This is a weird, somewhat awkward one.  The way this week went, I had a few things I put together late in the evenings, but threw them out.  Late Saturday night, I put down a bunch of tracks of Moog guitar through Reuss RF-01 fuzz, Vox Wah, and Mike Carey tremolo pedal, followed by some Epiphone Moderne through the Reuss and Vox.  I tracked these against some drum machine lines I rejected, and replaced them with a more intuitive line that...now feels odd--certainly it doesn't fit well into 4/4 or 6/4, and has a weird hiccup or two in it, but...there we are.  I put in percussion as well with a heavy send to Echo, and finished up with Epiphone bass (compression, eq-8, and cabinet plugin).

Sends: a room convolution reverb, and two channels of Ableton Echo, set differently.  Lots of auto-pan, and full-chain master.  Title comes from Martin Heinrich Klaproth's early name for what was later identified as Zirconium, but I dropped the trailing "e" because it was funny.

Tags: 93bpm, ableton live, bass, distortion, guitar, moog, tremolo, week 40 2018, weird time signatures, View by:onezero