The choral sound that blends in and out makes everything sound pretty cinematic and badass, although not as badass as that kick holy cow.  I like how ambitious the 7 idea is.  Sometimes I could keep the count in 7 and sometimes I couldn't.  Maybe it's because it's 7/8 and I'm more used to 7/4?

The choral sound that blends in and out makes everything sound pretty cinematic and badass, although not as badass as that kick holy cow. I like how ambitious the 7 idea is. Sometimes I could keep the count in 7 and sometimes I couldn't. Maybe it's because it's 7/8 and I'm more used to 7/4?

Beautifully relaxed and defiant for 7/8(i’d expect an off-kilter feel, but you made it feel organic… to nice effect!).. the mix is juicy thick, too, so much to digest so much remains interesting. Great track!
(Note to Jordan: when someone puts “i’m sorry” in the title of the track, they’re not actually ‘sorry’, muahahahaha! great playing, no quantization necessary )

Beautifully relaxed and defiant for 7/8(i’d expect an off-kilter feel, but you made it feel organic… to nice effect!).. the mix is juicy thick, too, so much to digest so much remains interesting. Great track! (Note to Jordan: when someone puts “i’m sorry” in the title of the track, they’re not actually ‘sorry’, muahahahaha! :lol: great playing, no quantization necessary :D)