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WeeklyBeats.com / Music / onezero's music / Dance of Leaves

Dance of Leaves

By onezero on November 2, 2014 4:19 pm

Unlike other weeks, I didn't have any specific idea for this track, so I played around a bit with some beats during the week to see if something would emerge. Initially I had some processed grand piano ambiance over it and some acid bass, but at the last minute I put down some baritone guitar that gave me a more interesting set of hooks and grooves, so threw out the other tracks.  (That murky piano's kind of compelling, though--I'll try to use that in the future.)  We have three tracks of baritone (two for rhythm/lead and one for basslines), all of them straight into Live, with an added return channel of slight frequency shift for fake tape wow and simple delay (3 and 5) for atmosphere. 

Six (!) percussion tracks: two real drum kit (through subtle Saturator), 606, 808 (a couple downbeats at the beginning and end, and nothing else), K3M, and hand claps. That seems like a lot, but it seems to work as a nice blend.  Some beat-repeat on a return channel for micro-fills. Two different reverbs, panned mid-left and mid-right; let's see if that makes things disorienting.  (Probably not.)

One track of pads, which I came up with by playing with different Lemur controller instruments.  The swirly one was the hex pads, just sweeping two fingers up and down in the right keys.  The more random ones were me hitting the hex pads randomly.  The steadier pads were sometimes the rotating sequencer, and sometimes the vector instrument, edited down to make it less dissonant. 

Title because the wistfulness of the track reminds me of the blowing leaves of autumn, which we have now.

Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)

As a guy who tries to take notes of your production tips, could I suggest something?

How about the lead bass a little bit louder, with some saturated and filtered send copy of it ducked with the bassdrum?. I usually use that on drum tracks, and sometimes on bass, to add low end without mudding things too much.

My two cents. Track has a delightful 90s feeling.

Nice!

laguna wrote:

As a guy who tries to take notes of your production tips, could I suggest something?

How about the lead bass a little bit louder, with some saturated and filtered send copy of it ducked with the bassdrum?. I usually use that on drum tracks, and sometimes on bass, to add low end without mudding things too much.

My two cents. Track has a delightful 90s feeling.

Nice!


Thanks!  That's a really cool suggestion--I'll admit that I wasn't hearing any bass issues during the mix, as I was mixing on nearfields (kind of a necessity with the kids running around) which actually don't have pronounced bass.  (There's a bassy pair of headphones I usually use for that; this time didn't do it.)  Great idea--I'll have to try an A/B on this.

This is great, the addition of the guitar really gives it character. I agree on the bass, although that and the guitar are so distinctive you'll just need to be careful about the 2 of them battling for attention. One of the things I've been trying to do recently is really strip back the amount of parts at any one time as I was trying to go for strength in numbers before.

Really lovely feel to this one

Agree with Robroy about the mix. But a great piece overall.

Love the Panning on this track leads to a woozy feeling.

Robroy wrote:

This is great, the addition of the guitar really gives it character. I agree on the bass, although that and the guitar are so distinctive you'll just need to be careful about the 2 of them battling for attention. One of the things I've been trying to do recently is really strip back the amount of parts at any one time as I was trying to go for strength in numbers before.

Really lovely feel to this one

Thanks! And good suggestions about the bass vs guitar roles of the baritone.

Ipaghost wrote:

Exactly.

Jim Wood wrote:

Agree with Robroy about the mix. But a great piece overall.

ConfettiTsunami wrote:

Love the Panning on this track leads to a woozy feeling.

Thanks, everyone!

Great playing and amazing vibe! The delay on the guitar gives it a wonderful airy feeling. And thanks a lot four your production insights! Awesome!

Very nice and laid back vibe in this track. Love the guitar lines!

Nicely done! Great vibe.

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