Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

Time to Die

By Paisleyfrog on March 24, 2024 3:17 pm

This song came together shockingly fast - the whole thing was done in about a day. I've spent most of the week playing with the mix, adding some more vocal lines, adjusting parts. Which is also one of the best things about a weekly song project...it forces me to stop picking at it, and move on.

I saw Gary Neuman a couple weeks ago, and his use of space in a composition blew me away - letting a song drop to silence before letting it crash back in like a ton of bricks...so of course I had to try it.

Song was built around the guitar part. I knew it needed lyrics, so I came up with something properly ambiguous. My wife came back to add texture to the break, and also some ominous whispers.

Mainly software synths this time, along with the TD3 and the ProVSMini

If I thought I knew the path
I'd start the journey today
If I knew the aftermath
Then surely someone should pay
If I thought I knew the why
I'd never wonder what for
If I knew the end result
I wouldn't try to find more

Never wanting the reason
The season of discontent
Time to pay the rent
Never knowing the how or the why
It's all a lie (lies lies)
Time to die (die die)
Time to die (die die)

If I thought the door was closed
I'd start to look for the key
If it's always the same result
I'd know the problem was me

Never wanting the reason
The season of discontent
Time to pay the rent
Never knowing the how or the why
It's all a lie (lies, lies)
Time to die (die, die)
Time to die (die, die)

I can hear the Numan influence for sure! It hits HARD right away and is delightfully relentless heart

Wonderful! Great!! Wow!
So glad you got to see them... every time they did one of those drops, I fell for it and woo hoo'd like a fool. But I'd like to think that's part of why the drops are there smile Great job adding those!!!

Take with a grain of salt but, if anything I might add a touch more reverb or something to all tracks. And maybe turn up the backing vocal on the chorus.

MRDRCAT wrote:

I can hear the Numan influence for sure! It hits HARD right away and is delightfully relentless heart

Thank you!! This was such a good exercise in space - I think the quiet makes the hard go even harder.

fetalface wrote:

Wonderful! Great!! Wow!
So glad you got to see them... every time they did one of those drops, I fell for it and woo hoo'd like a fool. But I'd like to think that's part of why the drops are there smile Great job adding those!!!

Take with a grain of salt but, if anything I might add a touch more reverb or something to all tracks. And maybe turn up the backing vocal on the chorus.

Thank you! So glad you enjoyed it.

Still hoping to see a headliner show from Numan someday, but SO GLAD to have seen him now. He got me EVERY DAMN TIME with those drops, I was right there with you. SO much fun...and that was why I wanted to try it for myself. I had never experienced that at a concert before, that extreme use of silence. Such a tight band.

Reverb: GREAT suggestion! I just put some gentle reverb on the master out, and my jaw dropped. Better sense of space, and really warms it up. Thank you thank you! I'll be trying that in the future for sure.

And thank you for the input on the BG vocals....they only came in on the last repeat, and were probably quiet because of my own opinions about my voice LOL. I'll try mixing them a little higher in future projects smile

Your voice is great! I totally thought there was a completely different 2nd person singing on the last repeat. Neat!

Big Numan vibes. Love the use of space. The verses are chugging!
Cool to read about and think about how to use it. Thanks!

whoever you are, you are really good!  this song is totally different than this week, in a great way!

if you haven't listened to NWSPR here on WB, you should!  he does some very cool synth rock stuff as well, that this track reminded me of in a positive way

awesome vocals by both you and the wife and YES crank the volume!

SOLID track! awesome lyrics! ambiguous, maybe ridiculous, but they have LAYERS of meaning and that's the best kinda lyrics! love the production and both of your singing, the main riff, great composition and structure, what can I say!!!! v happy to stumble on your music! thanks for sharing!

orangedrink wrote:

whoever you are, you are really good!  this song is totally different than this week, in a great way!

if you haven't listened to NWSPR here on WB, you should!  he does some very cool synth rock stuff as well, that this track reminded me of in a positive way

awesome vocals by both you and the wife and YES crank the volume!

Thanks! I pull from a lot of genres - the good is that we get a lot of different songs written, the bad is that it can be hard to make the styles hang together for an album LOL

I'll check out NWSPR! You had me at synth rock, early 80s new wave is near and dear to me.

horatiuromantic wrote:

SOLID track! awesome lyrics! ambiguous, maybe ridiculous, but they have LAYERS of meaning and that's the best kinda lyrics! love the production and both of your singing, the main riff, great composition and structure, what can I say!!!! v happy to stumble on your music! thanks for sharing!

I'm glad you like the lyrics! Two of my favorite artists are The Cars and Yes, both of which tend to have nonsensical lyrics. smile I've tended to overthink my lyrics in the past, so I'm working on leaning into word flow and ambiguous meaning.

myfirstpunksong wrote:

Big Numan vibes. Love the use of space. The verses are chugging!
Cool to read about and think about how to use it. Thanks!

Thanks! I think I frequently overplay/overproduce, so forcing myself to add space was a great exercise smile

I really like the energy.
- Raioh

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