Siberia I
By Thursdaybloom on February 5, 2012 1:40 pm
Audio works licensed by author under:
CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
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WeeklyBeats.com / Music / Thursdaybloom's music / Siberia I
Audio works licensed by author under:
CC Attribution Noncommercial No Derivative Works (BY-NC-ND)
wow! love those strings. the noise begins to give it more emotion, and then destroys it.
Truly beautiful, as is the artwork. I really like how the noise comes to dominate the other sound and becomes somewhat industrial in effect. Lovely stuff.
Great stuff dude, the strings sounded amazing. I like how you made it all just mash up at the end and made everything turn from what it originally sounded like into something industrial, really changed the mood of the track!
Isolation and desolation. Wonderful imagery and sounds. Great artwork. Loved the noise component as well - could easily be the soundtrack to a short movie of some description
Wow. really nice. Would love to know more about how you put this together. The noise almost sounds like rain and then evolves into machines.
This is an interesting one. The piano and strings are quite simple, which allows the surrounding audio to really take centre stage. A varied soundscape, for sure.
Thank you everyone and I promise I'll be able to listen/comment on your work soon. Especially you Vinpous - always the one of the first to comment on my tracks but I am yet to return the favour.
NWSPR: The noise you hear suddenly start is a separate noise track to the rest of the music. As the song develops you end up hearing two layered pieces of noise; the dedicated noise track and the sonic destruction of the music. Eventually the music track fades out and you're left with just the noise track. The dedicated noise was made by manipulating a field recording <spoiler> of a bus </spoiler>. It's obviously manipulated quite heavily so outside of the distortion there's a lot of reverb and eq tweaking. Over time the amount of reverb is increased to absurd levels. The very end, when it gets deep, was done with an LPF. There's so much reverb by the end of the track that the last 60 seconds at least is just reverb tail.
Can't believe i hadn't listened to you this week till now. Reminds me alot of Sanctum which is awesome