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WeeklyBeats.com / Music / neon liminal's music / waves from another star

waves from another star

By neon liminal on January 18, 2026 8:36 pm

This one came together more easily than expected (something I am always suspicious of). Fourth track in my tape explorations (third for WB), I decided to take a "tape" approach to arrangement, by recording two live improvised tracks of two pianos, bouncing the recordings and then slicing them up like tape to create a melodic arrangement. This is absolutely nothing novel, but it was interesting trying to pull a "new" melody from the pieces of improvised material.

Repetition, both intentional and not so much, became a motif - I mean, that's the nature of looping, I guess - but it brought some of the artifacts of the sounds I was working with into a more prominent place, which became their own rhythm and ebb and flow, hence the theme of "waves" here. (full disclosure, on certain headphones this annoyed the shit out of me on mastering, but most listens were fine, so let me know if it also annoys the shit out of you! It might be something I go back to address for the EP)

The story of a cabin by the shore of a frozen ocean continues, it seems. This feels like a more dissonant note for the suite, slightly ungrounded, a moment of uncertainty under an alien winter sky.

One more track to go then on to new things!

Also random, but it has slipped my mind these past two weeks - some of you might remember The Message from WB 2024, my little vocal space-cowboy-post-rock song, and 2025 saw this track fully realized and finished and finally released this past December. It's probably one of the most complex and ambitious tracks I've ever written (with guest guitar by the ever talented jwh, and definitely ties into the narrative on every one of my space-music albums, including upcoming Snow for Europa, so give it a listen if you wanna hear me crooning:

The Message

and finally updated my profile lol

Big and spacey!

Gosh what a lovely cinematic feel immediately from that opening piano.  Like I'm in a space documentary observing a barren planet.  The hiss tape feel gives it a nice breathing effect too.  Ooof the pads are so eerie and soothing heart  well done!

Absolute deepness. Compile 60 minutes of music like this, loop for 6 hours on YT, make thousands. Ever since COVID I've had attention span issues and content like this is perfect concentration fodder when I have to lock in. Nice transition around 4 minutes into the resolution stretch of the track.

i live in this cabin now  heart

ps: listened fairly loud in headphones & was not annoyed at any point. just gorgeous.

Oh Lord, this is incredible beautiful. I am a lover of those fragile sounds. Very well done.

another beautiful track!! those grainy synths are very moving

This is such a dreamy track, definitely wasn't annoying to listen to!

Really dig this. It's very lonely, deep in thought.

This was a moment of calm I needed today, thank you!

Very beautifully layered. How did you mix this. Whenever I try this lofi stuff, I get so much distortion.

Crash Overture wrote:

Big and spacey!

Just like me! Sorta heart

Tone Matrix wrote:

Gosh what a lovely cinematic feel immediately from that opening piano.  Like I'm in a space documentary observing a barren planet.  The hiss tape feel gives it a nice breathing effect too.  Ooof the pads are so eerie and soothing heart  well done!

Thank you! heart Was thinking of your work when I went heavy piano here lol

Cakes wrote:

Absolute deepness. Compile 60 minutes of music like this, loop for 6 hours on YT, make thousands. Ever since COVID I've had attention span issues and content like this is perfect concentration fodder when I have to lock in. Nice transition around 4 minutes into the resolution stretch of the track.

Hahaha thank you heart I'm glad it helps with the concentration, I imagine there's a balance of repetition and movement that's pretty key there. I hope you like the whole EP when it's out heart

jwh wrote:

i live in this cabin now  heart

ps: listened fairly loud in headphones & was not annoyed at any point. just gorgeous.

You're always welcome in the cabin! And thank you heart

Q-Rosh wrote:

Oh Lord, this is incredible beautiful. I am a lover of those fragile sounds. Very well done.

Thank you! heart

dreeks wrote:

another beautiful track!! those grainy synths are very moving

Thank you! I love me the dirt lol

LOHTANGCLAN wrote:

This is such a dreamy track, definitely wasn't annoying to listen to!

Thank you! And I'm glad!

BarristerPlong wrote:

Really dig this. It's very lonely, deep in thought.

Thank you! It's got that cyclical thought moment going on for sure.

Janky Jams wrote:

This was a moment of calm I needed today, thank you!

Aww thank you heart glad I could give that to ya.

J Sangha wrote:

Very beautifully layered. How did you mix this. Whenever I try this lofi stuff, I get so much distortion.

Thank you! Mixing: the short answer is "very carefully", lol, by which I mean there's a lot to pay attention to. "Lofi" relies a lot on "vintage" tape emulation, and that tape sound in part comes from tape saturation, which tends to be a saturation of the midrange frequencies - a saturation that can build up really easily and become distortion.

So you have to wrangle the sources of that saturation - if you're using "lofi" samples, they probably have some tape saturation baked in already. If you've got a "lofi" instrument (like, Arturia's Pure Lofi lol), it's got tape saturation built in but at least you can adjust it. Pretty much every tape emulation or "lofi" effect plugin will also have tape saturation, and then when you get to the mastering stage, there's often saturation added there as well. It all stacks up.

I approach it from the bottom up. If I'm using an instrument or sample that has some saturation already, it's probably been tuned to suit that sound so I will adjust if necessary but that'll be my first "source" of that lofi sound. In this situation, where an instrument "lives" in the frequency spectrum becomes more important, so there's a lot of careful EQing and mixing to get things sitting together before I add any more saturation layers.

Then I will usually group instruments that are already playing together in the same range, and add a tiny bit of tape saturation and tone control to bring them into the same space. I will generally include other lofi elements and artifacts like warble and noise and whatnot at this "group" level, because these are effects that will also build up and get out of hand real fast.

Last, on the master, I will use some tape saturation as part of my loudness strategy instead of relying entirely on a maximizer or whatever. This is where leaving headroom on your pre-master stage is really important.

And finally - my hearing is not perfect, there's a whole range of frequencies I am almost deaf to in some contexts, so I rely on visualizers a lot to "see" where my frequency spectrum is, and literally "see" distortion I'm not hearing. This isn't for everyone, but it's necessary for me cuz I really have issues in the 5k-7k range. Regardless, it's really handy to be able to visualize your mix that way. (I like Vision 4X by Excite Audio for this in particular)

And that's my short mixing lofi novel, lol, I hope it helps.


I mean, Jebus Christos this is good.  I'm not used to hearing tape loop music have such a pronounced cut back to the loops beginning but it created such a glitched/broken/vhs feel and funnily enough I didn't notice when it stopped my first listen through.  So good, like really good.

Side note - tape saturation is, for the most part, thrown on so sloppily in a post low-fi beats world but your use of it has an intentionality that gives it a reason to be there...which is so damn refreshing

Nice ambient thing.

so lovely, a joyful listen, wowee

From the stars indeed. Haunting and mysterious, but engaging, was perfect background for my day today. Great sounds design and production as usual. Great melody. I like the discussions here about saturation and lo fi too, made me think of some things.

I bought this Tascam 4track quite a while ago but still haven't gotten around to use it, wish I had more time (and space lol, thing is huge)

Really love the slow, wobbly vibe, would buy a whole album of this tbh


i can rest here heart

This is drawing the best bits from William Basinski, Harold Budd, and Hood. Beautiful, if somewhat hopeless and melancholic. Top-tier work.

Thanks for sharing the workflow behind this one, I have tried what you described, but not the result you got here.  The waves did not annoy me at all, I would leave as is.  Looking forward to next weeks track.

This piece is extremely evocative...it is perfection.

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