Weeklybeats is a 52 week long music project in which artists compose and publicly release 1 song a week for the entire year.
Starting December 29th 2025 GMT each participant will have one week to upload one finished composition. Any style of music or selection of instruments are welcomed and encouraged. Sign up or Login to get started or check our FAQ for any help or questions you may have.

Thunder

By Coldsushi on March 29, 2026 7:42 pm

Is crazy 1/4 of the year already gone, time flies faster when a calendar is showing me the progress every week

This track started with a couple of sample a friend sent me of his vhikk module, that I then processed into a neurobass using the m8 power, after doing the first drop, sequencing pieces of the neurobass and using some lfo tricks to modulate it on some steps, I went ahead and made the intro with the distorted hypersynth which I really like, hard to control but very fullfilling. The melodic lead is wavsynth with some lfos and pitch slide to make it more expressive. Then I wanted to bring some chaos with the 4 on 4 section leaning towards goa/techno just to break it again into hyperflip at the very end, where I resampled part of the track to sequence it by chopping and repitching to create the new hook.

Overall this has been a nice step where I put most of the things learned so far into one production:
-neuro bass processing
-sub bass mixing
-high freq control
-lfos/envelope for sound design and sound expression
-hop command for triplets
-tables for some envelopes
-eq cleaning
-dariacore/hyperflip studies
-sidechaining bass AND snare as suggested from some of you!
-genres mashing
-loudness control (altho this one is quite distorted, but a bit louder, almost -0 for the last section)
-chords mangling with hypersynth
-one shot samples as instruments (the strings here which sounds surprisingly well, I will def use more)

I did cheat for the final master on this one: I pushed 3db on 3k with zleq2 (awesome eq if u dont know about it),and kclipzero (amazing clipper if you don't know about it), then I pushed or pulled 1 or 2 db before and after a drop to control loudness, everything is definitely achievable directly within the m8 but it was just easier to have a loudness meter and see the values other than just relying on hearing things or looking at the peaks in the m8 mixer

fun thing I also used an app called sonobus to route the audio of the m8 into the ipad and then into my phone (apparently my phone doenst allow to receive audio from usb-c) so I could hear the mix from my phone and tweak some volumes or eq live, quite useful for some sounds that I din't want to stick out as much as they were doing only when listening from the phone.

I'm super excited to hear more music from all of you, there are some insane producers here I'm glad I could know about and get inspired by your work, I have some ideas for the next 3 months and experimenting with genres that you are putting out is one of those, it would also be nice to collaborate on some tracks in the future!

Thank you so much for listening heart

Produced entirely on the m8
Light master with ableton

this slaps so hard. Love the breakdown at 1:10-1:23. Always super inspiring to see what you get out of the m8 heart. Let's collab sometime! (I'm on the WB discord as muhamor)

Wow this hits so hard. Incredible composition work.

YEEEEEAAAAAAHHHHH BOYYYY now we are talking some Sirius s*** !!!! great track well done !!! the neuro bass and woobles are awesome, the mix overall is steady and clean.

Absolutely solid bass, goes super hard!
Nice work on the ebb and flow of tension, fresh arrangement heart

muhamor wrote:

this slaps so hard. Love the breakdown at 1:10-1:23. Always super inspiring to see what you get out of the m8 heart. Let's collab sometime! (I'm on the WB discord as muhamor)

Glad you liked it!! Sounds good heart maybe I should create a group or thread on there!


Homeostatic wrote:

Wow this hits so hard. Incredible composition work.

Thanks a lot! heart


Celio_Morya wrote:

YEEEEEAAAAAAHHHHH BOYYYY now we are talking some Sirius s*** !!!! great track well done !!! the neuro bass and woobles are awesome, the mix overall is steady and clean.

Heck yeah!! awesome to hear about the mix!! I think this one hits pretty well in terms of presence and high frequencies heart

Dustsucker wrote:

Absolutely solid bass, goes super hard!
Nice work on the ebb and flow of tension, fresh arrangement heart

Thank youuuuu the vhikk helped a lot for the neuro bass! Altho there is also a layered distorted bass from m8 synths, is a bit hidden but in my opinion does a lot heart

Omg that groove at 0:30 fuck yes! And the distorted hypersynth right at the beginning is soo tightly tuned it sounds fantastic. I know the genres this is drawing from tend towards shorter length and rapid transition, but I would love to hear some longer phrasing on more than a few parts of this, just to let some of your sound design and melody shine a little more.

This is a bop. The image I get is a one-take music video where the stage is all darkness save for one spotlight, which keeps smash-zooming to scene after scene. Neurobass processing is sick. Love the high-pitched snare. The table design for the decelerating noise and synth wobbles are classic. Love the reversed bass around 0:57, the noise morph into the choir, the bubbling stomping kick pattern around 1:16. It's screechy and noisy and sweet

neon liminal wrote:

Omg that groove at 0:30 fuck yes! And the distorted hypersynth right at the beginning is soo tightly tuned it sounds fantastic. I know the genres this is drawing from tend towards shorter length and rapid transition, but I would love to hear some longer phrasing on more than a few parts of this, just to let some of your sound design and melody shine a little more.

Thanks a lot!! I'm happy you liked the hypersynth I love it so much I might use it again on another track smile I'm hearing you loud and clear on the duration aspect, I totally agree, thanks a lot for the feedback keep it coming I'm always writing down suggestions!! I will definitely do my best to write with a bit more air between sequences heart


sleepside wrote:

This is a bop. The image I get is a one-take music video where the stage is all darkness save for one spotlight, which keeps smash-zooming to scene after scene. Neurobass processing is sick. Love the high-pitched snare. The table design for the decelerating noise and synth wobbles are classic. Love the reversed bass around 0:57, the noise morph into the choir, the bubbling stomping kick pattern around 1:16. It's screechy and noisy and sweet

Always impressed by your reading! And happy to hear you enjoyed the morphing between sounds is usually something that comes later in the production when I try to smooth things out but sometimes it happens early on and that's when I think works best, lately I'm using more fade in/out to improve on that. Thank you for listening!! heart

AMAZING WORK! honestly, first class! Really digging the vox chops!!! Hats off, my friend

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