onion's modulus
By wangus on May 8, 2022 11:50 pm
ultimate tensile ztrength cheese balls.
An unhinged take on synthwave. the OP-1 is not the right tool for synthwave, for me.
I'm gonna pivot from the OP-1 after week 20, so this is the third-to-last in this stretch.
OP-1, all internal sounds/samples (except some FM radio noise), one take to internal Album, touched up in post.
The first idea of the track was the structure: a loop of a number of segments, where each segment built a distinct vibe. The first segment of the loop would be stripped-down, so the track would have this cycling breakdown flow. machinedrum "spectrum sequence" came to mind as a vaguely similar idea.
Originally was going to be a downtempo vibe, but I started riffing inspired by a royalty-free-ish synthwave-y EDM track i heard. So it turned into a 4x8 bar loop:
* Segment A: breakdown—bass + drum groove, float on a i7 harmony
* Segment B: harsher—drill on the bass more, realign to a i-add2 harmony (no 7th)
* Segment C: enter timewarp—vibe with reversed percussion, weird chromatic harmony
* Segment D: parallel universe—riff on IV7 harmony to turn around back to segment A
and the whole track really just goes ABCDABCDABCD, that's it. But variations (and the final unhinged ABCD) keep it always fresh.
Interesting OP-1 techniques/notes:
* Audio-rate Tremolo LFO used all over. Subtle "re-toning" drums, atonal FM effects, gritting up (/destroying) bass, pseudo-overdrive on cymbals overdubbed onto a kick. Make sure to use a symmetric waveform if you want the effective speed to stay the same.
* Surprising depth in segment C with just simple Cluster sawtooth pads octave-doubled on two tracks, panned left and right.
* I think my top gripe with the OP-1 is the day-0 (?) bug where lift/drop copypasting a key in the Drum Sampler disables dropping audio from the tape into the sampler, until power-cycle. Objectively stupid that power cycling is now effectively part of the OP-1 workflow. (side gripe: the output amp puts out an uncomfortably loud pop on power-on)
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