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WeeklyBeats.com / Music / Paisleyfrog's music / What Came Knocking

What Came Knocking

By Paisleyfrog on October 13, 2024 7:09 pm

This song has always been a little cursed. Fitting for a ghost story. A 45 degree turn from last week - still country music, but as Devieus said last week, this time that country is Ireland smile

I have NEVER been able to get this song to behave in front of a microphone. I thought week 41 was a good opportunity to try and bring this one to heel with what I've learned this year, and also because of spooky season. Even still, this song fought - smart tempo in Logic works great, so long as you give it 4/4. Give it some 6/8 tempo, and suddenly it will decide that the song is going as 180bpm like a toddler with a basket of Pixie Sticks. I had to take Logic by the hand (much like the aforementioned toddler) and mark the downbeat for the song so the tempo would work. As it was, smart tempo wasn't THAT essential here - nice to have a steady click, but everything is recorded live (except for the bass, ran out of time to record that. Sorry ol' #12). Smart tempo should have been useful for quantizing my bodhran, but it just made it a stuttering mess.

There's a long tradition in celtic music of spooky season stories. Jealousy, murder, ghostly lovers returning for one more night, musical instruments made from body parts. The lyrics in this one came from a dream my wife had - definite elements of the paranormal here, but exactly what is left as an exercise for the listener.

I used two different whistles for the song - standard D for most of it, and an F whistle for the high parts - it let me get around having to use a lot of half-hole fingerings when the melody goes minor. Also, air is just getting dry enough that I had to wet down the bodhran before playing so it didn't go PANG PANG PANG.

› Lyrics

Ghost or Fae is the question I'm left with.  Love this track so much, favorite'd before it has even finished.  And we now add bodhran and wind to your seemingly endless repertoire, really very impressive.  Cursed though it may be both the story and music were right on point for this kind of song and your wife's voice a perfect fit. 

Almost right away I got "The Highwayman" by Loreena McKennit vibes, though I think this song better captures that feature of Irish ghost tales where there's a beautiful but unsettling undertone of dread below an otherwise almost cheerful and uplifting melody and vocal - a trait that's captured in the lyrics here, we do keep questioning "what's come knocking".

It's a very hard thing to tell a story with song and have it come through so clearly, but with such character and mood, this is a real triumph here, beautiful and haunting!

Damn, y'all never cease to impress me. This sounds absolutely gorgeous. I'm such a fan of how the vocals interplay with the flute. I find myself commenting this often on your songs but holy crap, how did you get all of this in a week? Even though it might be a polish of an older idea, this is... Like... A LOT! In a good way, mind you. I'm just super duper impressed, y'all are so dang talented.
Srsly, congrats on another great work of art ❤️

YESSS what a nice singing voice and sound with the guitar! I haven't focused on the lyrics yet but it's very mystical and storytelling vibes, totally up my alley. some strange rural story from what I gathered. lovely vibe!

Woah, this one hits pretty hard for Celtic folk. Of course I love it - I'm a sucker for a good ghost story (and this is one) but what gets me here, apart from your wife's lovely vocals, is the use of the whistle as a stand-in for what could have been a vocal harmony. You get that same fullness of the two voices without stepping on her performance. The single human voice really drives home a kind of stripped-down spookiness & sadness. Top notch all around you guys!

crushed it! nothing spookier than someone knocking on my door, prob trying to sell me pest control, windows or a deeper relationship with their dear savior.

wowza, what a pleasant surprise! another excellent vocal from your wife. so cool that this came from a dream. i love when that happens, and always try to make sure i make a note or record a quick voice memo if i wake up with a dream song so i don't forget it!

jegasus wrote:

I'm such a fan of how the vocals interplay with the flute.

that makes 2 of us, what a great duo!

neon liminal wrote:

Almost right away I got "The Highwayman" by Loreena McKennit vibes...

love to see a Loreena McKennit reference on WB  smile

what an inspiring music year this has been, let's keep going



transports you to another time and place. great sound for a sparse arrangement, that's not easy! great development of the flute melody, that one moment of accent is really special.

lament.config wrote:

Ghost or Fae is the question I'm left with.  Love this track so much, favorite'd before it has even finished.  And we now add bodhran and wind to your seemingly endless repertoire, really very impressive.  Cursed though it may be both the story and music were right on point for this kind of song and your wife's voice a perfect fit.

