Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged.
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WeeklyBeats.com / Music / Jim Wood's music / Now It Doesn't Have To Be
Voice: Grammar Girl (Mignon Fogarty) Quick and Dirty Tricks podcast "Forensic Linguistics," run through M4L ck.reflex.
Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)
Really nice work. Still chopped-up, but not (quite) as extreme as some of your work. But the spatialisation and character of the piece are just lovely.
I would love to see a video tutorial or even a non-video tutorial showing how the heck you make stuff like this. It's amazing.
I like when the big synth part kicks in around a minute or so in. And the crazy vocal sounds are awesome as usual.
Brimming with character.. she even says "characteristic"! Awesome to hear how you build harmony around and with the samples
Really nice work. Still chopped-up, but not (quite) as extreme as some of your work. But the spatialisation and character of the piece are just lovely.
Ah, Vince, you're always there to keep me from getting too complacent. Much appreciated.
I would love to see a video tutorial or even a non-video tutorial showing how the heck you make stuff like this. It's amazing.
You'd probably find the actual process rather boring. I've built up a series of procedures like tempo changes, consonance-dissonance, sound-silence, etc. that I start with. Then, as my friend Sasha says, "This will require extensive dickage."
I like when the big synth part kicks in around a minute or so in. And the crazy vocal sounds are awesome as usual.
Brimming with character.. she even says "characteristic"! Awesome to hear how you build harmony around and with the samples
Thank you, guys!
Love it! It's unassumingly foreboding. Really interesting character, is, tic.
Great balance between being experimental and still very listenable!
Love it! It's unassumingly foreboding. Really interesting character, is, tic.
I see wha,t, y,ou, did there. ;-)
Great balance between being experimental and still very listenable!
Thanks! I wanted to give GG a good showpiece; she's always a good source of material.
Yeah, good one. I love how you really get into these techniques and explore them further with your tracks. You're progressing somehow. For some reason, the image I'm always getting is people (musicians) diggins themselves through these mountains of their music.
Yeah, good one. I love how you really get into these techniques and explore them further with your tracks. You're progressing somehow. For some reason, the image I'm always getting is people (musicians) diggins themselves through these mountains of their music.
I think the amount of music online is such that no-one could possibly ever listen to even a tiny fraction of it. :-)))))
I like when the big synth part kicks in around a minute or so in. And the crazy vocal sounds are awesome as usual.
me too!
Nice! Just a touch ominous. Like the "unassumingly foreboding" description comment - sounds about right. Super vocal treatment as usual. Going to look up GG podcast.
This really makes me regret selling my Kaoss Pad...very cool
I don't have a Kaoss Pad, but there're so many other ways to get similar results ;-))
Gathers pace as it progresses, another great track. Excellent.
You inspired me to try to achieve some similar results (minus the fantasitic Max routing) with an MPC. THis piece is really experimental yet very accesible. Soundwise, your stuff always push us forward
