ah, so cool to read these are from the M8... i love that main synth under the flute(got a beautiful slight ripple to its texture), and that crunchy noise, nice!

ah, so cool to read these are from the M8... i love that main synth under the flute(got a beautiful slight ripple to its texture), and that crunchy noise, nice! :)

Yeah, that's one fo the tricks I learned from the C64--varying the pulse width to give it that texture!

If I had time to make the video for this, that probably would have made more sense. I visualized sitting next to a fire for this song, so that crunchy sound is suppose to be the fire crackling.

I'm glad you enjoyed it!

[quote=RajaTheResidentAlien]got a beautiful slight ripple to its texture[/quote] Yeah, that's one fo the tricks I learned from the C64--varying the pulse width to give it that texture! [quote=RajaTheResidentAlien]that crunchy noise, nice![/quote] If I had time to make the video for this, that probably would have made more sense. I visualized sitting next to a fire for this song, so that crunchy sound is suppose to be the fire crackling. I'm glad you enjoyed it!

The melody works as a theme, and the sparseness of this works.

The melody works as a theme, and the sparseness of this works.

With a tracker. Nice. It is a good atmosphere you created.

With a tracker. Nice. It is a good atmosphere you created.

Hey, I think this is pretty cool! I imagine the "challenge" you were facing with the melody was what it was accompanying, which was a tritone leap. the first note was treated as the root of the "scale", but the only scales that work with both notes are either very dissonant, or (if you went for major instead of minor) lydian. In other words, you had sort of painted yourself into a corner with those note choices. Regardless, I think you handled it well.

Hey, I think this is pretty cool! I imagine the "challenge" you were facing with the melody was what it was accompanying, which was a tritone leap. the first note was treated as the root of the "scale", but the only scales that work with both notes are either very dissonant, or (if you went for major instead of minor) lydian. In other words, you had sort of painted yourself into a corner with those note choices. Regardless, I think you handled it well.

Wow! Thank you for the insight! Now I'd like to go back and play with this some more. Too bad it's already time to start my composition for another week. :'(

[quote=ModalModule]Hey, I think this is pretty cool! I imagine the "challenge" you were facing with the melody was what it was accompanying, which was a tritone leap. the first note was treated as the root of the "scale", but the only scales that work with both notes are either very dissonant, or (if you went for major instead of minor) lydian. In other words, you had sort of painted yourself into a corner with those note choices. Regardless, I think you handled it well.[/quote] Wow! Thank you for the insight! Now I'd like to go back and play with this some more. Too bad it's already time to start my composition for another week. :'(