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WeeklyBeats.com / Music / Earp Lug's music / They Are Stealing Your Attention (Ft. evilyn)

They Are Stealing Your Attention (Ft. evilyn)

By Earp Lug on January 7, 2026 12:17 am

I am immensely inspired by Slay Bells's "Treats" if you can't tell.
For this one I preprogrammed certain drum sequences on my Roland TR-8. I then created a patch that synchronised my Stylophone DS-2 to the TR-8's tempo using my Volca Drum and a sequencer sending a signal every four bars to the reset function on the DS-2, and then sent one of the DS-2's oscillator's output into my Behringer Neutron's overdrive input. I gave it a higher range than all the following kicks so the beat would really blast your speakers in combination with the following low-end kicks. I then split the reset signal coming from the sequencer and used it to trigger the filter on the Neutron, and gave it a short attack and decay in order to make it a fairly snappy kick.
I then used the other oscillator to make a low kick, pulled a kick from my TR-8, and created a kick from the Volca drum for good measure. I ended up taking one of the low-end kick tracks out because it was totally blowing out the track, but I'm not sure which one.
I synchronised my MicroKorg's arpeggiator with the TR-8.
When I recorded, I played some keys, brought in drums, and noodled around to make the music feel layered without (hopefully) feeling overly complicated.
Finally, I mixed the final results, mostly adjusting volumes and EQ to clean up the various tracks, and added my wife's voice singing the lyrics. I pitch-shifted her singing, added a little reverb, and automated the volume so her voice would come in and out like an instrument.
For the music video, I made a digital collage using royalty-free assets and a heavy use of the Threshold effect in Photoshop inspired by the work of Alfred Valley, inverted the colors, and then moved the image around to the beat in Premiere Pro. I edited it at 640x480 and I didn't like how Premiere scaled up the image so it felt softer, so I added an additional threshold layer using color curves to make the lines feel sharper. It also made some of the moving lines twinkle in a way that I thought was cool, sorta reminiscent of old computer graphics.


[url=https://www.youtube.com/watch?v=xiU1z430tR8&feature=youtu.be[/url]

Audio works licensed by author under:
CC Attribution Share Alike (BY-SA)

The pulsing synth and repeated upward movement makes this feel like a journey. I kept imagining parting branches parting as I walked through a thick forest, though I can't explain how that corresponds exactly. This is really trippy and experimental, and I'm totally here for it.

deeckzeven wrote:

The pulsing synth and repeated upward movement makes this feel like a journey. I kept imagining parting branches parting as I walked through a thick forest, though I can't explain how that corresponds exactly. This is really trippy and experimental, and I'm totally here for it.


Thank you! I'm immensely inspired by dungeonsynth, so knowing that you had that imagery come to you means a lot to me smile

Enjoyed the funky and textured musical journey, was trying to figure out if something was being spelled (?) and the reveal at the end of the video was a nice surprise!

Love the pulse of this! Listening on headphones - and the way Evilyn was mixed in at first had me thinking someone was talking behind me. Sounded great, and maybe a little creepy smile

Paisleyfrog wrote:

Love the pulse of this! Listening on headphones - and the way Evilyn was mixed in at first had me thinking someone was talking behind me. Sounded great, and maybe a little creepy smile


Thank you so much! My first experiment with heavy panning on the mix smile

dojomusic wrote:

Enjoyed the funky and textured musical journey, was trying to figure out if something was being spelled (?) and the reveal at the end of the video was a nice surprise!


Thank you! There is a secret message that’s being repeated (it’s the title of the song)

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