Quiet Period
By Mission Crossing on April 6, 2024 9:31 pm
If someone makes speedtrash in the forest, and no one is around to hear it, does it make a sound?
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WeeklyBeats.com / Music / Mission Crossing's music / Quiet Period
If someone makes speedtrash in the forest, and no one is around to hear it, does it make a sound?
Audio works licensed by author under:
Copyright All rights reserved
This song has instantly hypnotized me. It has the perfect dreamy mood and a beautiful melody. I wish it was a bit longer.
That piano against the arpy pad is chef's kiss. Very cinematic!
Nitpick: when the bass comes in, it's a bit startling as it's much louder than the sounds before. I'd try starting it at a bit of a lower level, and having the other sounds at the beginning of the track louder to compensate. That's in fact what I had to do with my track this week as I had a similar issue.
really into the percussive sounds you've used in this one, nice chill vibe.
If speedtrash is good, is it still trash? Love the vibes here.
- Devieus
This song has instantly hypnotized me. It has the perfect dreamy mood and a beautiful melody. I wish it was a bit longer.
Aww thanks Q-Rosh! And yes, I wish I had some more time to make it longer
That piano against the arpy pad is chef's kiss. Very cinematic!
Nitpick: when the bass comes in, it's a bit startling as it's much louder than the sounds before. I'd try starting it at a bit of a lower level, and having the other sounds at the beginning of the track louder to compensate. That's in fact what I had to do with my track this week as I had a similar issue.
That's fair, thanks for the feedback rplktr!
really into the percussive sounds you've used in this one, nice chill vibe.
Thanks!!
If speedtrash is good, is it still trash? Love the vibes here.
- Devieus
Aww thanks Devieus.
Nitpick: when the bass comes in, it's a bit startling as it's much louder than the sounds before. I'd try starting it at a bit of a lower level, and having the other sounds at the beginning of the track louder to compensate. That's in fact what I had to do with my track this week as I had a similar issue.
My two cents: apply a big reverb, of the first bar of the bassline bar, then reverse it, so you could use it as a riser. Doing that you would subtly grab the listeners ear while not having to think about other volume levels except the main fader. It is true that the bassline could be a little bit lower in the mix, because that piano is so gorgeous as it is
Anyway, great track. Lovely calm moments