I'm outside in the cold, letting the dogs out, listening to this, words involuntarily coming out of my mouth include "geebus", "oh f*ck yeah", "holy shit", "f*ck yes", "whoa." And the dogs are confused.

It's damn good. Also that neuro jungle reesey bass at the beginning is ridiculously tasty. Meaty ear candy for days.

I'm outside in the cold, letting the dogs out, listening to this, words involuntarily coming out of my mouth include "geebus", "oh f*ck yeah", "holy shit", "f*ck yes", "whoa." And the dogs are confused. It's damn good. Also that neuro jungle reesey bass at the beginning is ridiculously tasty. Meaty ear candy for days.

Maybe next week you can make the break yourself as well
Definitely a lot going on here, a nice little surprise all the time
- Ebrit

Maybe next week you can make the break yourself as well Definitely a lot going on here, a nice little surprise all the time - Ebrit

BOOOOOH! This is some finger guns, stank face, head bobbing goodness.

BOOOOOH! This is some finger guns, stank face, head bobbing goodness.

Such a hard jam, lots of cool "breaths" and moments with variation. Really like the doubled kick in the drums, feels like a subtle but effective variation I'm not used to hearing on this "style" of beat. I almost missed what's going on in the sub bass, which really rounds things out too.

Such a hard jam, lots of cool "breaths" and moments with variation. Really like the doubled kick in the drums, feels like a subtle but effective variation I'm not used to hearing on this "style" of beat. I almost missed what's going on in the sub bass, which really rounds things out too.

Nothing wrong with contemporary jungle music! The transition at 01:22 came out of nowhere

Nitpick: use some stereo in your tracks. Put some percussion to the sides, put some stereo chorus on the bass, etc. etc. That will make it sound huge. Currently everything is sitting square in the middle.

Nothing wrong with contemporary jungle music! The transition at 01:22 came out of nowhere :D Nitpick: use some stereo in your tracks. Put some percussion to the sides, put some stereo chorus on the bass, etc. etc. That will make it sound huge. Currently everything is sitting square in the middle.

This sounds seriously fast and concentrated. Many respects to your work.

This sounds seriously fast and concentrated. Many respects to your work.

Niceeeee so many cool sounds in here.  The drums are so wild too.  Surely played by some kind of robotic octopus.

Niceeeee so many cool sounds in here. The drums are so wild too. Surely played by some kind of robotic octopus.

This is really fun to read haha! I appreciate the listen and the comment, thank you.

I've been thinking a lot about what you said about making the break myself. I have some recorded breaks that i did on the alesis sr16. I have tried chopping them up in the past and it didn't have life of the sampled break. I think it is worth a revisit though to see what I can do with some EQ. Thanks for the push, more to come!

yay! if jbarket has the finger guns going then i'm doing something right!

Thanks for the close listen and the comment!

Thank you so much for the close listen and the feedback, I have been thinking about it a lot. I  agree with you that it is time to add stereo to my mixing journey. thanks for the recommendations. I'm excited because i agree i think it will add a lot of interest. thank you!

thanks Q-Rosh! I appreciate you

love that image, thanks Chrisfoo!

[quote=neon liminal]I'm outside in the cold, letting the dogs out, listening to this, words involuntarily coming out of my mouth include "geebus", "oh f*ck yeah", "holy shit", "f*ck yes", "whoa." And the dogs are confused. It's damn good. Also that neuro jungle reesey bass at the beginning is ridiculously tasty. Meaty ear candy for days. [/quote] This is really fun to read haha! I appreciate the listen and the comment, thank you. [quote=Devieus]Maybe next week you can make the break yourself as well Definitely a lot going on here, a nice little surprise all the time - Ebrit[/quote] I've been thinking a lot about what you said about making the break myself. I have some recorded breaks that i did on the alesis sr16. I have tried chopping them up in the past and it didn't have life of the sampled break. I think it is worth a revisit though to see what I can do with some EQ. Thanks for the push, more to come! [quote=jbarket]BOOOOOH! This is some finger guns, stank face, head bobbing goodness. [/quote] yay! if jbarket has the finger guns going then i'm doing something right! [quote=Cursory]Such a hard jam, lots of cool "breaths" and moments with variation. Really like the doubled kick in the drums, feels like a subtle but effective variation I'm not used to hearing on this "style" of beat. I almost missed what's going on in the sub bass, which really rounds things out too. [/quote] Thanks for the close listen and the comment! [quote=rplktr]Nothing wrong with contemporary jungle music! The transition at 01:22 came out of nowhere :D Nitpick: use some stereo in your tracks. Put some percussion to the sides, put some stereo chorus on the bass, etc. etc. That will make it sound huge. Currently everything is sitting square in the middle.[/quote] Thank you so much for the close listen and the feedback, I have been thinking about it a lot. I agree with you that it is time to add stereo to my mixing journey. thanks for the recommendations. I'm excited because i agree i think it will add a lot of interest. thank you! [quote=Q-Rosh]This sounds seriously fast and concentrated. Many respects to your work.[/quote] thanks Q-Rosh! I appreciate you [quote=Chrisfoo]Niceeeee so many cool sounds in here. The drums are so wild too. Surely played by some kind of robotic octopus. [/quote] love that image, thanks Chrisfoo!

Woah, very cool! That bass sits amazing in the mix!

Woah, very cool! That bass sits amazing in the mix!

[img]https://media.giphy.com/media/k24IQJRxnlb1K/giphy.gif[/img]

nice! super funky, i love it!

nice! super funky, i love it!

love the little chiptune-ish trills used as accents occasionally

bassline in the first half works really well with the breaks

love the little chiptune-ish trills used as accents occasionally bassline in the first half works really well with the breaks