1

(32 replies, posted in General Discussion)

middcup-diddcup wrote:

I'm hitting the themes I wanted to with my music (spaciness and mystery with some vicious lyrics) but I really wanted to work on production and am already discovering I don't have the energy for it. gonna be lo-fi indie forever :3 happy with the chiptune side of my work

Whenever I put a lot of thought and work into production I'm never satisfied with it.  When I get it done as fast as possible using cheap (or formerly cheap, cassette stuff is getting a bit crazy these days) gear I just about always like them.  I'm never totally sure how much is that I like that sound better and how much is that I don't have time to get sick of what I'm working on.

The trouble is, I have a lot of fun fussing with production for its own sake, I'm just rarely as happy with the results.

2

(32 replies, posted in General Discussion)

ngineer wrote:
TubularCorporation wrote:

I think the only way I'm going to be able to make this work consistently with my schedule, especially after my seasonal freelance work kicks in late next month, is going to be doing everything completely OTB on my old portastudio.

So from here on out that's how it's going to be - a C-20 (so 5 minutes or 10 minutes maximum depending on what speed I use) all year, no computer at all other than digitizing the mixdown and normalizing, and only one tape so every week I'll be recording over the previous week. Without those limits I just spend too much time overdubbing and fussing with the mix.  Since the closest thing I have to a formal goal with this is to work faster and commit sooner, that should be a big help.

What does OTB mean/stand for? FWIW I think that's really rad.

Out [of] the box, i.e. all hardware.

Thanks!  There's a lot of hiss...

I tried to do a weeklybeats style thing last year and ended up quitting early on because it was actually taking away from time I wanted to spend on other music projects, but limiting myself like this should help.

3

(32 replies, posted in General Discussion)

I don't know what happened there!

4

(32 replies, posted in General Discussion)

See above.

5

(32 replies, posted in General Discussion)

^^^^^

6

(32 replies, posted in General Discussion)

Quintuple post! A new personal record!

7

(32 replies, posted in General Discussion)

I think the only way I'm going to be able to make this work consistently with my schedule, especially after my seasonal freelance work kicks in late next month, is going to be doing everything completely OTB on my old portastudio.

So from here on out that's how it's going to be - a C-20 (so 5 minutes or 10 minutes maximum depending on what speed I use) all year, no computer at all other than digitizing the mixdown and normalizing, and only one tape so every week I'll be recording over the previous week. Without those limits I just spend too much time overdubbing and fussing with the mix.  Since the closest thing I have to a formal goal with this is to work faster and commit sooner, that should be a big help.

8

(36 replies, posted in General Discussion)

Buncha 80s and 90s digital rack gear and other stuff I scooped in the late 2000s when I worked at a record shop and thrift shop at the same time and it was nearly free (seriously there was a period in time in the mid 2000s when a band I shared a space with had three Juno 60s piled up on the floor in the corner because they were just cheap keyboards nobody else wanted, so they used one until it had a problem and then put it in the corner and bought another for $150-$200 because it was cheaper than repairing them; they had some SH-101s too, same deal; the moral is never throw away anything if you can avoid it), and the early 2010s when I was earning more money for a year and a half than I did before or since and people cared about it a lot less than they do now. Sometimes a homemade electric guitar and amp. A handful of fancy things like an Octatrack I've been able to pick up over the last 5 or 6 years when freelance work is good. Try to build stuff from kits or scratch as much as possible these days (or find things that are free or cheap broken and try to fix them), even if it isn't cheaper in the end it lets me spread out the cost so I can manage things I couldn't even think about buying in one go, like for example I've been collecting the parts to build a Kijimi since last April and should be able to start working on it in a month or so. Hopefully it will work and show up in some tracks this spring.

Record and mix in Reaper with mostly Airwindows plugins and hardware reverb (for commercial stuff it's mainly Valhalla, TDR and Klanghelm standards but MJUC and the TDR EQs are the only ones I use in nearly every mix anymore).

I really respect the people who do everything ITB, I've tried a lot over the years and I never like the ideas I come up with that way.