Vois-tu?
By ViridianLoom on June 21, 2020 10:59 pm
Been listening to a lot of Magma this week. This sounds nothing like that but their unconventional song writing methods got me in a mood to say "Fuck it" and write something that isn't particularly pleasing to my own ear. I figured I'd throw together some weird chord progressions that have too much tension and key changes that don't make sense and try my best to compose around it in a way that might make it sound nice. Some parts are better than others, I even threw in some more traditional sounding porcupine tree-esqe chord progressions against my better judgment which I think defeats the purpose of the aforementioned experiment, making me dislike them in this song. But eh, too far into this project to scrap it and rewrite sections. Anyways, that's the thinking surrounding the first half of the song.
At some point I decided to record a stream of consciousness piano improv (I'm not really a pianist so I don't know what I'm doing) and then try to clean it up and put that at the end. I recorded a bit of guitar with an E-bow (a handheld device with a magnet that vibrates the strings to make the guitar sound like violin) over the top. Even though that's also rough, I kind of enjoy the melancholic vibe and some of the more dissonant chords remind me of chord tones someone like Maurice Ravel would use. He really embraces dissonance in a way that sounds beautiful.
Overall, I don't know if this song ended up being any good but I stayed committed to it since I want to be able to improve my skills turning meh ideas into decent ones. Then again, back in Q1 I wrote a song called Inland Empire which I wrote with the intention of no one liking and I think it turned out to be one of my more personal and favorite tunes. We'll see what kind of impression this one leaves on me with time. Not so bad for a day of work I suppose (5:00am - 4:00pm)
Audio works licensed by author under:
Copyright All rights reserved