This gives me new blade runner vibes!

This gives me new blade runner vibes!

Very enjoyable and always nice to hear live performance.

Very enjoyable and always nice to hear live performance.

Good stuff. Really like the atmosphere of it.

Good stuff. Really like the atmosphere of it.

Super. Like having your head wrapped in wire wool.

Super. Like having your head wrapped in wire wool.

Thanks and what a great remake I thought!

Cheers! Nearly all of mine will be live takes. 

Thanking you kind sir. Great to see you're back again too!

Haha, nice.  Thanks!

[quote=Judgement Act]This gives me new blade runner vibes![/quote] Thanks and what a great remake I thought! [quote=fetalface]Very enjoyable and always nice to hear live performance.[/quote] Cheers! Nearly all of mine will be live takes. :) [quote=hent03]Good stuff. Really like the atmosphere of it.[/quote] Thanking you kind sir. Great to see you're back again too! [quote=vimster]Super. Like having your head wrapped in wire wool. [/quote] Haha, nice. Thanks!

There is probably a story behind the coma in December. Your track here is very deep and aloof somehow, what makes me even more clairaudient. Great performance you did.

There is probably a story behind the coma in December. Your track here is very deep and aloof somehow, what makes me even more clairaudient. Great performance you did.

Sounds slowed down. Pitched down. Cold and desolate as the tile implies.

Sounds slowed down. Pitched down. Cold and desolate as the tile implies.

Cinematic, building an atmosphere. The pad in the back even kinda sounds like a strange choir. Very haunting.

Cinematic, building an atmosphere. The pad in the back even kinda sounds like a strange choir. Very haunting.

Ooof the tonal quality of everything is so nice.  From the subtle yet bassy pulse to that breathing snappy percussive sound.  The pad is very soothing pads tie everything nicely together.  The airy noise later adds a nice effect but really enjoyed the contrasting calm outro.  Well done!

Ooof the tonal quality of everything is so nice. From the subtle yet bassy pulse to that breathing snappy percussive sound. The pad is very soothing pads tie everything nicely together. The airy noise later adds a nice effect but really enjoyed the contrasting calm outro. Well done!

Pads so nice I type em twice

Pads so nice I type em twice :p

Haha, excellent.

[quote=Tone Matrix]Pads so nice I type em twice :p[/quote] Haha, excellent.

Yes there is a story behind the title but I'll leave it a mystery Glad you appreciated the performance aspect and thanks for teaching me a new word!  Clairaudient.  Yay!

There's definitely slowed down stuff in the piece.  With one bit of hardware I use, when you pitch down the sound, all this aural magic appears.  Hidden sounds. I love it. 

Thank you!  There is a kind of strange choir in there which I played and manipulated. Love the haunting type sounds as they can sound beautiful as well as dark sometimes.

Thanks heaps. Everything has it's own unique sound and sound space and yes, the pad (which is where the noise is also extracted from) does tie everything together.  Thanks for listening.

[quote=Q-Rosh]There is probably a story behind the coma in December. Your track here is very deep and aloof somehow, what makes me even more clairaudient. Great performance you did.[/quote] Yes there is a story behind the title but I'll leave it a mystery :) Glad you appreciated the performance aspect and thanks for teaching me a new word! Clairaudient. Yay! [quote=NWSPR]Sounds slowed down. Pitched down. Cold and desolate as the tile implies.[/quote] There's definitely slowed down stuff in the piece. With one bit of hardware I use, when you pitch down the sound, all this aural magic appears. Hidden sounds. I love it. :) [quote=Kedbreak136]Cinematic, building an atmosphere. The pad in the back even kinda sounds like a strange choir. Very haunting.[/quote] Thank you! There is a kind of strange choir in there which I played and manipulated. Love the haunting type sounds as they can sound beautiful as well as dark sometimes. [quote=Tone Matrix]Ooof the tonal quality of everything is so nice. From the subtle yet bassy pulse to that breathing snappy percussive sound. The pad is very soothing pads tie everything nicely together. The airy noise later adds a nice effect but really enjoyed the contrasting calm outro. Well done![/quote] Thanks heaps. Everything has it's own unique sound and sound space and yes, the pad (which is where the noise is also extracted from) does tie everything together. Thanks for listening.

It's so ominous, really enjoying it.

It's so ominous, really enjoying it.

do you practice a lot before you record?  or is this improv?

seems like you really understand your equipment to be able to move around sonic space so freely.  great job

do you practice a lot before you record? or is this improv? seems like you really understand your equipment to be able to move around sonic space so freely. great job

Awesome and cheers!

I don't really practice a take before I do one per say but I have jammed out on what ever hardware I use and have experimented with various options and possibilities beforehand.  I believe your second comment is vital.  Yes, I delve deeply into all my instruments/equipment so I know them as much as possible as this allows me to create freely and to be comfortable improvising live with whatever I'm using. 

Thanks!

