Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

Siberia I

By Thursdaybloom on February 5, 2012 1:40 pm

Image Credit

wow! love those strings. the noise begins to give it more emotion, and then destroys it.

Truly beautiful, as is the artwork. I really like how the noise comes to dominate the other sound and becomes somewhat industrial in effect. Lovely stuff.

Great stuff dude, the strings sounded amazing. I like how you made it all just mash up at the end and made everything turn from what it originally sounded like into something industrial, really changed the mood of the track!

Isolation and desolation. Wonderful imagery and sounds. Great artwork. Loved the noise component as well - could easily be the soundtrack to a short movie of some description big_smile

Wow. really nice. Would love to know more about how you put this together. The noise almost sounds like rain and then evolves into machines.

This is amazing!

hot

This is an interesting one.  The piano and strings are quite simple, which allows the surrounding audio to really take centre stage.  A varied soundscape, for sure.

Wonderful track.

Perfect.

Really beautiful track.

Thank you everyone and I promise I'll be able to listen/comment on your work soon. Especially you Vinpous - always the one of the first to comment on my tracks but I am yet to return the favour.

NWSPR: The noise you hear suddenly start is a separate noise track to the rest of the music. As the song develops you end up hearing two layered pieces of noise; the dedicated noise track and the sonic destruction of the music. Eventually the music track fades out and you're left with just the noise track. The dedicated noise was made by manipulating a field recording <spoiler> of a bus </spoiler>. It's obviously manipulated quite heavily so outside of the distortion there's a lot of reverb and eq tweaking. Over time the amount of reverb is increased to absurd levels. The very end, when it gets deep, was done with an LPF. There's so much reverb by the end of the track that the last 60 seconds at least is just reverb tail.

cool, thanks for the inside info. very interesting.

NAILED IT!

lovely instrumentation!

Great track JP.  Awesome stuff.

Can't believe i hadn't listened to you this week till now. Reminds me alot of Sanctum which is awesome

love it.

epic transitions!!!

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