WeeklyBeats.com / Music / Earbleeder's music / Week 4
Gear used:
- DFAM
- Octatrack
- Ableton
Did a jam session with the Octatrack & the DFAM:
- Octatrack had a Kick & a Snare running on percentage based conditions
- DFAM ran through a thru track on the Octatrack, volume set to scene A
- Octatrack had three tracks set up with record buffers at various lengths from the DFAM in, volume set to scene B
- Fucked around for about 20 minutes (after spending about an hour figuring out how to get the record buffers working) while recording in Ableton
- Hacked up the recording into chunks, arranged accordingly, did some weird glitching and then exported.
I was pretty happy with the outcome, I've been trying to get recording in the OT like this for awhile and it was a good outcome. There were some volume issues, but these were cut out and fixed in post.
Going to figure out this cross-fading more on the OT.
Reminder: make sure to hit the right record button, if you press Rec1 and the audio source is in channel C, there's gonna be no sound.
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Satisfyingly beefy sound, like the semi-randomneess of it.
So much of that can be attributed to the DFAM, even without the OT & post-editing. It's a great device.
That gif sums up the track perfectly!
The hook was an amazing discovery, it was adding one additional patch cable to the DFAM and I was like "oh damn, this is something". I was really happy that I was recording at the time.
This was a lot of fun to listen to -- cool stuff!
Satisfyingly beefy sound, like the semi-randomneess of it.