[quote=Devieus]It's so ominous, really enjoying it.[/quote] Awesome and cheers! [quote=orangedrink]do you practice a lot before you record? or is this improv? seems like you really understand your equipment to be able to move around sonic space so freely. great job[/quote] I don't really practice a take before I do one per say but I have jammed out on what ever hardware I use and have experimented with various options and possibilities beforehand. I believe your second comment is vital. Yes, I delve deeply into all my instruments/equipment so I know them as much as possible as this allows me to create freely and to be comfortable improvising live with whatever I'm using. :) Thanks!

I love so many layers to this:
it's all hardware
the slow, pulsing build
the fact it was one session with no edits (I really respect you can do this, serious personal goals).

I love so many layers to this: it's all hardware the slow, pulsing build the fact it was one session with no edits (I really respect you can do this, serious personal goals).

(Aside: Microcosm is the last pedal I bought, though I've used on none of my WB entries so far.) My favorite of this is the clicks / percussive sparseness that is absolutely vital to the sound's unfolding (and it's absence circa 3rd minute is quite readily felt before the soundscape has a chance to rebalance itself). Really appreciated the way the mixture of the sustained elements guided my attention to particular sounds that my head kept guessing if they were always there or appeared when I wasn't paying attention. Nice work.

(Aside: Microcosm is the last pedal I bought, though I've used on none of my WB entries so far.) My favorite of this is the clicks / percussive sparseness that is absolutely vital to the sound's unfolding (and it's absence circa 3rd minute is quite readily felt before the soundscape has a chance to rebalance itself). Really appreciated the way the mixture of the sustained elements guided my attention to particular sounds that my head kept guessing if they were always there or appeared when I wasn't paying attention. Nice work.

Appreciated.  Thanks!

Thanks so much for the indepth listen.  Appreciated!  I did a couple of live shows with this set up around the time I posted this.  It was such an inspiring yet minimal setup. 

[quote=hieroglitch]I love so many layers to this: it's all hardware the slow, pulsing build the fact it was one session with no edits (I really respect you can do this, serious personal goals).[/quote] Appreciated. Thanks! [quote=ilzxc](Aside: Microcosm is the last pedal I bought, though I've used on none of my WB entries so far.) My favorite of this is the clicks / percussive sparseness that is absolutely vital to the sound's unfolding (and it's absence circa 3rd minute is quite readily felt before the soundscape has a chance to rebalance itself). Really appreciated the way the mixture of the sustained elements guided my attention to particular sounds that my head kept guessing if they were always there or appeared when I wasn't paying attention. Nice work.[/quote] Thanks so much for the indepth listen. Appreciated! I did a couple of live shows with this set up around the time I posted this. It was such an inspiring yet minimal setup.

Minimal setups are my fave. Less things to remember and being able to push more with less is always fun.
(and usually good for the wallet )

[quote=rdomain][quote=hieroglitch]I love so many layers to this: it's all hardware the slow, pulsing build the fact it was one session with no edits (I really respect you can do this, serious personal goals).[/quote] Appreciated. Thanks! [quote=ilzxc](Aside: Microcosm is the last pedal I bought, though I've used on none of my WB entries so far.) My favorite of this is the clicks / percussive sparseness that is absolutely vital to the sound's unfolding (and it's absence circa 3rd minute is quite readily felt before the soundscape has a chance to rebalance itself). Really appreciated the way the mixture of the sustained elements guided my attention to particular sounds that my head kept guessing if they were always there or appeared when I wasn't paying attention. Nice work.[/quote] Thanks so much for the indepth listen. Appreciated! I did a couple of live shows with this set up around the time I posted this. It was such an inspiring yet minimal setup. [/quote] Minimal setups are my fave. Less things to remember and being able to push more with less is always fun. (and usually good for the wallet :D)

Couldn't agree more!  A great way to learn the tools you have in depth too which in turns helps the creating and keeps it all fun. 

[quote=hieroglitch][quote=rdomain][quote=hieroglitch]I love so many layers to this: it's all hardware the slow, pulsing build the fact it was one session with no edits (I really respect you can do this, serious personal goals).[/quote] Appreciated. Thanks! [quote=ilzxc](Aside: Microcosm is the last pedal I bought, though I've used on none of my WB entries so far.) My favorite of this is the clicks / percussive sparseness that is absolutely vital to the sound's unfolding (and it's absence circa 3rd minute is quite readily felt before the soundscape has a chance to rebalance itself). Really appreciated the way the mixture of the sustained elements guided my attention to particular sounds that my head kept guessing if they were always there or appeared when I wasn't paying attention. Nice work.[/quote] Thanks so much for the indepth listen. Appreciated! I did a couple of live shows with this set up around the time I posted this. It was such an inspiring yet minimal setup. [/quote] Minimal setups are my fave. Less things to remember and being able to push more with less is always fun. (and usually good for the wallet :D)[/quote] Couldn't agree more! A great way to learn the tools you have in depth too which in turns helps the creating and keeps it all fun. :D