You really need to work on your descriptions for the tracks 

Enjoyable once again.  Any longer works online to listen to?

You really need to work on your descriptions for the tracks ;) Enjoyable once again. Any longer works online to listen to?

another interesting piece. how is this wood?

another interesting piece. how is this wood?

Thanks rdomain for your listening, and the music you share - I'm a fan!
For the moment, all of my Lignum & Metallum production is only available here on WB.
Yes, I have to work on longer tracks, but time flies, and some weeks my #1 WB goal is to meet the deadline - I had to resign myself to short forms more than I would have hoped.
About description, here is a simplified one: this track is made of two layers:
-1- an excerpt from "Lignum 15", reversed and stretched 50% (i.e. sounding an octave lower);
-2- a clarinet sound going through weird sound processing channels including reverb, distorsion, and more, with not really random, but let's say random assignments.

In this track, wood is a Bb clarinet. You can hear nude clarinet sounds, as well as processed ones. This track includes synthesized sounds as well (the ones appearing in Lignum 15, actually).

[quote=rdomain]You really need to work on your descriptions for the tracks ;) Enjoyable once again. Any longer works online to listen to?[/quote] Thanks rdomain for your listening, and the music you share - I'm a fan! For the moment, all of my Lignum & Metallum production is only available here on WB. Yes, I have to work on longer tracks, but time flies, and some weeks my #1 WB goal is to meet the deadline - I had to resign myself to short forms more than I would have hoped. About description, here is a simplified one: this track is made of two layers: -1- an excerpt from "Lignum 15", reversed and stretched 50% (i.e. sounding an octave lower); -2- a clarinet sound going through weird sound processing channels including reverb, distorsion, and more, with not really random, but let's say random assignments. [quote=george bowles]another interesting piece. how is this wood?[/quote] In this track, wood is a Bb clarinet. You can hear nude clarinet sounds, as well as processed ones. This track includes synthesized sounds as well (the ones appearing in Lignum 15, actually).

Thanks mate.  Glad you enjoy the music and thanks for the description.  Yes, a song a week is a challenge as it is.  The shorter songs in reality are probably more consumable in this format seeing there's so many songs each week.  I wouldn't mind the decent artists being longer 

Thanks mate. Glad you enjoy the music and thanks for the description. Yes, a song a week is a challenge as it is. The shorter songs in reality are probably more consumable in this format seeing there's so many songs each week. I wouldn't mind the decent artists being longer ;)

Brilliant track! Also good to see a description of what is happening.

[quote=Spacey tree][quote=rdomain]You really need to work on your descriptions for the tracks ;) Enjoyable once again. Any longer works online to listen to?[/quote] Thanks rdomain for your listening, and the music you share - I'm a fan! For the moment, all of my Lignum & Metallum production is only available here on WB. Yes, I have to work on longer tracks, but time flies, and some weeks my #1 WB goal is to meet the deadline - I had to resign myself to short forms more than I would have hoped. About description, here is a simplified one: this track is made of two layers: -1- an excerpt from "Lignum 15", reversed and stretched 50% (i.e. sounding an octave lower); -2- a clarinet sound going through weird sound processing channels including reverb, distorsion, and more, with not really random, but let's say random assignments. [quote=george bowles]another interesting piece. how is this wood?[/quote] In this track, wood is a Bb clarinet. You can hear nude clarinet sounds, as well as processed ones. This track includes synthesized sounds as well (the ones appearing in Lignum 15, actually).[/quote] Brilliant track! Also good to see a description of what is happening.