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WeeklyBeats.com / Music / license's music / backtracking in penance

backtracking in penance

By license on February 11, 2024 6:00 pm

I spent most of the week playing with Max trying to build some kind of looper/DJ thing to help me sample my old tracks. It was fun, but I got stuck in rabbit holes, as I do, and kind of got lost in the sauce. When Saturday rolled around, I realized I ought to just dust off some old sketches.

I found this one from December where I was playing with M8's side instrument envelope modulation, and I was kind of feeling it, so I developed it further. Developing it out was fairly low effort. I'm not super happy with the bell melody thing, but I unexpectedly love those cheesy quarter note strings.

If you didn't notice, this one's mixed pretty hot. My stuff has been sounding pretty sterile/clean lately, and I got tired of arguing with Live's master level, so I just smashed everything through the Live compressor with soft clipping on. I... think I like that. Feels like cheating, but maybe that's just a sign of good effort to reward ratio.

All M8 synthesis, except kick (a heavily degraded tom sample from some old drum machine) and the "ambient" track soloed in the outro, which is an old Hydrasynth jam (also sliced up sloppily in M8).

Audio works licensed by author under:
CC Attribution Noncommercial (BY-NC)

this is really great! (i think the soft-clipping brought out a crispy crunchy i like in the highs from saturation, while the kick and other stuff keep it nicely warm and fuzzy in the lows and mids: just a beautiful mix of analog and digital(if my ears don't deceive))
and it's got that uniquely perfect, spastic & uplifting vibe i love most of all in so many of all your greatest tracks heart

It is a sick beat and sounds great. I 100% trust in your ears and your experience.

The rhythmic grooves sound great. Reminds me of Plaid's "Thank", also timbre-wise somehow.

No shame in not finishing a project in one week. You finished this one after putting it down December, no? Some things need time to bake.

Nitpick: I'm missing a bona-fide bassline here. That would complete the track.

I do like those noises. This is quite groovy. Those "marimba" are nice over those chords too. Well played.

maybe it's just the genres i listen to/write in but i don't think this one is mixed too hot, nor that live compressor with soft clipping is cheating (if it were i'd be cheating every single week lol, nearly every track in my ableton sessions have a compressor and/or saturation)

if the core of your track weren't solid, not even the blessing of compression would give it the sauce that your track has

i think the gripes you have with the melody could easily be "fixed" easily, but i dig it as it currently is! the more percussive elements have a great groove and a great feel to them, and i'm a big fan of the chords on the synths. i do agree with rplktr, a subtle and sparse bassline that weaves into and complements the percussion would be icing on the cake. good work!

Nice groove! I like the little mallet bell and zipping. Those chords tie it together nicely. Great little sounds squirreling about are fun. Doesn't sound too hot to me.

Sounds great, loved this!

RajaTheResidentAlien wrote:

this is really great! (i think the soft-clipping brought out a crispy crunchy i like in the highs from saturation, while the kick and other stuff keep it nicely warm and fuzzy in the lows and mids: just a beautiful mix of analog and digital(if my ears don't deceive))
and it's got that uniquely perfect, spastic & uplifting vibe i love most of all in so many of all your greatest tracks heart


thank you Raja heart spastic & uplifting is what I know how to do big_smile

Q-Rosh wrote:

It is a sick beat and sounds great. I 100% trust in your ears and your experience.


thank you Q-Rosh heart

rplktr wrote:

The rhythmic grooves sound great. Reminds me of Plaid's "Thank", also timbre-wise somehow.

No shame in not finishing a project in one week. You finished this one after putting it down December, no? Some things need time to bake.

Nitpick: I'm missing a bona-fide bassline here. That would complete the track.


I could see that! I think I end up doing Plaid-y things a lot without thinking about it. I used to listen to their first 3 albums all the time, so it must have rubbed off on me a lot smile

funny thing, I was getting ready to export stems of this and thought about adding a bass and for some reason I thought I'd just leave it off for this one. pretty weird for me since I pretty much always have one unless I'm doing my noise thing.

djippy wrote:

I do like those noises. This is quite groovy. Those "marimba" are nice over those chords too. Well played.


thank you!

offbrand wrote:

maybe it's just the genres i listen to/write in but i don't think this one is mixed too hot, nor that live compressor with soft clipping is cheating (if it were i'd be cheating every single week lol, nearly every track in my ableton sessions have a compressor and/or saturation)

if the core of your track weren't solid, not even the blessing of compression would give it the sauce that your track has

i think the gripes you have with the melody could easily be "fixed" easily, but i dig it as it currently is! the more percussive elements have a great groove and a great feel to them, and i'm a big fan of the chords on the synths. i do agree with rplktr, a subtle and sparse bassline that weaves into and complements the percussion would be icing on the cake. good work!


I appreciate that, I love the way your stuff sounds, so that means a lot coming from you.

miraclemiles wrote:

Nice groove! I like the little mallet bell and zipping. Those chords tie it together nicely. Great little sounds squirreling about are fun. Doesn't sound too hot to me.


thank you my dude! heart

nedsferatu wrote:

Sounds great, loved this!


thank you very much!

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