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WeeklyBeats.com / Music / jegasus's music / Scary Monsters, Beware

Scary Monsters, Beware

By jegasus on May 3, 2026 9:27 pm


### Lore
You approach the cave entrance. Hanging sideways by just one of its two original nails, you see a sign that reads "scary monsters, beware". Is this a sign for people like you? Or for the monsters? Come to think of it now, is there really any difference? The smallest of smiles creeps up from the corner of your mouth as you grab the hilt of your sword and head into the darkness.

### Production details
Well howdy, music peeps!!! I'm submitting this song for both Weekly Beats 2026 Week 18 as well as for the M8 Community Jam #52. The theme of the M8CJ for this round was "Crunchy", so I figured sticking to exclusively WAVSYNTH instruments made a lot of sense. I typically already gravitate to them naturally, but this time I stopped myself from adding fancy LFOs and other effects like chorus and reverb. I couldn't help myself and still used some fancy stuff, like envelopes set to MULT for the base instrument on track 3 to give it that saw-like gritty crunchiness that I love so much.

I started working on this tune earlier in the week. I was just noodling around on the keyboard for a little bit and found a cool pattern where my left hand always struck the same base key and the right hand did a little upwards arpeggio up, which I then translated into tracks 1 and 2. The rest was built up around that basic 8 bar loop, trying to keep all elements audible and interesting. The M8 is showing me that I have about 1h45m of work on this bad boy.

Yet again, I used the basic structure of "bring in one or two elements at a time, go to a quiet section, then bring everything back in for a grand finale" and I'm starting to feel I don't know how to do anything else. I feel like I really need to work on breaking this mold I've built, because it's way too easy to get sonically stuck here. I feel like I've been in this same "spot" for multiple weeks now, not only using the same general song structure, but also how the base note follow each other. Typically, it's something like (root note)x2 -> (root note - 2)x2 -> (root note)x2 -> (root note + 1) -> (root note - 1 ending in fancy lead up to root note). Anyways, I want to find ways of breaking out of this pattern that my brain seems to absolutely love.

Anyways, looking forward to listening to y'all's cool stuff!!!

Peace!!!

Link to M8 Bundle

Audio works licensed by author under:
CC Attribution Noncommercial Share Alike (BY-NC-SA)

could totally picture this dungeon adventure. id go on many more, this was great!

This definitely evokes an old school rpg vibe.  Love the lore and I'm ready to go explore the cave.  If you feel like your writing is getting formulaic, a good thing to do is just consciously alter the structure, like maybe start with everything going at once and then gradually remove elements instead of adding them until you end on a quiet part or a single track of something.

Sweet tune!

About getting sonically stuck. You've discovered a very typical arrangement trick, yes. It's a form or structure. Very similar to pop songs: intro, verse, pre-chorus, chorus, verse II, chorus, bridge, chorus III, outro. It's true for most popular tunes.

And it's not that different from storytelling in a Hollywood film.  Intro, a problem arises, they seem to have over come it. Followed by a new, bigger problem that needs to be dealt with. And once that's done the film proceeds to it's outro. And much like in pop music. That happens on fixed points in time as well. And is the same for nearly all modern Hollywood films.

The point that I'm making is that even if the underlying structure is the same. You can still tell wildly different stories. Either in music or in film.

Not that you don't know this.

Of course you can break out of this mold, but you're still going to have to deal with tension and release. And in most cases an overall ramp up in intensity throughout the track. After all, having a the climax of the tune at the beginning and building down tends to not be an engaging listening experience.

But if you want to break free from the typical 4, 8, 16 bar loops... It's easier to do that when not looking at a screen. Instead judge with your ears how long a section needs to be before you feel things need to change.

Anyway, sorry for the long piece! I hope you don't mind. And once again, sweet tune!

Beats to be likely to get eaten by a grue to. Nice. 😎 I dig the added vibrato that gives the impression of a quivering voice in a dark cave. Didn’t realize M8 Community Jam was a thing, I’ll have to check that out!

This is awesome! Love the colorful setup in the description

love the old school rpg chord progression feels with the ostinato and spooky melody!

Slowly decending into the cave! Love the sound of the bass in this one, very voice-like. Melody also works really well, sounds almost like someone is whistling to themselves to keep their nerves in check. Classic chippy goodness, awesome job!

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