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free

By ilzxc on March 8, 2026 10:53 pm

NANOLOOP 2 | FORS OPAL | FORS DYAD

no samples; process-based "speedtrash" (made in single session, performing the following steps in order):

0. recorded nano loop bass + pads into octatrack
1. recorded nanoloop octatrack samples thru chase bliss lost+found pedal
2. dyad drums -- kept making patters until one sounded like a kick/snare pattern
3. opal: randomized sounds, patterns, until stumbled onto something that seemed to go w/ the dyad bit
4. settled on a minimum number of patterns necessary
5. removed 3 dyad patterns and 2 opal patterns
6. went thru instruments one-at-a-time -- essentially treating each as a solo piece
7. checked mix & eased up on the saturation, since these are not solo pieces (heh)
8. bounced all voices separately (note -- not allowed to edit voices after this step)
9. mix & master, no breaks

all steps explicitly pre-planned except for (5)--pattern removal; and (7)--desaturating the mix. the goal was to make sounds fast, listen to the mix as little as possible, maximize work on one-voice-at-a-time, and accept the results.

called it "free" because I was free to invent a process and then was not free within this process but that's the point so asserting -- "free."

in other news, @gesceap has a new record out -- it's called RESELECTOR and it's really good, and there's also an ilzxc remix on there. there's also 3 other remixes, all of which are excellent, so you should probably listen to those, too. oh and the record itself is really good -- I've listened to it so much that the only track I finished while working on the remix folks said sounded like gesceap.

anyway, my remix is analog rytm (mk2) for the drums and the rest is m8-controlled FORS.FM instruments because that's the focus for now at least and it was kinda hard to make because Ableton latency sucks when sequencing stuff w/ hardware...

Audio works licensed by author under:
Copyright All rights reserved

Amazing write up and great sounds to boot.
Hilarious the synchronicity of titles in both our speed-focused endeavors this week. Mine was a similar workflow minus the discipline and desaturation. I want to try an approach this regimented before the year’s over

Perfect soundtrack to the depressing times. Sounds like the bomb. I didn't stop worrying.

All hail the mighty speedtrash!

Oh yes to the chaotic multidimensional track. I swear you’re taking turns beyond the 3 usual dimensions of space. It’s disorienting in a good way.

We need to do a collab!

vibes like inscryption ch3 tracks

This is so cool. I don't get how it feels like it is flowing but also lurching at the same time.

this one turned my brain inside out a bit
!

need to check out the album!

XO

This one, deep and dark, just like i like it heart

P.S. - unrelated note: you asked on your other track page, why i turned off comments(and no worries: i had never explained before, since no one but you has asked about this so far heart ), just wanted to try and see how it changes my experience here on weeklybeats(i gravitate to the same people's music too much, i think many of us do this all over the internet, not just on weeklybeats: we go for the familiar or most-recently-friendly all too often... this can cause cliques to form... i'm guilty of doing this, too... just figured i'd try a different style of participation out to see where it takes me). Not meant as any criticism towards the weeklybeats community, nor even of the internet at large, just me trying something new to keep myself honest(i must admit, i still gravitate to the same people's music no matter what, but at least now i'm a bit more aware of that happening) heart

double snare is the best snare
so many cool sounds here
you did a great remix for the release, thank you

The groove is real with this one. Also this is sound design heaven. So many cool and interesting things happening. Always changing and alien in character, yet forming a cohesive whole when zoomed out.

Extra points for the excelent Gesceap remix!

This is awesome! Quirky sounds too friendly for how eerie this sounds, but I love the barely-controlled sound of the percussion and the wild swells and verbs. It sounds like something is wrong in the system, and it's nothing that can be fixed. All you can do is wait for it to explode.

Grimey glitch beat. Sounding huge!

ominous

love the process! This came out great

A cyborg, somewhere, is waking up, its automated repair sequence activated. Rebuilding, processing the last minutes of its destruction, improving its preparedness for next time. Off it goes again, facing its limits.

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