Thank you so much smile I've always figured ghost, but you're right, Fae makes sense...trying to escape, only to get pulled back again. I was in a celtic band for about 15 years - primarily upright bass, but that's where the other assorted instruments like mandolin came in, too.

neon liminal wrote:

Almost right away I got "The Highwayman" by Loreena McKennit vibes, though I think this song better captures that feature of Irish ghost tales where there's a beautiful but unsettling undertone of dread below an otherwise almost cheerful and uplifting melody and vocal - a trait that's captured in the lyrics here, we do keep questioning "what's come knocking".

It's a very hard thing to tell a story with song and have it come through so clearly, but with such character and mood, this is a real triumph here, beautiful and haunting!

Thank you...my wife loves Loreena McKennit, there's more than a little influence there heart  The mood contrast is very much a thing in celtic murder stories - the song I mentioned with the instruments made out of body parts starts with a murder, and a corpse bleaching on the shore. The tune is damn near jaunty LOL

jegasus wrote:

Damn, y'all never cease to impress me. This sounds absolutely gorgeous. I'm such a fan of how the vocals interplay with the flute. I find myself commenting this often on your songs but holy crap, how did you get all of this in a week? Even though it might be a polish of an older idea, this is... Like... A LOT! In a good way, mind you. I'm just super duper impressed, y'all are so dang talented.
Srsly, congrats on another great work of art ❤️

Aww, thank you! Honestly, I'm working on trying to work efficiently and not OVERTHINK. We know how to play these songs together, so it's a matter of just capturing that ("just").

horatiuromantic wrote:

YESSS what a nice singing voice and sound with the guitar! I haven't focused on the lyrics yet but it's very mystical and storytelling vibes, totally up my alley. some strange rural story from what I gathered. lovely vibe!

Thank you! Yup, that's very much the image - I envision a house in the middle of nowhere in the middle of a storm. Lonely and desolate. And then...company arrives. big_smile

MRDRCAT wrote:

Woah, this one hits pretty hard for Celtic folk. Of course I love it - I'm a sucker for a good ghost story (and this is one) but what gets me here, apart from your wife's lovely vocals, is the use of the whistle as a stand-in for what could have been a vocal harmony. You get that same fullness of the two voices without stepping on her performance. The single human voice really drives home a kind of stripped-down spookiness & sadness. Top notch all around you guys!

Thank you!! It's funny...I went back and listened to an older attempt at recording this after I had posted. It honestly wasn't as bad as I remembered - but it was definitely "too much". Nevermind that it was recorded to a click. "Stripped-down spookiness" - I love that - that lonely feeling of being in the middle of nowhere, and someone shows up...

SQF wrote:

crushed it! nothing spookier than someone knocking on my door, prob trying to sell me pest control, windows or a deeper relationship with their dear savior.

WOULD YOU LIKE TO TAKE A SURVEY? big_smile

Thanks!

jwh wrote:

wowza, what a pleasant surprise! another excellent vocal from your wife. so cool that this came from a dream. i love when that happens, and always try to make sure i make a note or record a quick voice memo if i wake up with a dream song so i don't forget it!

jegasus wrote:

I'm such a fan of how the vocals interplay with the flute.

that makes 2 of us, what a great duo!

neon liminal wrote:

Almost right away I got "The Highwayman" by Loreena McKennit vibes...

love to see a Loreena McKennit reference on WB  smile

what an inspiring music year this has been, let's keep going

Thank you! I had one dream song show up 20 years ago, at a friend gathering. Pre smartphone, no tape recorders. I hummed that melody to myself ALL DAY so I wouldn't forget it. And I STILL haven't been able to make use of it. (In the dream, I was in a piano bar, and the piano player says, "I'm going to play this one more time so you don't forget it." And then the entire bar sang the chorus of a song to me.)

So much inspiring music this year. Fantastic.

zone limits wrote:

transports you to another time and place. great sound for a sparse arrangement, that's not easy! great development of the flute melody, that one moment of accent is really special.

Thank you! I think in terms of of dense arrangements so much that stripping back is sorta scary. Need to practice it more smile

Really enjoyed this. Seconding those Loreena McKennit vibes. There is something that just feels like home with anything with a celtic vibe.

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