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WeeklyBeats.com / Music / onezero's music / Clubincidence

Clubincidence

By onezero on October 5, 2014 5:49 am

This week I decided to limit myself to noise only as a sound source--no oscillators, just filtered and shaped noise.  I ended up with 12 tracks in Ableton Live, with a mix of Analog and Operator instruments, all of them putting out white noise.  A favorite trick was to tie a high-resonance filter's cutoff frequency to an envelope, with a very high initial value, brought very quickly to a low frequency.  I also (in the Analog instruments) mapped the cutoff frequency to individual keys.  For form, I wanted something abstract and mechanical, something "other," but then started tacking back toward something that could be a hook, if one was a robot. 

Add some reverbs and beat repeat, edit down from 12 minutes to 7:30, and this is what you have.   (3 hours and 44 minutes of Weekly Beats so far this year!)

Title suggested by one of my kids, because "It sounds like a coincidence."

(I think I'm going to make an Impulse kit out of some of these sounds.)

Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)

Well done, sir! Definitely drum rack material.

I dig minimal concepts.  Executed well.

I've been wondering weather I need something to create noise in my modular and this sealed the deal for me. Noise is so versatile. Great track.

I'm really enjoying this one, OneZero. Your work always make me think you own a vault full of modular stuff but, no! Ableton like me. Pretty inspiring ideas. Will try to make my own take of your techniques.

Wonderful work!!!

Jim Wood wrote:

Well done, sir! Definitely drum rack material.

Thanks, Jim!  It turns out that a good snare is pretty hard to do.  I'm thinking of going at it with four noise sources and filters.  Tricky stuff, given the way a snare actually sounds.

rdomain wrote:

I dig minimal concepts.  Executed well.

Thank you!

ConfettiTsunami wrote:

I've been wondering weather I need something to create noise in my modular and this sealed the deal for me. Noise is so versatile. Great track.

Thanks!  I think filters are the key, especially if you can modulate the cutoff frequency very quickly, maybe with a pulse input on the same trigger.

laguna wrote:

I'm really enjoying this one, OneZero. Your work always make me think you own a vault full of modular stuff but, no! Ableton like me. Pretty inspiring ideas. Will try to make my own take of your techniques.

Wonderful work!!!

Thanks!  Yeah, I think Ableton Suite's very flexible, and it's a lot easier to carry around (and clean up/put away) than a modular rack.  Not that I wouldn't like a huge bank of modular equipment...  Have you tried setting up a bunch of effects in a return channel and have it feed back into itself?  I've found that great for modular-like effects, though I'm not using any of that in this piece.  Good luck!

onezero wrote:


Have you tried setting up a bunch of effects in a return channel and have it feed back into itself?  I've found that great for modular-like effects, though I'm not using any of that in this piece.  Good luck!

I hadn't thought of this. Thanks for the suggestion.

Jim Wood wrote:
onezero wrote:


Have you tried setting up a bunch of effects in a return channel and have it feed back into itself?  I've found that great for modular-like effects, though I'm not using any of that in this piece.  Good luck!

I hadn't thought of this. Thanks for the suggestion.

You're welcome!  I use that in my WB pieces Nontotient, Heliosheath, and The Feed.  It's a fun way to work!

Just waiting when the electro beat kicks in and vocoders start:)
after reading that info text I have to say truly creative!
I respect people who can make music out of "nothing"!!
It's nice sometimes to put limitations to ways you work.

yeah, really great approach with some very tasteful outcome!!!

anodivirta wrote:

Just waiting when the electro beat kicks in and vocoders start:)
after reading that info text I have to say truly creative!
I respect people who can make music out of "nothing"!!
It's nice sometimes to put limitations to ways you work.

Thanks!  Now I'm going to have to try Live's Vocoder, which I've not played with.

I find that arbitrary constraints can often help the creative process.  When you can do anything, well, what can you do?  What about only using two notes? One drum? Some synth sound you usually avoid?   Well, then...that's when things get interesting!

Perplex On wrote:

yeah, really great approach with some very tasteful outcome!!!

Thanks!   

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