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WeeklyBeats.com / Music / george bowles's music / Botanimal - Fuji Blues

Botanimal - Fuji Blues

By george bowles on February 12, 2012 8:21 am

wanted to do a piece that was both similar to last weeks piece and completely different. it's probably most similar just in the sense that it is a Botanimal track, and the sound quality I guess. I also wanted to retain some of the focus and musicality I had going... but to make it barely musical, or at least quite foreign and avant garde sounding. or in other words, to have it be more percussive than melodic, but to have some memorable melody at the same time (perhaps an implied melody?). such as studying the percussive elements of piano and sitar but still using them somewhat in a normal fashion at times.

the piece starts out with little focus and more of an intent on controlled chaos, as if something is running around crazy in your house, or a spastic ghost is trying to create some kind of tangible musical form. then having the piece slowly form some kind of gestalt where the disparate parts create a whole that is more than the individual instruments. sort of a tension, fusion, then release composition. another piece started with a randomly decided time signature (this time was even more difficult with a 12/10 time sig). influences and direction ended up incorporating elements of japanese, hindu, and free jazz music, progressing more towards a homogenized form with drum and bass elements. some composers I thought of while creating this piece are John Zorn, Amon Tobin, Jack Dangers, Mick Harris.


(photo from my flickr stream)

I'm sorry, George, but there is plenty of melody present in this piece. tongue

Really cool, I dig it a lot!

In fact, I like it so much I favourited it.

thanks! yeah after I had typed this I kinda realized that it did have more melody... hard piece to describe!

also thanks for the kind words! I sort of surprised myself, I was a little worried it would turn into a huge mess at first but I was able to pull it together mid-week. and then listened to it like 40 times on saturday finalizing the arrangement and mix. it gives me a feeling of travel and seeing a lot of landscapes go past, sort of like driving through the mountains in a strange but beautiful terrain.

Really an inventive mix of styles.  Really switches gears in the middle with steady kick and electronic sounds.  Very cool!

remind of frank zappa's electronic stuff from "make a jazz noise here" album. I really enjoyed this!

I think you did a really good job describing this song, it's not devoid of melody (that would be awful)-- it is very full of life, and moves in very logical directions (it's very fun to be lead by the hand through a piece like this)

thanks guys! andarugo, I think that some of my earlier pieces from before 2011 (which was a year I took off from electronic music) I attempted to do some really complex stuff but it usually just left people lost. or I'd go in the other direction and make something very simple. I think I'm finally figuring out how to make something that is more complex but doesn't sound as random as I did before. I think partly this is thanks to weeklybeats, because it forces me to finalize the composition much much sooner than I was getting used to. I would listen to something literally 100s of times and I think I would just get used to how it sounded, which made me just accept the piece as it was when I finally decided to finish it. it's always a balancing act lol. life is a game of adjustments.

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