opening beat S L A P S

congrats on the year!  WE DID IT :confetti emoji:

wow, your opening drop and bass progression is fierce.

you have posted so many tracks this year that are like: 4 different tracks  impressive!

love those detune thingies to start the "second song"

9:32 halftime break down is so good

9:43 lofi break is epiccccccccccccc

12:35 slowdown transition is awesome

i don't know how you do all of these ideas in one song, this song has more ideas than I had all year.  lol

great job!

opening beat S L A P S congrats on the year! WE DID IT :confetti emoji: wow, your opening drop and bass progression is fierce. you have posted so many tracks this year that are like: 4 different tracks impressive! love those detune thingies to start the "second song" 9:32 halftime break down is so good 9:43 lofi break is epiccccccccccccc 12:35 slowdown transition is awesome i don't know how you do all of these ideas in one song, this song has more ideas than I had all year. lol great job!

crikey this is a trip.
epic stuff.. I woulkd have at least split this in three and been able to take a break

crikey this is a trip. epic stuff.. I woulkd have at least split this in three and been able to take a break :D

Congratulations on finishing the year! I loved your tracks that were super full of energy, quirky, chaotic and huge odysseys of sounds! That must have beeen a LOT of work to produce each track. I hope you'll be back in 2024!

Congratulations on finishing the year! I loved your tracks that were super full of energy, quirky, chaotic and huge odysseys of sounds! That must have beeen a LOT of work to produce each track. I hope you'll be back in 2024! :)

For whatever reason Weekly Beats showed me this track today, so I went and listened through. Long-ass track squad represent! An epic end to the year haha. I did that last week and left this week for an outro. You left the suite for Week 52 and that makes perfect sense, too.

Different genres, but I recognize the same considerations on keeping things interesting over a long period of time. I especially liked how you utilized the full mix filter sweeps. Interesting approach to go for a full fadeout between parts. I personally went for a more melded approach. Just like what you did in the rest of your piece.

And musically speaking, if this song is in any sense a prediction of what we should be expecting in 2025 then yeah, sound like a ton of new chaos. But at least in the song it's perfectly ordered chaos, or at least creatively tamed chaos. I loved the breakbeats and the urgency of the first movement. And then a bit of a breather. And more breakbeats. The second movement complicates things enough that to me it resembles early The Prodigy and FSOL.

A beautiful outro, too. A fantastic way to finish the year!

For whatever reason Weekly Beats showed me this track today, so I went and listened through. Long-ass track squad represent! An epic end to the year haha. I did that last week and left this week for an outro. You left the suite for Week 52 and that makes perfect sense, too. Different genres, but I recognize the same considerations on keeping things interesting over a long period of time. I especially liked how you utilized the full mix filter sweeps. Interesting approach to go for a full fadeout between parts. I personally went for a more melded approach. Just like what you did in the rest of your piece. And musically speaking, if this song is in any sense a prediction of what we should be expecting in 2025 then yeah, sound like a ton of new chaos. But at least in the song it's perfectly ordered chaos, or at least creatively tamed chaos. I loved the breakbeats and the urgency of the first movement. And then a bit of a breather. And more breakbeats. The second movement complicates things enough that to me it resembles early The Prodigy and FSOL. A beautiful outro, too. A fantastic way to finish the year!

Thank you so much for such long wonderful words!

I add different genres not only to keep things interesting, but also because it’s hard for me to stick to just one, I constantly want to experiment and make my stories and personal sound statements more detailed

Your interpretation with the prediction is quite interesting, I like it when everyone sees or assumes something of their own in my works, although my personal idea here, as in the last track of 2024, is an attempt to balance between doom and hope, I quite often experience transitions between these two states, so here is another attempt to convey the story of personal experiences, and that is why I put parts that sound dark, heavy, chaotic and crazy at the beginning and during the track, in order to eventually try to come to some kind of hope and peace(?), which may be more dominant next year. Of course, this concerns not only me, but also global events, I worry about them, including, and I want to see some improvements, how everything becomes better, because it is somehow depressing that it seems like we have moved into the future, but problems are visible that could have been encountered thousands of years ago, but only in a different shell (yes, I know, too philosophical a concept for such a silly track, which sounds like it comes from a crazy cybercircus)

The sound of The Prodigy is one of the pieces in the picture of my sound, although in 2022 I had completely different sources of inspiration, but I think it's quite normal if I find new sources or switch to others, it does not mean that the previous ones disappear

Still returning to the idea, in 2022 I wanted to make it so that everyone could choose their own order (I posted it on bandcamp as separate tracks), so you can go from doom to hope, or from hope to doom, by changing their order in the playlist in player, I don’t know if this idea works, but in 2024 it probably won’t, because there I planned exactly one track in three separate parts, and not two different ones, but which are essentially the beginning or the end depending on the listener's choice

[quote=rplktr]For whatever reason Weekly Beats showed me this track today, so I went and listened through. Long-ass track squad represent! An epic end to the year haha. I did that last week and left this week for an outro. You left the suite for Week 52 and that makes perfect sense, too. Different genres, but I recognize the same considerations on keeping things interesting over a long period of time. I especially liked how you utilized the full mix filter sweeps. Interesting approach to go for a full fadeout between parts. I personally went for a more melded approach. Just like what you did in the rest of your piece. And musically speaking, if this song is in any sense a prediction of what we should be expecting in 2025 then yeah, sound like a ton of new chaos. But at least in the song it's perfectly ordered chaos, or at least creatively tamed chaos. I loved the breakbeats and the urgency of the first movement. And then a bit of a breather. And more breakbeats. The second movement complicates things enough that to me it resembles early The Prodigy and FSOL. A beautiful outro, too. A fantastic way to finish the year! [/quote] Thank you so much for such long wonderful words! I add different genres not only to keep things interesting, but also because it’s hard for me to stick to just one, I constantly want to experiment and make my stories and personal sound statements more detailed Your interpretation with the prediction is quite interesting, I like it when everyone sees or assumes something of their own in my works, although my personal idea here, as in the last track of 2024, is an attempt to balance between doom and hope, I quite often experience transitions between these two states, so here is another attempt to convey the story of personal experiences, and that is why I put parts that sound dark, heavy, chaotic and crazy at the beginning and during the track, in order to eventually try to come to some kind of hope and peace(?), which may be more dominant next year. Of course, this concerns not only me, but also global events, I worry about them, including, and I want to see some improvements, how everything becomes better, because it is somehow depressing that it seems like we have moved into the future, but problems are visible that could have been encountered thousands of years ago, but only in a different shell (yes, I know, too philosophical a concept for such a silly track, which sounds like it comes from a crazy cybercircus) The sound of The Prodigy is one of the pieces in the picture of my sound, although in 2022 I had completely different sources of inspiration, but I think it's quite normal if I find new sources or switch to others, it does not mean that the previous ones disappear Still returning to the idea, in 2022 I wanted to make it so that everyone could choose their own order (I posted it on bandcamp as separate tracks), so you can go from doom to hope, or from hope to doom, by changing their order in the playlist in player, I don’t know if this idea works, but in 2024 it probably won’t, because there I planned exactly one track in three separate parts, and not two different ones, but which are essentially the beginning or the end depending on the listener's choice