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WeeklyBeats.com / Music / Bunjigram's music / Mensura Finalis

Mensura Finalis

By Bunjigram on April 7, 2024 10:23 pm

Since I missed last week's submission due to a busy Easter holiday, I gave myself some extra challenges this week.  First, I decided to play something in a key I rarely, if ever, play in. Also, I wanted to see if I could play a song without using the tonic chord until the very last measure. So, a few days ago, I started dabbling around with some chords like EbMin in left hand and DbSus4 in the right, and just went from there. I found a little four-chord riff, which I played for my son last night, and he gave me some ideas that helped me to play this improv with open space and dimension built around the original riff. When you're improving, like I do, you just never know where it's going. So, it took me a few takes to find something I liked. The title "Mensura Finalis" is Latin for "Final Measure", which is where the tonic chord of Gb finally makes its appearance. Played on a Kawai ES8.

lovely playing

jwh wrote:

lovely playing


Thank you.

nice playing and nice progression!

arguably the minor 6 becomes the tonic here, but that doesn't matter. in the end if it gets you to an interesting place any constraint is valid and can be creative fuel.

Herbie Hancock has a story about Miles Davis telling him "don't play the butter notes" during a gig, which he interpreted as don't play the 3rd and 7th of a chord. which to me was strange at first because I thought you can just play 3rd and 7th and tell the whole story, but actually for him that constraint was maybe more interesting, and he did something more unique and rare by avoiding the most obvious (butter) notes. just goes to show anything goes lol

This is beautiful, I really loved the composition. Wonderful improvisation session, I super enjoy seeing/listening to tunes like these in Weekly Beats heart

horatiuromantic wrote:

nice playing and nice progression!

arguably the minor 6 becomes the tonic here, but that doesn't matter. in the end if it gets you to an interesting place any constraint is valid and can be creative fuel.

Herbie Hancock has a story about Miles Davis telling him "don't play the butter notes" during a gig, which he interpreted as don't play the 3rd and 7th of a chord. which to me was strange at first because I thought you can just play 3rd and 7th and tell the whole story, but actually for him that constraint was maybe more interesting, and he did something more unique and rare by avoiding the most obvious (butter) notes. just goes to show anything goes lol

Thanks, and yes on the minor 6 serving as the tonic here. I've been playing for 48 years and still love learning new things about music theory and composition. Interesting since I'm mainly an improv player, but the more I know about music and how it can be structured, the better my playing becomes. Interesting story about Mile Davis. That man had style, and I'm a big fan of his jazz trumpet mastery. I agree about the butter notes.  Anytime you can insert the unexpected and unusual into your music, the better (not butter). lol

jegasus wrote:

This is beautiful, I really loved the composition. Wonderful improvisation session, I super enjoy seeing/listening to tunes like these in Weekly Beats heart

Thank you. I really appreciate the feedback.

jwh said it best.  Lovely playing and a heartfelt beautiful piece.  Love the flow from start to finish.  Some good reflecting time to be had listening to this.  So nice to hear more improvs like this.  Nice work!

Tone Matrix wrote:

jwh said it best.  Lovely playing and a heartfelt beautiful piece.  Love the flow from start to finish.  Some good reflecting time to be had listening to this.  So nice to hear more improvs like this.  Nice work!

Thank you. Appreciate the feedback.

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