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WeeklyBeats.com / Music / onezero's music / Without Colleague

Without Colleague

By onezero on June 12, 2022 11:35 pm

I did this one in a few quick sessions, though I did invert my process a bit--late Friday, I started with a couple chord progressions against a click, and built the rest of it around them. I did a few single-note parts to respond to the first track, a quick round of drums, and finally bass. Bass, oddly, was difficult to do right, and I threw out everything I'd done until the last few sessions Sunday afternoon.

I'm still not totally sure how happy I am with this piece, though I like it better now that I've cut a minute off of it. Some of it's a bit sloppy, but then...some of the mistakes are the bits I like. I dunno.

Guitar: home-built Res-O-Glas with Lace Alumitones, straight into the Focusrite. There's some high-pass Auto-filter on the guitar tracks, and some sends to convolution reverb. Single-note tracks get a touch of echo.

Bass: the usual Epiphone Embassy II into the Focusrite, along with low-end rolloff with EQ-8.

Drums: Ableton 64 Pad Kit Rock with some Max Humanizer and echo send.

Title comes from the year 441 being called Year of the Consulship of Seleucus without colleague.

Audio works licensed by author under:
Copyright All rights reserved

really nice chords and a sensitive guitar tone and playing around. well done, onezero

I guess the title fits this time
Smooth as always
- Ebrit

dreamy sunday morning music

and did i read that you built your own guitar?? that's awesome - does that mean you kind of had a custom timbre that you were going for and when you reach for this one to use? or more the shape? or?

eoe.vibin wrote:

and did i read that you built your own guitar?? that's awesome - does that mean you kind of had a custom timbre that you were going for and when you reach for this one to use? or more the shape? or?

Thank you! Yes, I did build one. The motivation was mainly that I'd learned about a company (since disappeared) that was selling Res-O-Glas guitar body kits. I hadn't played any 60s-era Res-O-Glas instruments, but I was interested. They're a semi-hollow guitar: solid wood center block, which is the main structural element, and a fiberglas shell. At the time, the company was selling just the shell, the wooden center block, a couple wooden supports, some foam, some screws, and some plastic stripping to go between the front and back shell.  It was up to the builder to find and attach the neck, tailpiece, bridge, pickups electronics, and other hardware.

I've had a lot of cheapies over the years that needed work, so I picked up most of the skills I needed. Then I quickly found some interesting pickups for half-price (used) and a cheap neck (from an Eastwood Saturn) on eBay. So...I bought the body, and then had to figure out what I wanted to do. How should it be wired? What did I actually want? I didn't want a lot of knobs and switches, so I had to think through the whole thing. Eventually I started gluing stuff down, and (gulp) drilling the first holes, at which point there's no going back.

I got lucky, and it worked out: I managed to make things line up straight, and got a guitar that's nice to play. I was motivated mostly by the project, rather than a result, but I was happy with the outcome.

While the company selling the kits is long gone, it looks like you can still read the assembly manual to see the build process.

I didn't build the pointy one (the "Jetsons" shape) or the "Map" shape, but rather what they called the Belmont shape. And I put a Bigsby on there, but it didn't work well until I added a retrofit tension roller made by a guy in Alaska.

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