger. pretty great stuff


the diminished harmonies here are def not the characteristically “”””French”””” altered chords of Justice.  reminds me of some cyriak tunes.




ilzxc wrote:

This starts off a bit justice but goes hard Wangus -- the "train horn" stab (0:32) you use to "shock-transition" into the beef of the track is ... goals. Ending is spectacular. (Read through the 0-coast manual during my lunch break this week because of this track.)

i have nearly no other experience with (semi)modular stuff but 0-coast really feels like an ideal entry point to me.  can instantly phone in the fattest bass tones anytime, but some wonkier broader tones are only a patch away, lots to continually experiment with

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