Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting January 1st 2024 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged.
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WeeklyBeats.com / Music / license's music / wild bill hyssop
another dumb reverb noise jam. I meant to do something a bit more nuanced but I ran out of time because I had to do taxes and shit.
Audio works licensed by author under:
CC0 Creative Commons Zero (Public Domain)
I really like how it changes around the 2 minute mark, didn't expect that. It's amazing how many tones and textures you can generate out of this
this is complete freestyling and develops wild and strongly. WOW, you still kept control over the instruments. What a wild rave.
1. You make very pretty spectral drawings w/ your last two submissions;
2. Look at that form -- from the sparse entrance to on the left to the full-band sustained chord at the end ... to illustrate:
3. The way you foreshadow the activity regions (see bands on the left) is effective;
4. The dip at 2:44 is brilliant because it similarly foreshadows the "tape-stop-ish" 3:09.
5. The rhythm at the end formally harkens back to the rhythmic-only beginning (how very conservative of you! 
)
Self-consistent af. I like this a lot.
Noise taken to the next level. The section at 2:05 is frantic - horror movie scene!
the unpredictable timing of that beat is so simple, but so incredible.
license: dumb reverb noise jam
all of us: u invented a new genre
I love it when we go through the "car wash" at 2:44
i'm downloading this, this is a great inspiration for noise music that is well "arranged". All of my noise music is just section 1 then 2 then 3 then 4 then end.
1. You make very pretty spectral drawings w/ your last two submissions;
2. Look at that form -- from the sparse entrance to on the left to the full-band sustained chord at the end ... to illustrate:
3. The way you foreshadow the activity regions (see bands on the left) is effective;
4. The dip at 2:44 is brilliant because it similarly foreshadows the "tape-stop-ish" 3:09.
5. The rhythm at the end formally harkens back to the rhythmic-only beginning (how very conservative of you!Self-consistent af. I like this a lot.
godlike analysis
I think I saw wild bill under the monroe street bridge, he opened his mouth and this came out, so we became friends. Awesome sounds here, epic.
