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WeeklyBeats.com / Music / NickLong's music / The Ballad of Clara Schumann

The Ballad of Clara Schumann

By NickLong on April 2, 2026 10:03 pm

This is quite a departure for me

The challenge this week was to create something using Hemiola. Music with ambiguity between the rhythm being grouped in 3 or 2.
I also wanted to explore Synthesizer V further and write a more conventional song.
I did this by having a harp playing an arpeggio in 3/4 and vibraphone playing the same chords in 4/4

The song is harmonically very simple with a basic line cliche progression with the bass note walking down over a static chord.

The Harp and Vibes are from a Roland XV-5080 which sounds quite good for a 90's rompler I think. The flute solo is from Arturia Augmented Woodwinds and the piano is the Kawaii model from the excellent pianoteq.
The ghostly noises are from Arturia Fragments.
The track was made in Bitwig.

Story
The lyrics tell the story of Clara Schumann
Clara was a virtuoso pianist and the wife of the composer Richard Schumann (A master of hemiola).
He was envious of her ability and attempted to stretch his hands using a machine leading him to paralyse his fingers and becoming reliant on her to promote his music.
He was introduced to the much younger Richard Strauss who he felt was the saviour of music and promoted as the "Favoured of the muse" unfortunately Strauss fell in love with Clara and the three of them ended up in a love triangle which drove Schumann mad leading to him throwing himself off a bridge and then checking himself into an asylum.
Strauss then moved into the Schumann home looking after his wife and children, but never acting on his love due to his great respect for his mentor Schumann.
When Schumann died Strauss moved out and finally died of grief when Clara died a few years later.
This song is their story.

Lyrics
Far away
Longing to hear you play
Notes I wrote for you
Turn the page
In every score I made
Lines in three and two

And if you were here I would hold you
In these broken hands
But I gave you to
The favoured of the muse

Flute solo!

In my ears
Demons and ghosts appear
Screaming out in A
On the bridge Clara I think of you
Lost in three and two

And if you were here I would tell you
I lived inside your hands
But I lost you to
The favoured of the muse

Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)

Unexpected and beautiful.

Music genius! this the level i hope to be at some day. Cheers, Nick.

Whoa that is blowing my mind. So what I always was intuiting as syncopation is really just a zoomed in even 3 against even 4 pattern. Love it when something so simple appears I looked at a thousand times but never saw appears!

I partially came across this but more as a method to physically play it when learning how to play the zelda theme (how the hell to play triplets and 16ths at the same time?), and the method to get a feel for it was to instead count 12 beats and only play the notes on the aligned hits. But because of the fast tempo there’s sort of an inability to actually count it like that at speed and becomes more of a syncopated feel. At any rate this tickled me in that exact way except at this tempo the effect was different in that you I count it. And this blend between feeling it as syncopation but also feeling it like two overlapping simple parts was pretty mind blowing.

Great music history lesson too, fascinating. I also made a contraption to stretch my fingers which in hindsight was stupid haha. I am blown away he paralyzed his fingers doing it, must have REALLY stretched them too quickly.

FrogCity wrote:

Whoa that is blowing my mind. So what I always was intuiting as syncopation is really just a zoomed in even 3 against even 4 pattern. Love it when something so simple appears I looked at a thousand times but never saw appears!

I partially came across this but more as a method to physically play it when learning how to play the zelda theme (how the hell to play triplets and 16ths at the same time?), and the method to get a feel for it was to instead count 12 beats and only play the notes on the aligned hits. But because of the fast tempo there’s sort of an inability to actually count it like that at speed and becomes more of a syncopated feel. At any rate this tickled me in that exact way except at this tempo the effect was different in that you I count it. And this blend between feeling it as syncopation but also feeling it like two overlapping simple parts was pretty mind blowing.

Great music history lesson too, fascinating. I also made a contraption to stretch my fingers which in hindsight was stupid haha. I am blown away he paralyzed his fingers doing it, must have REALLY stretched them too quickly.


Yeah it's an absolutely crazy story that I kind of lucked into while writing the music so the lyrics kind of wrote themselves.

Three against 4 is sometimes referred to as "Pass the goddamned butter" which always makes me laugh.

embix wrote:

Unexpected and beautiful.

Thanks much appreciated!


tevan-svnsxo wrote:

Music genius! this the level i hope to be at some day. Cheers, Nick.

Wow!

Thank you, weekly beats has been really levelling me up.

Hahaha that butter timing is hilarious!!

I didn't know this story
I like that you choose it as inspiration
Not overdone, graceful

The movement in this is so beautiful. I enjoy the vocals but... I would enjoy it just as much without. There is a play between the piano and harp that is just delightful, and as much as I have heard hemiola before, I feel like you really captured a kind of magic sweet spot between the rhythm and instruments here. Beautiful.

This is amazing, love the composition smile

lovely composition! I wasn't familiar with Hemiola, super interesting stuff , I appreciate the history lesson here !

Beautiful song, super interesting subject material and high quality production all around. Super clean vocals too!

Beautiful song and great lyrics this week as well smile Well done!

The hemiola turns what could otherwise be a dirge of a song into something almost jaunty. The vibes and harp blend really nicely with the piano to give the impression of more complicated, Romantic playing (and I really like the piano runs at the end). "On the bridge Clara I think of you/Lost in three and two" are my favorite lines. Agree with the others, this is as pretty as it is tragic.

Very beautiful song.

gesceap wrote:

I didn't know this story
I like that you choose it as inspiration
Not overdone, graceful

Thanks, I was really happy to find the story, it just fell into my lap.


neon liminal wrote:

The movement in this is so beautiful. I enjoy the vocals but... I would enjoy it just as much without. There is a play between the piano and harp that is just delightful, and as much as I have heard hemiola before, I feel like you really captured a kind of magic sweet spot between the rhythm and instruments here. Beautiful.

It was initially an instrumental which is why it has quite a big solo section in the middle.



EME wrote:

This is amazing, love the composition smile

Thank you! smile



squelette wrote:

lovely composition! I wasn't familiar with Hemiola, super interesting stuff , I appreciate the history lesson here !

Thanks, glad you enjoyed the story!


Dustsucker wrote:

Beautiful song, super interesting subject material and high quality production all around. Super clean vocals too!

Thank you. Solaria 2, very impressed with it.


cortx wrote:

Beautiful song and great lyrics this week as well smile Well done!

Tnanks!

Lyrics are new for me so I'm enjoying working on them, but a bit daunting to share with the world.


sleepside wrote:

The hemiola turns what could otherwise be a dirge of a song into something almost jaunty. The vibes and harp blend really nicely with the piano to give the impression of more complicated, Romantic playing (and I really like the piano runs at the end). "On the bridge Clara I think of you/Lost in three and two" are my favorite lines. Agree with the others, this is as pretty as it is tragic.

Yes it's funny that it's actually the most simple arpeggio on the most simple chord that you might do in your first week of piano lessons, but because each hand is playing in different time it creates this strange ear worm that sounds more complex than it is.

The piano is part of the flute solo transposed to the piano and it seemed to fit really nicely.



Crash Overture wrote:

Very beautiful song.


Thank you!

I'll be trying some more vocal music for next week, but in a more light hearted pop way.

Cool use of the hemiolas, gives the track a great sense of propulsion!

Very beautiful! I enjoyed this a lot

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