Missed your stuff last week, so I'm happy to have some bonus material. Maybe if you talk to Phil Harmonic he could create a link for you to upload it on its proper slot.

I'm myself studing some blueprints to build some Mutable Instrument clones (they're open source!). Some Cloud magic would be lovely.

Piece is nice, with some vague "hawaian" vibe because of those long "guitar" slides. Bass is solid and those noise sweeps remind me of a sea of waves and patching under the shade of a palm tree. Coconut modular it is?

About this week's piece. it feels more like a jam. Nice atmospheres and a lot of interesting elemnents, though it feels a little bit long IMHO and maybe would benefit from some edits. Anyway, I guess it's an Eurorack exploration after all, isn't it?

Your rig seems like a lot of fun, BTW

Missed your stuff last week, so I'm happy to have some bonus material. Maybe if you talk to Phil Harmonic he could create a link for you to upload it on its proper slot. I'm myself studing some blueprints to build some Mutable Instrument clones (they're open source!). Some Cloud magic would be lovely. Piece is nice, with some vague "hawaian" vibe because of those long "guitar" slides. Bass is solid and those noise sweeps remind me of a sea of waves and patching under the shade of a palm tree. Coconut modular it is? :) About this week's piece. it feels more like a jam. Nice atmospheres and a lot of interesting elemnents, though it feels a little bit long IMHO and maybe would benefit from some edits. Anyway, I guess it's an Eurorack exploration after all, isn't it? Your rig seems like a lot of fun, BTW

beautiful detuning, beautiful sounds

beautiful detuning, beautiful sounds

This is awesome--I love the major-key quality of this piece, as well as the fuzzy/floatiness. Excellent stuff!  (Also cool that you're using an RF Nomad, since I know Russell.)

This is awesome--I love the major-key quality of this piece, as well as the fuzzy/floatiness. Excellent stuff! (Also cool that you're using an RF Nomad, since I know Russell.)

Thanks, this rig is even smaller than my total rig, just putting together a portable setup for the show. And yeah, I agree entirely there's not enough going on to warrant the runtime. I even remember the day we recorded it I felt like we'd done like maybe 7-9 minutes of jam time and then I looked at the actual record length and was a little baffled. I even got my partner in crime to do a new mastering to avoid the sharp compression we're getting from one super loud bassy element. Wish I could re-upload. I'm gonna try to record the full performance and probably post some of it here that week. Good notes, man! Really helpful and encouraging feedback

If you ever need this kind of perfect, analog detuning, I can't recommend the Chase Bliss Audio Warped Vinyl MkII. It's a bit pricy ($350), but oh dear lord is it perfect.

Yeah, I've been super into crafting sort of ominous or otherwise dark/mangled pieces using a major progression. Here's another example of that, an ambient piece I did some months ago that actually has a rather upbeat feeling despite it's slow movement.
[soundcloud]231782529[/soundcloud]

[quote=laguna]Missed your stuff last week, so I'm happy to have some bonus material. Maybe if you talk to Phil Harmonic he could create a link for you to upload it on its proper slot. I'm myself studing some blueprints to build some Mutable Instrument clones (they're open source!). Some Cloud magic would be lovely. Piece is nice, with some vague "hawaian" vibe because of those long "guitar" slides. Bass is solid and those noise sweeps remind me of a sea of waves and patching under the shade of a palm tree. Coconut modular it is? :) About this week's piece. it feels more like a jam. Nice atmospheres and a lot of interesting elemnents, though it feels a little bit long IMHO and maybe would benefit from some edits. Anyway, I guess it's an Eurorack exploration after all, isn't it? Your rig seems like a lot of fun, BTW[/quote] Thanks, this rig is even smaller than my total rig, just putting together a portable setup for the show. And yeah, I agree entirely there's not enough going on to warrant the runtime. I even remember the day we recorded it I felt like we'd done like maybe 7-9 minutes of jam time and then I looked at the actual record length and was a little baffled. I even got my partner in crime to do a new mastering to avoid the sharp compression we're getting from one super loud bassy element. Wish I could re-upload. I'm gonna try to record the full performance and probably post some of it here that week. Good notes, man! Really helpful and encouraging feedback :D [quote=yan_g]beautiful detuning, beautiful sounds[/quote] If you ever need this kind of perfect, analog detuning, I can't recommend the Chase Bliss Audio Warped Vinyl MkII. It's a bit pricy ($350), but oh dear lord is it perfect. [quote=onezero]This is awesome--I love the major-key quality of this piece, as well as the fuzzy/floatiness. Excellent stuff! (Also cool that you're using an RF Nomad, since I know Russell.)[/quote] Yeah, I've been super into crafting sort of ominous or otherwise dark/mangled pieces using a major progression. Here's another example of that, an ambient piece I did some months ago that actually has a rather upbeat feeling despite it's slow movement. [soundcloud]231782529[/soundcloud]

oh, wow, that is really amazing. great textures, amazing bass content!

oh, wow, that is really amazing. great textures, amazing bass content!