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WeeklyBeats.com / Music / ViridianLoom's music / Fountain Simulation

Fountain Simulation

By ViridianLoom on November 13, 2022 9:13 pm

Real brief idea made with the Microfreak. That synth has gotten so much hype over the last few years that I finally decided to pick one up to try it out. I figured this week would be a good opportunity to just play with it and try using it to make a song (or sketch out a mood). Even though I own a couple of other synths (Microkorg and Deepmind 12) I never really use them in my songs, often preferring the quick convenience of plugins like Spire, Massive, or the M1. So I started learning about the litterately Ins and Outs of midi so that I could record midi data into reaper, edit it, send it back out to the Microfreak and then record the raw audio back into reaper. There were a lot of snags in the process which was kind of causing my creativity to stall out to figure out solutions to problems. The first issue involved time-syncing the Microfreak to my DAW. Even though it was set to Auto and my interface was set up to send Reaper's clock, the arpeggiator wouldn't seem to work properly. It would be in tempo and start the arp, but abruptly end after one cycle, so I had to manually edit the midi data to play the arp continuously. Another problem was that sometimes I'd record a preset that had some kind of poly aftertouch effect that (I think) was causes the cutoff filter to sweep low to high, and then if I didn't edit that out of the recorded midi the cutoff filter would be set to 0 on subsequent recording attempts. All this is to say that I'm still a big noob when it comes to recording hardware synths and these things are probably easily fixed, I just haven't had the experience fixing them yet. Anyways, I figure I experimented enough for this week's entry and learned a fair bit about the Microkorg and recording hardware synths, even if the composition doesn't necessarily reflect that.

Oh and it makes me think of Zelda's Fairy Fountain but my imagination envisions a cyberpunk future where a person is sitting on a park bench in front of a simulation of a fountain.

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An exquisitely positive kinda trippy heart

this should be 20 minutes long, with all sorts of very subtle vatiations...  smile

1. This sounds wonderful   2. Really makes me re-evaluate my feelings re: fountaincore as a whole   3. The recording process sounds like an ordeal

A couple sentences into your description, as I was listening, I started reading it aloud, turning it into a spoken word track like Perfect Life on Hand Cannot Erase. It works!

This was an enjoyable listen. Cool sounding synth. Hope you get the MIDI stuff figured out. The technical weeks where I focus on a sound or skill I want to improve are just as productive as the ones spent polishing a more traditional "song". Hope you feel that way too.

That's a nice arp there!

[img]https://media.tenor.com/II4pvKyYifwAAAAC/another-world-out-of-this-world.gif[img]

and i can't tag anymore


Soothing stuff. Those airy arps definitely convey the Zelda-esque vibe you're talking about. I'd visit this fairy fountain any day of the week. big_smile

Oh, and just in case anyone here was low on health: heart heart heart heart heart heart heart heart heart heart heart

What if it's the cyber fairy fountain
Really nice stuff
- Ebrit

I had a microfreak for a couple of years but I've never ever made it sound like that, such a delightful sound.

One thing I hate about MIDI is that it isn't particularly inspectable, so you have a cable but what goes over that cable is often a mystery. Arturia and MicroFreak in particular are a PITA w/ their "white sleeve" non-standard TRS MIDI in an annoying 1/8" jack. The way I troubleshoot things is by keeping a laptop w/ Max MSP that can print out received messages just so I can see WTAF some devices send, but most of the time I just plug in devices I know well (Elektrons or M8) to quickly be able to get them into synching to the source / indicating things are working properly. The worst, though, is when "everything seems fine" except the device you need to control not working properly...

Controlling guitar pedals w/ MIDI is a new level of pain, because (again) Chase Bliss is Arturia-esque and Meris is "standard" TRS interfaces, but thankfully there's a MIDI to TRS cables breakout box that "solves that problem." Putting dots over every i and crossing out every t is something I need to do after WB will end (it will end, right? it needs to end.)

Kedbreak136 wrote:

One of the best games ever, the end credits was a proper banger. Just replayed INSIDE by Playdead and was thinking of Eric Chahi's groundbreaking work on that and Heart of Darkness.

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