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Starting December 29th 2019 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged.
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WeeklyBeats.com / Music / demonzor's music / marvin's mountaintop
marvin's mountaintop
By demonzor on May 24, 2020 10:16 pmi was working on two speedtrash things i had in the back pocket FL files, couldn't really make progress on either one them, so i mixed and mastered both and had one flow into the other so i cannot use either in the future. fuck it why not, anything goes in WB!
I recycled one of my favorite riffs I used in ALL GOOD at the end of the first song, 10-4 timing diddly, which is a little easter egg ( not anymore since i spilled the beans)
The second "song" was me trying to make a very long piano section by hand in the piano roll...i wanted to see how long i could write before i looped back into it
hope everybody is all good out there, stay safe!
This submission is licensed by author under CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
Two very differents vibes, but as you said, you can put whatever you want here. Fun stuff.
two very different but great sounds. wild transition. nice work bubs
When you title something after a geographical landmark, it's bound to be a good one.
Nice guitar work and effects. I like that stereo panning effect in the clean guitar and how the track slams into the crunch zone. Epic change up on the electronic elements. Makes it fun! The third thinned out section with filter effects and awesome snare pop is my fav! You got a lot of range in styles in one track. Like you said, you can do that on WBs!
ANYTHING GOES ON WBs. Two tracks? Fuck it. Love how you reused the riff from ALL GOOD. We might have another collaby on our hands. The panning takes you for a ride man on these tracks. Love it.
Haha dude, is that just 10/4? I feel like it kept changing but I have a horrible attention span when it comes to counting complex timing. Either way, it sounds cool as shit. Part 2 is pretty cool too, the chord changes are wild.
Had me hooked from the beginning. I like how it sounds rushed but still has a sweet groove to it. The transition is gnarly and the panning at the end is cool as fuck. The last piano riff is very postal service, which I dig!