The bass/harmony really tie the thing together nicely.

The bass/harmony really tie the thing together nicely.

Thanks. Triads are so boring but having the bass derived from the harmony gives it probably as close to tonal as I can tolerate listening to (in my own work).

[quote=Devieus]The bass/harmony really tie the thing together nicely.[/quote] Thanks. Triads are so boring but having the bass derived from the harmony gives it probably as close to tonal as I can tolerate listening to (in my own work).

Really nice work. I didn’t realize this was generative at first.

Really nice work. I didn’t realize this was generative at first.

I recommend going the other way around. In music theory, the bass lays down the ground note of the chord being played while the harmony builds upon it.

[quote=fc][quote=Devieus]The bass/harmony really tie the thing together nicely.[/quote] Thanks. Triads are so boring but having the bass derived from the harmony gives it probably as close to tonal as I can tolerate listening to (in my own work). [/quote]I recommend going the other way around. In music theory, the bass lays down the ground note of the chord being played while the harmony builds upon it.

This is a really nice track, regardless of how it was made!

This is a really nice track, regardless of how it was made!

That is not true. The base (if played by a bass instrument) is usually part of the harmonic field. The base defines the inversion of the harmony perceived above it.

[quote=Devieus][quote=fc][quote=Devieus]The bass/harmony really tie the thing together nicely.[/quote] Thanks. Triads are so boring but having the bass derived from the harmony gives it probably as close to tonal as I can tolerate listening to (in my own work). [/quote]I recommend going the other way around. In music theory, the bass lays down the ground note of the chord being played while the harmony builds upon it.[/quote] That is not true. The base (if played by a bass instrument) is usually part of the harmonic field. The base defines the inversion of the harmony perceived above it.

Thanks! Honestly it is made the way I like.

[quote=Sodabelly]This is a really nice track, regardless of how it was made![/quote] Thanks! Honestly it is made the way I like.

THe smooth synth in this is sick

THe smooth synth in this is sick

Sorry Devieus, the impulse to argue is very strong. I know you mean well with the comments like this.

Thanks! I wish I could take credit for it but it’s just some Ableton preset that I liked.

[quote=fc][quote=Devieus][quote=fc][quote=Devieus]The bass/harmony really tie the thing together nicely.[/quote] Thanks. Triads are so boring but having the bass derived from the harmony gives it probably as close to tonal as I can tolerate listening to (in my own work). [/quote]I recommend going the other way around. In music theory, the bass lays down the ground note of the chord being played while the harmony builds upon it.[/quote] That is not true. The base (if played by a bass instrument) is usually part of the harmonic field. The base defines the inversion of the harmony perceived above it. [/quote] Sorry Devieus, the impulse to argue is very strong. I know you mean well with the comments like this. [quote=danju]THe smooth synth in this is sick[/quote] Thanks! I wish I could take credit for it but it’s just some Ableton preset that I liked.

It's alright, no worries bro. You do you and as long as the outcome is great, the method doesn't matter; leave the theory to the academics.

It's alright, no worries bro. You do you and as long as the outcome is great, the method doesn't matter; leave the theory to the academics.

I listened before reading the description and like @MissionCrossing , I did not realize this was generative.

I listened before reading the description and like @MissionCrossing , I did not realize this was generative.