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Corrosive

By MRDRCAT on April 19, 2026 3:16 pm

Since my last outing with the Stylophone DS2 drone synth I wanted to pair it with my Monotribe for double the analogue goodness, which is what I did this morning. I did 8 takes, and the first one was the best - more subtle, better build, less messing around, so...yeah. It was still lots of fun to explore noise thrills.

The Stylophone is doing the drones, and the Monotribe is the lead line and percussive elements. The filter on the Monotribe is notoriously dirty, so there's an audible click on the envelope when notes are triggered. Usually that's a mild annoyance, but I was delighted with it this time around because it gives a fun, uneven rhythmic pop throughout even when notes are (technically) not playing. Free marching percussion! The Stylophone is working mostly with just one of the oscillators, with the other repurposed for modulation to add some grit. I did try harder to reduce the hiss this time around.

Anyway. I wanted to get something weird and dark and have the Monotribe's glorious grunge part of the action.

Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)

Nice drone work, and a juicy analog filter on the Monotribe.

very well crafted atmosphere. gritty suspense.

Super eery and atmospheric, great as usual big_smile

Love it. Haunted af

Stylophone! Wow, I didn’t realize they made so many regular synths

sounds good

Oh gosh this was so delightfully weird and DEEP. I honestly love this stuff so much. It's like finding a weird creature buried beneath the earth and watching it do fucked up stuff that's gonna eat away at some part of your brain and ten years later you wake up and realize ALL HAIL THE KING IN YELLOW. CARCOSA!

I mean. It's great. I love it heart lol

STYLOPHONE DRONE FTW

felt like the sound was coming from the speakers, from the other room, and from inside my head! WILD

Nice, lovely drone piece. Loved the resonance on the filter at the end.

Textures bloom from the dark places in this piece. I enjoyed that melodic phrasing at the end.

Certainly a dark and menacing atmosphere.

This give me the image of hooded cultists descending a stone stairwell. To do what? Nothing good, and based on the title, something to do with chemicals. I'm amazed at how much motion there is, how differently you are able to make each section feel, using (only?) filter and cutoff changes: hushed churning sections where the march stops entirely, occasional zaps that threaten the marchers, an almost "Hall of the Mountain King"-style bassline. And always that black-ooze-icky drone. Nice work!

Oooh that's dark.

I'm thinking experimental theatre. Some of the sounds are the aging projector showing untold glimpses of horror in grainy black and white.

Spooky stuff. I really like how it is so "simple" but full of unexpected buzzes and resonances. It demands multiple listens. (I've always been monotribe-curious. And this definitely did not help me resist.)

oh I love this stuff! I experimented with similar ideas in 2024 and it was so fun to then put it to weird images and stuff

the muted bass notes are awesome

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