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WeeklyBeats.com / Music / onezero's music / Summit of the Deer

Summit of the Deer

By onezero on June 7, 2026 6:19 pm

This one started with a decision to avoid the G-major tonic that I've been writing lately, so I started with a figure in A major to shake things up a bit, beginning with the first center-panned figure you hear.

After writing some responses to that, I thought to try something I'd seen Ronald Jones (ex-Flaming Lips) doing in an old in-studio video: rather than using a slide on the third or fourth finger, he was using it on the first or second finger, and using third and fourth fingers to play notes above it. That bit starts at 1:14, panned center. It's not dramatically microtonal, but gains a bit of resonance from the vibrating string on the other side of the slide. Kind of cool, and I'd want to explore this more. (This section, though, does have G as a tonal center. The gravitational pull is substantial.)

This one's three tracks of PureSalem Mendiola, with a touch of send to a convolution reverb, and the usual compressor/eq/limiter chain on the stereo buss.

There's something lullaby-like about this one. We've been through a lot, and it's important to take care of ourselves.

The title comes from the meaning of the peak Mullaghanish, which has an elevation of 649m.

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Lovely.

Ooof those chords at 2:05 tug on the heart strings. A nostalgic warm feel throughout.  Love the slides too.

jimmac wrote:

Lovely.

Thank you!

Tone Matrix wrote:

Ooof those chords at 2:05 tug on the heart strings. A nostalgic warm feel throughout.  Love the slides too.

Thank you! Funny thing about that section from 1:58-2:13: that's entirely from things I'd tracked, but wasn't going to include in the piece. Coming out of that middle section, though, I didn't just want to repeat things, and added some extra pieces in 1:43-1:58 against the center-position main theme. Coming out of that I wanted a different chordal sensibility, and put together those almost-cut parts to lead back into the B section. I'm glad I kept them!

onezero wrote:
Tone Matrix wrote:

Ooof those chords at 2:05 tug on the heart strings. A nostalgic warm feel throughout.  Love the slides too.

...I'm glad I kept them!

i'm also glad u kept them! really pretty.
that sounds like a cool technique to try. i think i need to try a new slide at some point. i've never found one i've really gelled with. do you use glass or metal?

jwh wrote:

i'm also glad u kept them! really pretty.
that sounds like a cool technique to try. i think i need to try a new slide at some point. i've never found one i've really gelled with. do you use glass or metal?

Thank you! For this one, I bought a glass slide--I'd wanted the smooth surface. I have an old metal one somewhere that I remember as having machining marks that'd give a different effect. For pedal steel, I have the Dunlop tone bar (smooth) and a Taylor ebony slide (not smooth at all, very little sustain) for different effects.

roger that, thank you! yeah, i think i need to pick up a glass slide. the only time i've really felt like i was getting somewhere was using a beer bottle, so that's probably a good sign.

Beautiful! Very lullaby-like, and very dreamy. The slides sound great! I think I need to finally bite the bullet and buy a slide instead of just saying I'm going to make my own and never getting around to it...

The perfect antidote to watching my team get carved up by Jacob Misiorowski. Lovely tune!

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