Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

WeeklyBeats.com / Music / NWSPR's music / Brooklyn's Burning

Brooklyn's Burning

By NWSPR on September 4, 2022 9:30 pm

This song is a combination of a lot of things.  It started with some leftover impressions from last week's Peter Hook show in that had me wanting to do a song where the bass guitar takes the melody. The song title and refrain is a play on The Clash's London's Burning - that came about because when trying to come up with a vocal melody, I found that Lost in the Super Market fit perfectly as a scratch vocal, which in itself has nothing to do with London's Burning. But it's been super hot this summer... and parts of Brooklyn will be under water soon due to rising sea levels. So full circle. A song about Brooklyn falling into the sea.

I was mainly playing with vocal layering and arrangement this week. Sometimes I can't hit the notes, but you know what I was going for I think smile

Bass = Fender Precision
Guitar = Reverend Guitar
Arp Bass - Moog Grandmother
Drums - Roland TR-626 Rhythm Composer (hardware drum machine)
Percussion - Logic Bluebird Kit Plugin
Piano - Logic Plugin

The music was rough tracked in its entirety with the Moog sequence, drum machine, and bass guitar played straight through so if I messed up, I had to start over (many times!).  Because the drum machine was using its internal clock, it wanders a bit and made it nearly impossible to go back and edit the arrangement or I would have shortened the final song.  Of course I could do lots of overdubs, but I rarely track a full song like the old days in a studio.  And now I remember why I don't do that any more!

Enjoy your last weekend of summer!

That Reverend Guitar has a great sound. This is a great pop rock sound, with your trademark vocal layers. A nice song to drive to through the sreets.

Ya, love that voice(maybe wish it was a bit more present in the mix, but that's just me smile ), and this track stomps out such an epic feeling of release heart

yeah, this song is a star. there is much more Joy Division magic than the Clash going on. very well done.

Not only have you channeled Peter Hook in the bass, I feel like you've captured a little bit of Ian Curtis vibes in your vocals.  A lost Joy Division classic.

Very pleasant sound, unlike the prospect, but I guess everything can get used to.
- Spider

Love the overall sound but that Reverend guitar really has a nostalgic feel to it.  A bit of New Order meets the Clash in my head.  The Grandmother arp brings it all back together.  Awesome vocals as always too!  Miami's gonna be pretty wet in da future too smile  *puts on floaties*

this is so great - i love the vocal round thing happening
great end of summer/life as we know it kinda vibes

Bass melodies rule. This song is great. Vocal round, all of it, love this story and song concept. I totally have Clash and this song in my head now

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